My Top 100 Pop Singles of the 1990s
I made sure to do my top 100 R&B singles of the 1990s before I worked on this because R&B pretty much was pop music in the '90s: Boyz II Men, Mariah Carey, and TLC dominated Top 40 radio and regularly topped the Hot 100 alongside the Black '80s icons whose hit parades were still going (Michael, Janet, Whitney, and Prince). So this is the other side of '90s pop: adult contemporary ballads, Eurodance and house music, jangly pop-rock, mellowed out classic rockers, crossover hits from Latin and Christian pop, and the occasional Mariah or Prince pop hit that wasn't also on R&B radio. It's also kind of the sillier side of a decade that took itself pretty seriously and is largely remembered for the grit of grunge and gangsta rap. Here's the Spotify playlist:
1. Madonna - "Vogue" (1990)
It feels a little funny to put Madonna at the top of a '90s pop list when she's so emblematic of '80s pop. But she was pretty much at her pinnacle at the turn of the decade, even moreso than peers like MJ and Prince. And one of her most immortal tracks, thrusting underground ballroom culture into the mainstream spotlight, came about from Madonna's always slightly doomed pursuit of movie stardom, attached to an otherwise worthless soundtrack album for Dick Tracy.
2. Seal - "Kiss From A Rose" (1996)
Like "Vogue," Seal's biggest hit ascended to #1 through its attachment to a campy movie adapted from comics. But "Kiss From A Rose" kicked around for quite a while before Batman Forever helped make it a smash. In fact, I remember when it came out, because my dad loved those first two Seal albums and played them around the house constantly. I don't think I thought much of the song for a long -- I might have picked "Don't Cry" as the album's standout ballad if I had to think about it at the time. But time and ubiquity have been kind to "Kiss From A Rose."
3. Deee-Lite f/ Q-Tip and Bootsy Collins - "Groove Is In The Heart" (1990)
The sampledelic retro futurism of 1989 gems like 3 Feet High And Rising and Paul's Boutique anticipated the sound of a lot of the hippest records. But "Groove Is In The Heart" was one of the few times the stars aligned for that aesthetic to attach itself to a big fat hit that appeals all the way across the board. America had just barely begun to meet Q-Tip and Bootsy Collins and the rest of Parliament-Funkadelic had only begun to become elder talismans of timeless cool. It's kind of a miracle that something like this got through the door before stuff like C+C Music Factory became the dominant strain of house music's crossover moment.
4. Natalie Imbruglia - "Torn" (1998)
"Torn" kicked around with different artists in different countries for 5 years before it became a worldwide hit. The American band Ednaswap wrote "Torn" in 1993, which was recorded by Ednaswap as well as Danish singer Lis Sorensen and Norwegian singer Trine Rein before it finally landed with Australian singer Natalie Imbruglia (whose version, surprisingly, was mixed by Radiohead producer Nigel Godrich). It kind of makes sense, though, like I thought it sounded just lightly outdated in 1998, but it's still just a great song, glad it just persistently kept popping up until it worked for somebody.
5. George Michael - "Freedom! '90" (1990)
It's so strange to me that "Freedom! '90" has its year of release stamped on the title because George Michael already released another song called "Freedom" with Wham. The 1984 "Freedom" charted higher than "Freedom! '90" in the U.S. and the U.K., but I've practically never heard it outside of a couple times I watched the videon on YouTube or listened to Make It Big, while "Freedom! '90" has deservedly become kind of a perennial classic.
6. Mariah Carey - "All I Want For Christmas Is You" (1994)
"All I Want For Christmas Is You" came out right in Mariah Carey's hitmaking prime for the Christmas after "Hero"'s run at #1 and before "Fantasy"'s run at #1. But expectations for a Christmas record on the pop charts were so low that Sony didn't even release it as a physical single for Hot 100 qualification, and it reached #12 on the Hot 100 Airplay chart, not bad but kind of minor for peak Mariah. But I think people were always pretty fond of Mariah's catchy little Ronnie Spector homage, and it just seemed to grow in stature every Christmas until streaming changed the way the charts work and "All I Want For Christmas Is You" finally hit #1 in 2019, the first Christmas song at #1 since Alvin and the Chipmunks 60 years earlier.
7. Sinéad O'Connor - "Nothing Compares 2 U" (1990)
I've written about this theory before, but I don't think Sinéad O'Connor or anyone else would've covered "Nothing Compares 2 U" if it wasn't the only song on The Family's self-titled album with a Prince writing credit (in reality, Prince wrote 7 of the 8 songs on the album but doled out credits to members of The Family). The Family's album is pretty cool, but their version of "Nothing" actually kind of sucks and is the low point of the record. Prince's own recordings of it, both studio and live, are far far better, but nobody had heard them when O'Connor rescued the song from obscurity and turned it into a worldwide smash.
8. Cher - "Believe" (1999)
At 52, Cher was the oldest female solo artist to top the Hot 100 when "Believe" went to #1 (8 years older than Tina Turner was circa "What's Love Got To Do With It"). And Cher shattered all of pop's ageist norms while helping to popularize some flashy new technology: "Believe" was the first time most people heard AutoTune used in a cranked-up fashion that draws attention to itself, setting the template for a sound that T-Pain, Kanye West, Future, and dozens of other singers and rappers have spent the last couple decades running with.
9. Chris Isaak - "Wicked Game" (1991)
David Lynch's oeuvre has been musically influential more on the alternative end of things -- Lana Del Rey, the Pixies covering a song from Eraserhead, that sort of stuff. But Lynch's pop legacy has been in elevating the career of a young rockabilly singer named Chris Isaak -- his 1985 debut attracted little attention beyond a song being featured in Lynch's breakout film Blue Velvet. And then an Atlanta radio station director heard "Wicked Game" in Lynch's Wild At Heart and put the song into rotation, helping turn the song into a surprise pop hit over a year after its initial release, a moody, unapologetically retro song full of slide guitar and brushed drums that became one of the sexiest MTV staples of the fast and loud early '90s.
10. DNA featuring Suzanne Vega - "Tom's Diner (DNA Remix)" (1990)
"Tom's Diner" is another song first released in the late '80s that took a circuitous path to the upper reaches of the Hot 100 in the early '90s. The original opened Suzanne Vega's 1987 album Solitude Standing, just a brief 2-minute a cappella intro before the album's big hit "Luka" -- she wrote it about Tom's Restaurant, which would appear in exterior shots in every episode of "Seinfeld," making it some kind of nexus of early '90s pop culture. Then a pair of British producers chopped up Vega's vocal and set it to a dance beat, and Vega's label was prescient enough to buy the rights to the remix instead of suing it out of existence, resulting in a rare cross-format hit that went top 10 on the dance, alternative, and R&B charts.
11. Ace of Base - "The Sign" (1994)
Eurodance popped up on the U.S. charts throughout the '90s, mostly in hip house-flavored one hit wonders, until the moment toward the end of the decade when the buzzword "electronica" lent international dance music some sense of American respectability. But the Swedish quartet Ace of Base were a rare example of a distinctly European group briefly becoming A-listers in America, with 3 of the 10 biggest songs of 1994, all with a weird digital reggae bounce. As Tom Breihan noted in this week's excellent Number Ones column about "The Sign," Max Martin's first production work that appeared on the American charts was a minor Ace of Base hit, "Beautiful Life," a few years before he started his run as one of the most successful Hot 100 hitmakers of all time.
12. 'N Sync - "Tearin' Up My Heart" (1998)
"Tearin' Up My Heart" was the 4th or 5th Max Martin-produced boy band hit by Backstreet Boys or 'N Sync that stormed MTV and pop radio in the late '90s, but it was the first one that really got its hooks into me. I was washing dishes in a Greek restaurant for my first after-school job, and sometimes I had no control on what was playing on the radio in the kitchen, and I just fell for the drama of "Tearin' Up My Heart"'s surprisingly despairing chorus.
13. Haddaway - "What Is Love" (1993)
"What Is Love" is another one of those big Europop choruses that manages to be both cheesy and kind of poignant and vulnerably emotional. A few years after "What Is Love" had its run on the charts, it became primarily associated with Will Ferrell and Chris Kattan's "Saturday Night Live" sketches that were spun off into the movie A Night At The Roxbury, entombing the song as the generic oontz oontz dance track that douchebags to clubbing to, but I think the song manages to hold up despite that association, maybe even helped a little by it.
14. Annie Lennox - "Walking On Broken Glass" (1992)
Annie Lennox and Dave Stewart broke away from their first band, the new wave group The Tourists, to reinvent themselves as Eurythmics, and though "Sweet Dreams (Are Made Of This)" was a hell of a signature song, they didn't get too boxed into that synth pop sound. And when Lennox finally made her probably inevitable jump to solo stardom, she reinvented herself once again with a great run of singles. I only just realized recently that the "Walking On Broken Glass" video co-starred John Malkovich and Hugh Laurie, which really enhances the entertainment value of it in retrospect.
15. OMC - "How Bizarre" (1997)
Very occasionally, an artist from New Zealand or Australia makes it all the way around the world with a song that resonates in America, and "How Bizarre" has got to be one of the most unexpected songs to ever achieve that. Otara Millionaires Club, an ironically named group of indigenous musicians from Otara, one of the poorest parts of Auckland, made a sort of hip hop-derived pop record with some charmingly clever speak-singing over an irresistibly chintzy latin groove, and I just loved this strange little international hit, still do. I was sad to hear in 2010 that OMC frontman Pauly Fuemana died of a chornic illness at just 41 years old.
16. En Vogue - "Free Your Mind" (1992)
Last year I wrote a Spin piece about a favorite pet subject of mine, rock songs by pop stars. En Vogue were running R&B radio in the early '90s when they dropped this funky little hard rock anthem, which didn't get much R&B play but was popular enough on MTV and pop radio to keep their string of top 10 hits going.
17. Janet Jackson - "Black Cat" (1990)
Another great rock song by a Black woman at the height of her reign on the charts co-produced by Janet herself and The Time drummer Jellybean Johnson. I didn't even really register this as a musical departure at the time, it was just one of the many Janet Jackson songs that was inescapable in those days.
18. Right Said Fred - "I'm Too Sexy" (1992)
I genuinely like "I'm Too Sexy," it's just so knowingly silly and irresistibly catchy, with some shameless borrowing that totally works (a riff from Jimi Hendrix's "Third Stone From The Sun"). Some people could probably say the same about Drake's "Way 2 Sexy," the recent #1 that shamelessly borrows from "I'm Too Sexy," but I wouldn't I think that song sucks. The guys from Right Said Fred have been in the news a couple times lately for saying dumb offensive bullshit, which is depressing, because I can not turn this song off when it comes on.
19. Spice Girls - "Wannabe" (1997)
You'll notice that a lot of this list is from the beginning and the end of the '90s, but it's relatively thin on songs from the middle of the decade. The mid-'90s was a great time for rock and hip hop and R&B, but 'proper pop' was so unfashionable in America as to be nonexistent for a few years. And when pop did come back to the U.S., it was from Europe, where it never went away in the same way, partly in the Swedish-produced hits for American boy bands but more significantly via the Spice Girls, who conquered America in a way no British pop group had since Wham. At the time I far preferred "Say You'll Be There" as my go-to Spice Girls hit, but "Wannabe" is obviously the big one and it's grown on me a lot over the years.
20. Bruce Springsteen - "Secret Garden" (1997)
Classic rock icons were still treated like ubiquitous pop culture royalty in the '90s, but outside of Tom Petty and Neil Young, most of them just became desperately uncool. Bruce Springsteen had a weird up-and-down decade of trying to reboot without the E Street Band, growing a goatee and releasing two big slick albums in one day, doing some soundtrack work and winning an Oscar, releasing a folky acoustic album, and then finally getting the band back together and setting the stage for a huge 21st century comeback. "Secret Garden" wasn't one of the songs he wrote for a film, though it mined some of the same hushed synth ballad territory as "Streets of Philadelphia," and it eventually became a top 20 hit (the last of his career) after appearing in Jerry Maguire. And it's a gorgeous song that I think stands up with "I'm On Fire" and Tunnel of Love as a crucial part of his catalog.
21. Eric Clapton and Babyface - "Change The World" (1996)
Eric Clapton's cultural standing has dropped as sharply since the '90s as Springsteen's has risen, but after "Tears in Heaven" and that stupid Unplugged version of "Layla" he was really treated like king of the world for a while there. "Change The World" is a beautiful song, though -- at the time I thought it was an interesting fusion of Clapton's style with R&B's reigning hitmaker Babyface, but it wasn't, really. The song was written by 3 Nashville pros, and released by Wynonna Judd six months before it got the prestige soundtrack treatment. I genuinely couldn't remember which hokey "inspirational" 1996 John Travolta movie "Change The World" appeared in, the one where he played an angel or the one where he played a guy whose brain tumor made him super intelligent and telekinetic (it was the latter). In any case, "Change The World" is a good enough song to transcend all the dorky Clapton/Travolta boomer corniness attached to it.
22. Bonnie Raitt - "I Can't Make You Love Me" (1991)
"I Can't Make You Love Me" is another song written by a couple of Nashville songwriters that made it's way to a rock artist to become a chart hit. After Bonnie Raitt was the first to record it, and "I Can't Make You Love Me" has become something of a modern standard, covered by Prince, George Michael, Adele, Boyz II Men, and others. It charted lower than the song it followed up, "Something To Talk About," but today it has about twice as many streams.
23. Prince and the New Power Generation - "7" (1993)
"7" wasn't Prince's last top 10 hit -- "The Most Beautiful Girl," which followed a year later, was -- but it might as well be the end of the line for his hitmaking days, the last little bit of out-of-nowhere brilliance he got on the radio. It's almost like the belated psychedelic masterpiece he was trying to figure out on Around The World In A Day.
24. Britney Spears - "(You Drive Me) Crazy" (1999)
The TLC reject that launched Britney's career, "...Baby One More Time," will always the best people remember her for. But the third single from the album banged harder and I thought really helped cement that Max Martin sound that was taking over.
25. Amy Grant - "Baby Baby" (1991)
There's an old joke that the difference between pop songs and Christian pop songs is that you just replace the word "baby" with "Jesus" or vice versa. It's a stupid joke, but I do find it funny to imagine that CCM superstar Amy Grant made a song called "Jesus Jesus" that became her secular chart-topper "Baby Baby." She actually wrote the song about her infant daughter, but the lyric is put together cleverly enough to function on that level or as a romantic love song, and it's just insanely bubbly and joyous and packed with hooks.
26. Enrique Iglesias - "Bailamos" (1999)
Ricky Martin justifiably gets a lot of the credit for Latin pop finally really taking over the U.S. charts in the late '90s, but Julio Iglesias's big American breakthrough is my favorite song from that whole hit parade. Ignorant American that I am, I still don't know what bailamos means, but when I heard this song I wanna stand on a table and yell BAILAMOS!!!
Ricky Martin justifiably gets a lot of the credit for Latin pop finally really taking over the U.S. charts in the late '90s, but Julio Iglesias's big American breakthrough is my favorite song from that whole hit parade. Ignorant American that I am, I still don't know what bailamos means, but when I heard this song I wanna stand on a table and yell BAILAMOS!!!
27. Boy Krazy - "That's What Love Can Do" (1993)
This Stock Aitken Waterman-backed girl group got to #18 in '9, but somehow I never heard it or even heard of Boy Krazy. And with the unpromising name I kind of put this song on just assuming I'd laugh at it, but damn, this is catchy as hell.
28. Marky Mark And The Funky Bunch featuring Loleatta Holloway - "Good Vibrations" (1991)
There was a period in the early '90s when hip hop was still ascending to commercial dominance, but the rappers hitting #1 on the Hot 100 were mostly goofy white dudes like Vanilla Ice and Snow. 30 years later, there's still an uncomfortable imbalance in how easily white rappers cross over to pop radio, but it's not nearly as one-sided as it was back then. Mark Wahlberg is the only guy from that period who's a huge star today, but he had to switch to acting and completely abandon music to do it. And I have to admit I still enjoy hearing that dumb meathead kick rhymes over an ecstatic piano house beat and a wailing Loleatta Holloway hook.
29. C+C Music Factory - "Gonna Make You Sweat (Everybody Dance Now)" (1991)
Between Marky Mark and Freedom Williams, there were a lot of ripped dudes rapping over dance beats in the early '90s. "Gonna Make You Sweat" also had a giant hook sung by a veteran disco singer, but Martha Wash had to sue to get credit for the song, which featured a much younger, skinnier model lip syncing her parts in the video.
30. Rednex - "Cotton Eye Joe" (1995)
Now, I'm just brazenly getting into some of the most ridiculous music to ever touch the pop charts. I watched a lot of The Box in the mid-'90s, and the "Cotton Eye Joe" video was just on constantly for a while there.
31. Stardust - "Music Sounds Better with You" (1998)
In between the first two Daft Punk albums, Thomas Bangalter formed a trio that released one single before he went back to his main gig. I wish there was a whole Stardust album, but it is kind of badass to have a band that just released one perfect song.
32. Phil Collins - "Something Happened On The Way To Heaven" (1990)
Phil Collins didn't quite turn into a pumpkin at the end of the '80s, but the spell he cast over the world over the course of that decade started to dissipate, although there's bafflingly a whole generation that apparently thinks the Tarzan soundtrack is the greatest thing he ever did. I really love this later single from 1989's ...But Seriously, though, I think it's the pinnacle of his period of big dramatic horn arrangements, and it makes total sense that he originally wrote it with the Four Tops in mind.
33. Meat Loaf - "I'd Do Anything For Love (But I Won't Do That)" (1993)
When popular artists die, I find I'm often able to hear their most overplayed work with fresh ears, and kind of let down the defenses I'd put up against them. I never get sick of the original Bat Out of Hell stuff, but "I'd Do Anything For Love" was so oppressively ubiquitous when it came out that I'd avoided it for a long time before Meat Loaf passed away in January. And that day, I really listened to it and went okay, this one kicks ass too, it deserved to go to #1.
34. The Backstreet Boys - "Everybody (Backstreet's Back)" (1998)
Being a teenage boy in the '90s, it was very easy to snobbishly reject the boy bands and everything they stood for, but when this song came out, I had to give it up, it's just so obnoxiously, hilariously fun. Am I sexual? Yeahhhhhhhhh!
35. LFO - "Summer Girls" (1999)
With a white dude rapping about Abercrombie & Fitch and reheating some Beastie Boys rhymes over a loop of Extreme's "More Than Words," the Lyte Funkie Ones came on like the most brazenly silly thing that could possibly succeed on the charts in an era ruled by both The Backstreet Boys and Limp Bizkit.
36. Jordan Knight - "Give It To You" (1999)
New Kids On The Block had a bunch of hits, but none of them were really any good, even by modest boy band standards. But when NKOTB's descendants were thriving in the late '90s, one member of the band managed to return to the top 10 as a solo artist, thanks to a burbling R&B-inflected track from Jimmy Jam & Terry Lewis and a song written by future white R&B star Robin Thicke.
37. Robbie Williams - "Angels" (1999)
Take That may be the biggest British pop act that never broke America or even tried, but after Robbie Williams became a solo star, a lot of largely fruitless effort went into trying to make him a star in the U.S. I liked The Ego Has Landed, though, I wish "Angels" had been bigger here, at least big enough that Jessica Simpson never would've tried to make it her own.
38. Madonna - "Deeper And Deeper" (1992)
Of Madonna's first 8 or so albums as an unstoppable force in pop music, Erotica was the lowest-selling album, meeting a sharp backlash alongside her book Sex and her flop erotic thriller Body of Evidence. But Erotica still sold 2 million in the U.S. alone and had a nice run of singles, the album has aged well, especially "Deeper And Deeper."
39. Jennifer Paige - "Crush" (1998)
I don't like to overuse the phrase "one hit wonder," since it's so often applied now to anyone who had one song just a little bigger than their other hits. But Jennifer Paige was a true one hit wonder -- nothing after her debut single "Crush" even charted. I don't think I knew her name the whole time this song was a hit, I'd hear it on the radio and wonder if it was Mariah Carey or just someone who sounded like her.
40. Tal Bachman - "She's So High" (1999)
I just read that Tal Bachman is from Canada, and that tracks, there's something classically Canadian about how unabashedly earnest "She's So High" is, I love it.
41. Lenny Kravitz - "It Ain't Over 'Til It's Over" (1991)
Usually if someone spends their career as a guitar-slinging rocker but reaches their highest chart peak with a delicate pop song, that usually means it sucks. But "It Ain't Over 'Til It's Over" is absolutely one of thebest things Lenny Kravitz ever did, poised yet passionately emotional, sincere yet based on a goofy Yogi Berra quote.
42. Sophie B. Hawkins - "Damn I Wish I Was Your Lover" (1992)
When I was a kid, "I Touch Myself" and "Damn I Wish I Was Your Lover" seemed like the most scandalous, vaguely embarrassing songs on the radio. They're both sort of absurd, but I think they've held up well. It's funny, though, sometimes listening to a song on headphones for the first time, you notice some really obvious thing that you hadn't picked up before -- until this week I didn't have a clue that "Damn" sampled the "When The Levee Breaks" drums.
43. Tracy Chapman - "Give Me One Reason" (1995)
It's fascinating to me how long Tracy Chapman had "Give Me One Reason" before it became the the biggest song of her career. She started playing it live on tour in support of her 1988 debut, and even performed it on "Saturday Night LIve" in 1989, but she didn't released it until her 4th album. Maybe she thought it was too much a simple blue song, and certainly it doesn't seem to capture her essence and her originality like something like "Fast Car," but man, that's a long time to keep a smash it in the chamber.
44. Celine Dion - "Where Does My Heart Beat Now" (1990)
Celine Dion has had bigger hits than "Where Does My Heart Beat Now," but I think her first top 10 in America is her best, has a little more life to the arrangement.
45. Paula Abdul - "Opposites Attract" (1990)
It's weird that Paula Abdul finished out the album cycle that briefly made her a superstar with a duet with a cartoon cat, and ever weirder that it actually worked. Abdul may not be the greatest singer, but I can't think of any of her contemporaries who plausibly could've pulled that off.
46. Aqua - "Barbie Girl" (1997)
It's hilarious that perhaps the campiest, most absurd pop hit of the '90s was written after a member of the Danish group Aqua saw a museum exhibit about "kitsch culture" in Denmark. But the whole concept of Barbie dolls has always been a little creepy and I like that they lean into it, it's easy to make fun of a song like this but it's clearly made by people who are in on the joke.
47. Robin S. - "Show Me Love" (1990)
Growing up, you generally only ever get referred to by your first name and last initial if there's another kid in your class with the same first name. So it's almost eerily perfect that house music singer Robin Stone went by 'Robin S.' when someone else with the same first name later released a song with the same title as her biggest hit.
48. Robyn - "Show Me Love" (1998)
Again, two women named Robin/Robyn with top 10 hits called "Show Me Love," what are the odds? Just a bizarre situation. Swedish singer Robyn's two big U.S. hits were co-produced by Max Martin and his mentor Denniz Pop, who died of stomach cancer less than a year after they charted. Robyn's next couple albums weren't released outside Sweden, but in 2005 she started her own label and started making music that caught on with critics and indie tastemakers, and wound up with a pretty remarkable career. Robyn never returned to the Hot 100 after 1998, but 2010's "Dancing On My Own" has about 5 times as many streams as "Show Me Love."
49. Michael Jackson f/ Janet Jackson - "Scream" (1995)
As the only proper collaboration by the biggest pair of sibling pop stars in music history, with perhaps the most expensive music video ever made at the time, "Scream" has left a relatively small cultural footprint. You can't say a song that peaked at #5 is a flop, but coming on the heels of so many #1s by both artists, it felt like the song came and went very quickly. "Scream" kicks ass, though, I'm glad that een though it was for Michael's album, they used Janet's guys, Jimmy Jam & Terry Lewis, and did something that was like the hardest tracks from Rhythm Nation and Janet cranked up to 10.
50. Santana f/ Rob Thomas - "Smooth" (1999)
It was only last year that Santana and Rob Thomas finally reunited and tried to recreate the lightning in a bottle that was "Smooth." But of course, how could you? Even with Supernatural's success carefully engineered by music industry icon Clive Davis, creating a new formula for teaming veteran artists with younger stars, "Smooth" kind of surpassed any reasonable expectations and swept the Grammys for 13 years in a row.
51. Hanson - "MMMBop" (1997)
52. Snap! - "The Power" (1990)
53. The Divinyls - "I Touch Myself" (1991)
54. Sarah McLachlan - "Angel" (1998)
55. Natalie Merchant - "Wonder" (1995)
56. Seal - "Crazy" (1991)
57. Madonna - "Secret" (1994)
58. Jimmy Ray - "Are You Jimmy Ray?" (1998)
59. Gerardo - "Rico Suave" (1991)
60. Backstreet Boys - "I Want It That Way" (1999)
61. Prince - "Cream" (1991)
62. Rod Stewart - "Downtown Train" (1990)
63. Pretenders - "I'll Stand By You" (1994)
64. Technotronic f/ Ya Kid K- "Move This" (1992)
65. K.D. Lang - "Constant Craving" (1992)
66. Train - "Meet Virginia" (1999)
67. Eiffel 65 - "Blue (Da Ba Dee)" (1999)
68. George Michael - "Too Funky" (1992)
69. 2 Unlimited - "Get Ready For This" (1992)
70. Everything But The Girl - "Missing (Todd Terry Remix)" (1995)
71. 'N Sync - "I Want You Back" (1998)
72. Real 2 Real - "I Like To Move It" (1994)
73. Des'ree - "You Gotta Be" (1994)
73. Des'ree - "You Gotta Be" (1994)
74. Eagle-Eye Cherry - "Save Tonight" (1998)
75. Michael Jackson - "Stranger In Moscow" (1996)
76. Spice Girls - "Say You'll Be There" (1997)
77. Marc Cohn - "Walking In Memphis" (1991)
78. Tina Turner - "I Don't Wanna Fight" (1993)
79. Paula Cole - "I Don't Want To Wait" (1998)
80. Madonna - "Frozen" (1998)
81. Duncan Sheik - "Barely Breathing" (1997)
82. Bonnie Raitt - "Something To Talk About" (1991)
83. Sarah McLachlan - "Sweet Surrender" (1997)
84. Expose - "I'll Never Get Over You (Getting Over Me)" (1993)
85. Lorena McKennitt - "The Mummers' Dance" (1998)
86. Edwin McCain - "I'll Be"
87. Sixpence None The Richer - "Kiss Me" (1999)
88. 98 Degrees - "The Hardest Thing" (1999)
89. Snap! - "Rhythm Is A Dancer" (1992)
90. Christina Aguilera - "Genie In A Bottle" (1999)
91. Sheryl Crow - "Strong Enough" (1994)
92. Technotronic - "Get Up! (Before The Night Is Over)" (1990)
93. Los Del Rio - "The Macarena (Bayside Boys Remix)" (1996)
94. La Bouche - "Be My Lover" (1996)
95. LeAnn Rimes - "How Do I Live" (1997)
96. Donna Lewis - "I Love You Always Forever" (1996)
97. Melissa Etheridge - "Come To My Window" (1993)
98. George Michael - "Praying For Time" (1990)
99. Elton John - "Club At The End Of The Street" (1990)
100. Madonna - "Take A Bow" (1995)
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