And Kid Rock of course had to be there to run around and wave his country flag a little more. It's funny how accomodating the Nashville community is of any mid-level rockers who want to be join the club; all he has to do is say "Johnny Cash" in the chorus of a single and do a country ballad with Sheryl Crowe and he's in, they treat him like royalty. The best part of his set was a slowed down, countrified cover of "Fat Bottomed Girls", which was a pretty inspired choice. I always thought the multi-Freddie harmonies on the chorus had a touch of twang (and I was a little disappointed that Juelz Santana's recent "Fat Bottom" only saw fit to sample the guitar riff from the verses of the original; those a cappella "ahhhh"'s are really begging to be chopped up over a Dipset track).
I'm still a little mystified by the Big & Rich hype that started on ILM and seemed to blossom into a critical darling from that almost independent of the album's sales boom. Granted, I actually take a little credit for that (I was the first person to post about "Save A Horse (Ride A Cowboy)" on ILM, although Chuck Eddy had posted a bit about B&R prior to that). Maybe I'm just conservative or stingy about checking out albums, especially based on the strength of one big single, but I haven't given their record a chance for the same reason I didn't cop the Terror Squad LP. But I guess not having given it a listen isn't really grounds to criticize. And I'm not very down with Gretchen, even on a singles level. I don't think her voice/presence really sells the lyrics, especially her timid, holding but barely strumming a guitar on "Redneck Woman", which just reminds me of Avril Lavigne playing up the whole guitar playing thing. But I was a bit impressed by the Outlaw concert performance of "Here For The Party", which came off a lot stronger than the one in the video.