1. Chappell Roan - "Good Luck, Babe!"
#1 Pop Airplay, #4 Hot 100
Like a lot of people, one of the albums I listened to the most this year was Chappell Roan's 2023 album The Rise and Fall of a Midwest Princess, which I didn't hear when it first came out (although if anyone told me the whole thing was made with Olivia Rodrigo's producer/co-writer Daniel Nigro I think I would've checked it out and loved it right away). Touring with Rodrigo and putting on some great viral performances on things like Tiny Desk Concert helped Roan's album gradually take off, but the non-album single she released this year, "Good Luck, Baby!," was really the thing that put her into the stratosphere, thankfully without totally outshining the album. In an era when pop songs with bridges are an endangered species, "Good Luck, Babe!" made the bridge feel like the climax, the showstopper, the part you look forward to every time the song comes on.
2. Billie Eilish - "Birds Of A Feather"
#1 Pop Airplay, #2 Hot 100
Billie Eilish and her brother Finneas O'Connell have created a signature sound that stands apart from a lot of pop music even now that they're heavily influencing other artists. And they'll occasionally tweak that sound to great effect without totally departing from it in, the best example of which being "Birds Of A Feather." I immediately called it the best thing she's ever made the first time I listened to Hit Me Hard And Soft, and wasn't surprised at all when it leapfrogged over the album's chosen lead single, the also very good "Lunch," to become a far bigger hit.
3. Sabrina Carpenter - "Taste"
#2 Pop Airplay, #2 Hot 100
A year ago, I put Sabrina Carpenter's "Nonsense" at #1 on my year-end singles list, and though it was definitely her breakthrough, it was a relatively minor hit compared to everything she's released since then. I've been nostalgic about the One Direction era lately given Liam Payne's death, and it's nice to see Julian Bunetta, the producer behind a lot of my favorite One Direction songs, return to the pop charts in a big way with Carpenter (on "Taste," "Nonsense," and another song that will appear on this list, "Espresso").
4. Lady Gaga and Bruno Mars - "Die With A Smile"
#1 Pop Airplay, #2 Hot 100
Bruno Mars is the only male singer in the top 10 of this list or in the image at the top of this post, and he's still basically on a long break between projects, just occasionally darting back onto the charts to show off his hitmaking prowess. Pretty much everything Lady Gaga did this year underperformed, including the movie this song was released in connection with, but "Die With A Smile" is a fucking hit, and reminds me how much I enjoyed the first time Mars got in his movie soundtrack power ballad bag with "It Will Rain."
5. Charli XCX - "Apple"
#12 Pop Airplay, #51 Hot 100
I adore Charli XCX and think that the unexpectedly huge year she's had has been pretty cool, but I have to admit I don't think Brat is remotely her best album and was always a little underwhelmed by the album's biggest hit, "360." But I will credit TikTok with helping one of my favorite songs on the album get some momentum.
6. Ariana Grande - "The Boy Is Mine"
#16 Pop Airplay, #16 Hot 100
Eternal Sunshine is the only album Ariana Grande has released in the last 4 years, and it got a somewhat abbreviated promo cycle with no tour, because, as she made clear many times, the Wicked rollout was her top priority for 2024. And given Wicked's box office, that was a pretty shrewd choice, but I'm glad we got an album out of her this year. Other artists had multiple #1 songs this year, but Eternal Sunshine was the other album with two #1s, and those songs were both decent, but I really liked the third single the most, which my local pop station has played a lot more than other songs that missed the top 10.
7. Chappell Roan - "Hot To Go!"
#9 Pop Airplay, #15 Hot 100
I remember when I first heard "Pink Pony Club" earlier in the year and started to catch onto the huge buzz around Chappell Roan and started to check out the album and all her videos, and "Hot To Go!" really jumped out as an obvious potential hit. And I think I like the song even more now that it has become ubiquitous, just puts on a smile on my face every time I hear it.
8. Sabrina Carpenter - "Espresso"
#1 Pop Airplay, #3 Hot 100
Future generations will be baffled that it was "Please Please Please," not "Espresso," that hit #1 this year, but in the streaming era, chart peaks are even more about timing and the artist's momentum than the song itself. "Please Please Please" is a pretty good song that sounds fucking terrible, the final endpoint of all of Jack Antonoff's worst instincts
(the acoustic version salvages it pretty well), and it only hit #1 because it was the first thing that came out after "Espresso," her real world-conquering coronation moment.
9. Beyonce f/ Miley Cyrus - "II Most Wanted"
#19 Pop Airplay, #6 Hot 100
I rolled my eyes pretty hard when Miley Cyrus was revealed as one of the guests on Cowboy Carter (family ties aside, maybe 3% of her catalog can be described as country music). I have to admit, though, "II Most Wanted" is a good song and Beyonce and Miley harmonize really well together. As I noted in the 2024 country list, country radio's embrace of "Texas Hold 'Em" was kind of tepid and obligatory, and the song actually did better on pop radio, so it felt like a good choice for this song to follow it as the Top 40 single.
10. Halsey - "Ego"
#28 Pop Airplay
The funniest thing that happened to me
on Twitter this year was inspired by "Ego," but it's also a pretty awesome song, one of my favorites on
The Great Impersonator. I guess the official artist that this is a nod to is the Cranberries, which wouldn't have really occurred to me, but either way I enjoy it as a nice angsty mall rock jam.
11. Taylor Swift - "I Can Do It With A Broken Heart"
#6 Pop Airplay, #3 Hot 100
Every album Taylor Swift released in the first decade of her career, culminating in 1989, was well positioned for maximum commercial impact. Of the many albums Swift has released in the 10 years since 1989, I would say that only one of them, Lover, was lobbed straight down the middle as the product of an A-list pop star trying to maintain their position at the top. The rest are all curveballs in some way or another, even if they're all pretty accessible and successful by any reasonable measure. The Tortured Poet's Department is particularly downtempo and feels almost actively angry at her fanbase for hastening the end of a relationship that, judging from the album, meant a lot to her. "I Can Do It With a Broken Heart" is one of the few really uptempo songs on the album, but it's kind of a passive-aggressive celebration of how she could carry the Eras Tour to historic grosses while she was, apparently, completely miserable and heartbroken for at least part of the tour. In a weird way I think it's actually one of the more moving and relatable songs she's ever written, I think most of us have had days where we feel like shit about our personal lives but go to work that day and admire our ability to compartmentalize it all and put on a smile.
12. Olivia Rodrigo - "Obsessed"
#14 Pop Airplay, #10 Hot 100
"Good 4 U" is Olivia Rodrigo's biggest song, and it feels like it signaled her true musical direction, I love how guitar-heavy Guts was and how she had the Breeders open for her. Doubling down on that sound is still a little risky, though, and when Rodrigo released three rock-oriented singles in a row, none of them were embraced by alternative radio, and all of them landed in the same middle zone on Pop Airplay (#11 for "Bad Idea, Right?" and #9 for "Get Him Back" and #10 for "Obsessed"). I don't know if she'll pull back from that sound in the future or just keep at it, but I love all the music she's done in this vein, she's such a badass.
13. Gracie Abrams - "Risk"
#25 Pop Airplay, #94 Hot 100
Gracie Abrams, daughter of blockbuster filmmaker J.J. Abrams, is in the same post-Taylor Swift zone as Olivia Rodrigo, they even have kinda similar voices, but Abrams's music is a bit softer. My favorite songs of hers have a little of a Lilith Fair vibe with fast strumming acoustic guitar risks, but The Secret of Us lead single "Risk" was very quickly overshadowed by the radio favorite "Close To You," the YouTube favorite "I Love You, I'm Sorry," and the deluxe edition streaming favorite "That's So True," which sounds a lot like "Risk" but not as good.
14. Isabel LaRosa - "Favorite"
#26 Pop Airplay
Isabel LaRosa is a singer-songwriter from Annapolis, Maryland who's done some pretty big streaming numbers with a few of her singles, mostly building an audience through TikTok, but I didn't hear her until my local pop station started playing "Favorite," which has one first in English and one in Spanish. I've been on a couple email threads with her people this year trying to set up an interview, hopefully that will happen soon, I feel like she's got a big future.
15. Benson Boone - "Beautiful Things"
#1 Pop Airplay, #2 Hot 100
A slow-burning song that starts in waltz time for its first half and then switches to 4/4 for a big bombastic rock climax is an unusual structure for a massive hit song with well over a billion streams. But it's happened twice in the last few years, first with Billie Eilish's "Happier Than Ever," and then with Benson Boone's breakthrough single.
16. Camila Cabello f/ Lil Nas X - "He Knows"
#27 Pop Airplay
Camila Cabello and Shawn Mendes were a chart-topping power couple for a minute, but they've both descended into their respective flop eras since breaking up. I didn't much care for Cabello's new album C,XOXO, which felt kind of forced and edgy in a way that reminded me of Miley Cyrus circa Bangerz. But I really dug one song, the one that featured Lil Nas X, someone else who was a huge star a few years ago but has had trouble scoring a hit this year (and I liked "J Christ" too!).
17. Usher - "Kissing Strangers"
#28 Pop Airplay
After all the comeback hype, Usher's Coming Home was just a solid, moderately popular R&B album, and the week after the Super Bowl, "Yeah!" was the only song he had on the Hot 100. The song that got worked to Top 40 radio was a really lovely, underrated track, though.
18. Sabrina Carpenter - "Feather"
#1 Pop Airplay, #21 Hot 100
Sabrina Carpenter became a major star by any measure this year, including on streaming services, but her radio domination is really something. She currently has four songs in the top 20 of the Pop Airplay chart, and "Feather" was the first of three of her songs to hit #1 on pop radio this year.
19. Renee Rapp f/ Megan Thee Stallion - "Not My Fault"
#12 Pop Airplay
Renee Rapp is one of the best things about the Max sitcom "The Sex Lives of College Girls," and she recently left the show to focus on her music career. That's fine with me, because I thought her 2023 album Snow Angel was great, but for whatever reason, that album didn't do great on the charts. Instead, one of the songs from the movie of the Mean Girls she co-starred in turned out to be her real radio breakthrough. It's also Tina Fey's husband Jeff Richmond first songwriting credit on a pop hit, let's go Jeff!
20. Teddy Swims - "Lose Control"
#1 Pop Airplay, #1 Hot 100
"Lose Control" was the biggest radio song of 2024 and was a cross-format smash, even getting play on R&B and alternative stations, in a fashion similar to another White soul song, "Rolling in the Deep," did over a decade ago. I got really tired of it for a while, but then the extremely tiresome follow-up single "The Door" came out and I realized I at least enjoy "Lose Control" a lot more than that one. Also, another big win for Julian Bunetta!
The 10 Worst Pop Radio Hits of 2024:
1. The Weeknd - "Dancing In The Flames"
2. Katy Perry - "Woman's World"
3. Eminem - "Houdini"
4. MGK and Jelly Roll - "Lonely Road"
5. Knox - "Not The 1975"
6. Jagwar Twin - "Bad Feeling (Oompa Loompa)"
7. Mark Ambor - "Belong Together"
8. Gracie Abrams - "Close To You"
9. Selena Gomez - "Love On"
10. Addison Rae - "Diet Pepsi"
Previously: The 20 Best Pop Radio Hits of 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 and 2023.