Saturday, July 19, 2025

 




The August 19th release date of my book Tough Breaks: The Story of Baltimore Club Music is just a month away now, and Stereogum has published a 4 thousand word excerpt that includes the previously untold story of how Tierre Brownlee gave Unruly Records its name. Thanks also to Resident Advisor and Steal This Music Taste for their recent posts about the book. Preorder it here

Friday, July 18, 2025

 




For this week's Deep Cut Friday, I wrote about "Rocket Queen" by Guns N' Roses. 

Monthly Report: June 2025 Singles

Wednesday, July 16, 2025























1. Sabrina Carpenter - "Manchild" 
As someone who always had mixed feelings about "Please Please Please," I rolled my eyes the first time I played the lead single to Sabrina Carpenter's forthcoming album and it was another shrill trebly country/indie pop Jack Antonoff production instead of one of her better-sounding Julian Bunetta or John Ryan tracks. But the video, easily the best music video I've seen this year, helped hold my attention, and by the time they synced the crash cymbal in the chorus to Carpenter shooting across a pool table with a shotgun, I was sold on the song as well. This song rules, there's so much casual pop craft here, the two verses have completely different vocal melodies and the first one has a pre-chorus that never repeats. I will say, though, most misandrist pop songs are about cheating cads so I can enjoy them without feeling implicated, but I am an absent-minded doofus often enough that I worry that if my wife heard this song she might identify with it. This song also makes me think about reading in the '90s that so many magazine articles referred to Beck as a 'manchild' that he started performing the song "Asshole" with 'manchild' in place of the title lyric. Here's the 2025 singles Spotify playlist I update throughout the year. 

2. Hudson Westbrook - "House Again"
Hudson Westbrook is a 20-year-old Texan who moved to Nashville and signed with an independent label, wrote a sad little breakup song inspired by his parents' divorce, racked up 40 million streams with it by the time a major label signed him, and is releasing his debut album later this week. He also did a version of "House Again" with Miranda Lambert that he released alongside a cover of her signature song "The House That Built Me." He's off to a good start, and I'm definitely interested to see where his career goes. 

3. Sombr - "Back To Friends"
Sombr is another 20-year-old kid who just blew up in the last few months -- his ridiculous stage name and matinee idol cheekbones make him seem vaguely like a parody of a pop star from a movie, but I really like "Back To Friends." It and another similar but far less catchy Sombr song, "Undressed," entered the Hot 100 a week apart back in April. And as they kept racking up big streaming numbers, I heard both on the radio for the first time on the same day in May, "Back To Friends" on an alternative station and "Undressed" on a Top 40 station. Both songs are still doing really well and from week to week it's hard to tell which one will ultimately be remembered as his first big hit, but I know which one I'm rooting for. 

4. The Weeknd - "Cry For Me"
It wasn't until I started putting together the S.O.S. Band deep album cuts playlist that I posted the other day that I realized that "Cry For Me" is built on a sample from an obscure S.O.S. Band track from the early '90s. I kind of feel like these days the Weeknd is mostly veering between his signature slow creepy R&B and his pop songs in the uptempo "Blinding Lights" vein, but this song really works because it's pretty fast and danceable but still really cinematic and ominous. 

5. Megan Thee Stallion - "Whenever"
I feel like people have gotten weirdly nitpicky about Megan's output, I don't know why people would rave about "Bigger Than Texas" but hate "Whenever," I feel like they're both an example of a great rapper picking a track they'd sound fantastic on, love the Ms. Cherry sample. 

6. Pluto & Ykniece - "Wham Whamiee"
Another song that went mainstream recently referencing an old Atlanta regional hit that never really went national, in this case Mook B from D4L's "Whim Wham." I'm such a huge Zaytoven fan, I love that he's got a hit like this a full 20 years after "Icy." And Pluto's album is pretty good, I feel like she's a real music head who's doing her best with her skill set, I think it's kind of a shame that she set herself up to be looked at the same way Sexxy Red is by putting her on the remix. 

7. Keith Urban - "Straight Line"
It's been a minute since Keith Urban did one of those high energy anthemic songs in the vein of "Somebody Like You" and "Days Go By" and that's always my favorite shit from him, he just needs an excuse to really cut loose on the guitar solo. 

8. Mariah The Scientist - "Burning Blue"
Mariah The Scientist has definitely been building a bigger fanbase and inching closer to chart success for the last few years, but it was surprising to see this song just instantly surpass anything she'd ever released before in both streaming and radio numbers. Also interesting that she's kind of part of a power couple with Young Thug but she's blowing up while the buzz around his new music has kind of cratered. 

9. Mariah Carey - "Type Dangerous"
Strange to find ourselves in a moment where Mariah Carey has a new song but a different Mariah is outperforming her on the Hot 100! She'll get her revenge in December, though. Carey is a great songwriter but I do think she needs the right collaborators in her corner and making music with Anderson.Paak is probably gonna be good for her, I'm interested to hear what else they do together. 

10. Ariana Grande - "Twilight Zone"
"Warm" is by far my favorite new song from the deluxe version of Eternal Sunshine, but I do like hearing this one on the radio. I saw a review of this song that described it as "chillwave-adjacent" and I feel like people will just say that about absolutely anything now. 

The Worst Single of the Month: Alex Warren - "Ordinary"
I feel like it's kind of an easy target to use this space to single out the very unhip current #1 song in the country, but yeah I'm sick of changing the station when this comes on. "Burning Down," the minor hit about Alex Warren's TikTok creator house figuratively burning down, is probably worse than "Ordinary," but "Ordinary" is a lot more annoyingly ubiquitous. 

Deep Album Cuts Vol. 390: The S.O.S. Band

Tuesday, July 15, 2025

 





The S.O.S. Band's catalog returned to streaming services in April to celebrate the 45th anniversary of their debut single "Take Your Time (Do It Right)," so I wanted to jump in and explore their music beyond that run of classic singles. 

The S.O.S. Band deep album cuts (Spotify playlist):

1. On The Rise
2. Can't Get Enough 
3. I Wanna Be The One 
4. Nothing But The Best
5. I'm In Love
6. Feeling
7. If You Want My Love
8. Sands Of Time
9. Goldmine
10. Do You Know Where Your Children Are?
11. Open Letter
12. Looking For You
13. Who's Making Love
14. Body Break
15. Are You Ready (featuring Kurupt)
16. It's A Long Way To The Top
17. Love Won't Wait For Love

Tracks 5, 11, and 17 from S.O.S. (1980)
Tracks 10 and 16 from Too (1981)
Tracks 2 and 12 from III (1982)
Tracks 1, 7, and 13 from On The Rise (1983)
Tracks 6 and 14 from Just The Way You Like It (1984)
Tracks 4 and 8 from Sands Of Time (1986)
Track 9 from Diamonds In The Raw (1989)
Track 3 and 15 from One Of Many Nights (1991)

The S.O.S. Band (the name stood for "sounds of success") were from Atlanta, and were one of the biggest acts on Clarence Avant's label Tabu Records. The members of the S.O.S. Band wrote and produced a lot of their own material, but they were also the first act that Jimmy Jam & Terry Lewis wrote and produced for outside of The Time, beginning on III. In fact, the famous story is that Prince fired Jimmy and Terry from The Time when they missed a gig, because of a freak snow storm in Atlanta while they were in the studio with the S.O.S. Band. 

Jam & Lewis made 14 songs with S.O.S. Band and 12 of them were singles, they were on some proto-Neptunes shit where they'd do the singles and then let other people do the rest of the album. So "Sands of Time" and "Nothing But The Best" are the only deep cuts by the band produced by Jam & Lewis. Those songs were also both sampled on songs by Ed O.G. and the Bulldogs.  

"I Wanna Be The One" was sampled on The Weeknd's current hit "Cry For Me," and "Do You Know Where Your Children Are?" was sampled on Max B's "I Ain't Tryna." Kurupt from the Dogg Pound made his on-record debut on three songs on 1991's One Of Many Nights before he linked up with Death Row and appeared on The Chronic, and I included one of those songs, "Are You Ready." Legendary James Brown/P-Funk sidemen Fred Wesley and Maceo Parker played horns on "I'm In Love," "Open Letter," and some other songs on their first couple albums. Lead singer Mary Davis left for a solo career and didn't play on their last two albums, but these days it appears that when the S.O.S. Band tours, Davis is the only member of their classic '80s lineup that's still in the group (and she took a break from the band after suffering a stroke in 2021). It's not really clear who among the band's founding members is still alive and musically active, but saxophonist Willie "Sonny" Killebrew passed away last year. 

TV Diary

Monday, July 14, 2025

 






Lena Dunham is more talented as a writer than as a performer, but making someone else the lead actor in her projects isn't an instant upgrade -- Sharp Stick for instance was terrible. "Too Much" really benefits from Megan Stalter from "Hacks" playing the lead in Dunham's very autobiographical new series, though (Dunham is also in there as the main character's sister). As far as Netflix shows that trace the messy yet charming arc of the beginning of a relationship, "Too Much" ranks somewhere below "Love" and "Nobody Wants This," Dunham's signature pathological self-obsessed oversharing eventually kinds of overwhelms the show and makes it exhausting, but Stalter's great. 

Both the times I've seen Taron Egerton play American characters were on Apple TV+ dramas, "Black Bird" and now "Smoke," and both times I feel like I can't tell if his American accent's bad or if he was just miscast as a character that he's not very believable at playing. It's actually gotten worse with each progressive episode, because the rest of the cast is spot on. Jurnee Smollett playing a total badass is great, I think she's ready to be the lead in a big action movie. 

I feel like Carrie Coon is the latest great actor who's been underserved by "The White Lotus," she never gives a bad performance but it felt like she just got a couple good scenes out of a character that ultimately felt like filler in an overstuffed ensemble. So I'm glad HBO still has her doing great work as the politely manipulative and scheming Bertha Russell on "The Gilded Age" as well, and she gets to wear big crazy hats too. 

"The Buccaneers" is set only maybe a decade earlier than "The Gilded Age," but it's more deliberately soapy with a modern soundtrack, not nearly as good a show but I enjoy it too. Adding Leighton Meester to the cast almost isn't fair, as if the show wasn't already full of devastatingly pretty faces. What's interesting, though, is that right now I think the show's most interesting romantic subplot is the one between two of the oldest members of the cast, Amelia Bullmore and Greg Wise have great chemistry. 

I forgot how much I liked this show, glad it came back for a second season since you never know with British shows. Kat Sadler is brilliant and Carla Woodcock and Freddie Meredith are probably the most consistently funny members of the cast. 

This Polish series does the 'rich person's life and marriage fall apart' thing that we've seen in a million shows, but the first episode is pretty memorable and gripping, great unhinged performance from Malgorzata Kozuchowska. 

A pretty promising French mystery thriller on Netflix starring Isabelle Adjani, I'm not far enough in it to make much of a judgment but I'm intrigued by the premise of a woman finding out the man she's accused of killing was her father. 

A good old-fashioned heist show from Spain on Hulu, lots of beautiful scenery and good uses of music and Silvia Alonso is gorgeous. 

Teen dramas from other countries feel a little less self-consciously silly than the ones in America, this Spanish show about elite athletes at a training facility is pretty good. 

Another show from Spain! A pretty good workplace comedy about a teacher at a cutthroat prestigious school, Cecilia Suarez is beautiful and they put her in these big goofy glasses to unconvincingly deglamorize her on some She's All That shit. 

This Danish series on Netflix does a good job of just presenting the human-level consequences of sea levels rising without being overtly about 'climate change.' 

A Japanese show about a charming, charismatic murderer, doesn't really put an interesting spin on the concept like "You" so I got bored with it quickly. 

A charming Taiwanese show about a woman who turns her life into a standup comedy routine. 

I love a good "former spy gets pulled into a mystery" plot, and this is about a retired Italian intelligence officer who investigates her son's death. 

Another good trope is "former gangster goes back to his old life for revenge," and this Korean show about a guy avenging his brother has some pretty great action scenes. 

There are a ton of new shows and features about sharks on Netflix and Nat Geo this month, I thought maybe they were just trying to steal Shark Week from Discovery, but I guess it's mainly because of the 50th anniversary of Jaws. This Netflix reality competition is probably the silliest of all the new shark shows, where teams go under water and compete to find and photograph different types of sharks. My wife and kids used to play Pokemon Snap a lot, so this kind of reminds me of a real world version of that. 

Based on the name I figured this was just a "Making The Band" knockoff or rebranding that wanted to avoid the stigma of being associated with Diddy. But I actually really like this because the whole concept is that singers choose each other to start groups with, so the whole thing is built on mutual appreciation more than competition from the jump. It's still a little derivative (it's sort of like "Love Is Blind" crossed with "The Voice"), but it works, and AJ McLean was always my favorite Backstreet Boy, he's a good host. I haven't gotten to the episodes featuring Liam Payne yet but I like that they did a nice message remembering him at the top of the first episode. 

This TLC docuseries about people in their 20s, 30s, or 40s who haven't had sex is oddly kind of heartwarming and empathetic, just telling these stories about their lives and why they're still virgins, showing their attempts to go on dates and find love. Despite the title and the concept, it feels like the show really treats everyone with dignity and doesn't reduce them to their virginity. 

A sort of NBC news magazine series profiling people who survived storms and natural disasters. The first episode is about the 2011 Joplin tornado and tornado stories are always interesting to me, those things are terrifying. 

I kinda miss Jim Jeffries having his own shows, but it feels a little like a waste of his talent to have him host a Fox reality show that's a blatant knockoff of "The Traitors. 

I feel like police finding a bunch of cocaine on a private jet can't be such an unusual occurrence for it to be a whole Netflix docuseries, like doesn't this kind of thing happen all the time? 

A wealthy Argentinian woman was found strangled to death in her home in 2006, and the murder is still unsolved. Again, it feels like Netflix barely had enough story here for a film but managed to milk it for a whole miniseries. 

Now, a crooked mortician accused of fraud and desecrating bodies, that's a docuseries, it's clear HBO Max still really knows how to do this kind of thing a lot better than the docs that Netflix craps out. 

The Philippines is such a unique and interesting nation and it's been on the world stage for some pretty bleak reasons in recent years, so it's nice to see a Netflix series just celebrating its arts and music and cuisine and culture. 

I haven't seen Jane Seymour in anything in a long time, it's nice to see her doing well and hosting this show where people go through their ancestry and kind of openly confront some of the more complicated and sordid stories they find. 

I have a vague memory of the original "Walking With Dinosaurs" from 1999, I guess this is the same basic idea, I guess it's pretty scientifically accurate but I hate the visual style of the CGI dinosaurs. 

Saturday, July 12, 2025
Cassowary Records · western blot - hit em: impossible

 



I made a hit em version of the "Mission: Impossible" theme, rest in peace Lalo Schifrin. I made a hit em DJ set a couple months ago. 

Friday, July 11, 2025

 




For this week's Deep Cut Friday, I wrote about the My Chemical Romance song that Gerard Way said should have been on The Black Parade. I also ranked 50 Cent's albums and added Talkin to the Trees to my ranking of Neil Young albums

Tuesday, July 08, 2025

 





I previously announced that my book Tough Breaks: The Story of Baltimore Club Music will be out on August 19th, and this week there is a Barnes & Noble sale on preorders of the paperback or eBook

Movie Diary

Monday, July 07, 2025

 






a) The Ballad of Wallis Island
Director James Griffiths and actor/writers Tim Key and Tom Basden made an award-winning short film in 2007, The One and Only Herb McGwyer Plays Wallis Island, and 18 years later they turned it into a feature that's currently on Peacock, and it's really good. I kind of use the word 'dramedy' as a pejorative sometimes because there are so many 'grown up' movies that are all both sad and droll in the same ways, but The Ballad of Wallis Island really deftly mixes together tones. Tim Key's character is a little eccentric and embarrassing, a lottery winner who books his favorite folk duo for a private reunion performance, and there are a few moments where I laughed really hard at the unpredictable things that come out of his mouth. But there's a lot of emotion in the story that comes out in a gradual and unforced way, and things between Basden and Carey Mulligan's characters don't really go where you expect, it's a lovely little movie. 

b) Echo Valley
Echo Valley is a thriller on Apple TV+ written by "Mare of Easttown" creator Brad Ingelsby. It has a couple of decent plot twists -- I liked the smaller twist midway through the movie, but I saw the big one at the end coming a mile away, and it would've been a more satisfying movie if they'd gotten to it more elegantly or unexpectedly. It's by far the best performance I've ever seen from Domnhall Gleeson, he's kind of casually menacing and unpredictable in a really charismatic way, and there's a charge to all the scenes he's in. But a lot of the movie is Julianne Moore and Sydney Sweeney playing these one-note characters that are much harder to watch, a put-upon mother and her troubled daughter. 

c) Nonnas
This Netflix movie is the kind of Vince Vaughn movie that used to be in theaters, a charming low stakes comedy about a NYC guy grieving his mother who decides to open a restaurant where Italian-American grandmothers cook their favorite recipes. One of those movies that just knows it has a strong premise and a great ensemble cast and just tries to not get in the way of that. And listen, Susan Sarandon...still got it! 

d) Predator: Killer of Killers
My wife hadn't seen Prey, but she saw an ad for Dan Trachtenberg's animated follow-up Predator: Killer of Killers and was excited about it, so we watched both movies back-to-back. Killer of Killers is pretty fun, I don't think I liked it as much as she did, but I dug the animation style and the way they made it seem like an anthology and then tied the three stories together, that was fun. Definitely excited to see what Trachtenberg does with the next theatrical live action Predator movie later this year. 

e) Mountainhead
Mountainhead is "Succession" creator Jesse Armstrong's directorial debut (surprisingly, he didn't direct any episodes of the series even though he wrote most of them). And it feels very much like he had an idea for an episode that he never found a place for in the series and decided to burn off as a standalone movie, sort of like when Aaron Sorkin would force "West Wing" episode ideas into "Studio 60" episodes. But Mountainhead is pretty good, makes excellent use of every member of its small cast of four (Steve Carell, Jason Schwartzman, Cory Michael Smith, and Ramy Youssef), even if I feel like the story ran out of steam once Armstrong got the points across that he wanted to. 

f) Becoming Led Zeppelin
This doc does a pretty great job of sort of stepping away from the larger-than-life mythology around Led Zeppelin and just explaining how the band happened, all the music that influenced these guys and all the headwinds in rock culture and the music business that made it possible for them to show up and just become a phenomenon. It's a little flat and straightforward, but again, that almost kind of serves the approach they took, and it's cool that they got good substantial interviews with the three living members of the band -- I'd never heard John Paul Jones talk much before and I just kinda love the sound of his voice. Apparently the filmmakers went to great lengths to find some rare John Bonham interview audio so that his voice could be part of the movie along with his bandmates, and I'm really glad they did that, although I wish there was more of that in there. 

g) Bono: Stories of Surrender
Bono is pretty divisive as far as frontmen of huge bands go, but I have a higher tolerance for his hammy charisma than a lot of people do, partly because I think U2 has a fantastic and unique sound. So I went into this expecting to enjoy it about as much as a U2 concert, but I did not. I sort of expected he'd do something stripped down like Springsteen on Broadway, but it's a pretty big production with an orchestral backing band and a seasoned film director, Andrew Dominik, making it all very lavish and cinematic and more than just footage of a stage show. But Bono comes out of the gate singing fucking "Vertigo" and it takes quite a while for him to do a rendition I like of a song I like, it just didn't do much for me on a musical level, impressive as it was. 

h) On The Count of Three
I've seen a lot of Jerrod Carmichael's standup and various TV projects, but somehow I totally missed that he directed a feature film, On The Count of Three, in 2021. It's about two friends who are both depressed and suicidal and make a suicide pact, and Carmichael and Christopher Abbott are really funny together. But I thought the first half was much better than the second half, where it feels the screenwriters wrote themselves into a corner and did this generic action movie climax and then ended the story with a shrug. 

i) Red Rocket
I liked Sean Baker's earlier movies Tangerine and The Florida Project, and had mixed feelings about Anora after its big triumph at the Oscars, so I was curious to go back and see the movie in between that I'd missed, Red Rocket. And man, I don't know. The accolades this movie got look kinda crazy to me now. Around the time Baker made Red Rocket he very explicitly talked about his personal mission to "tell stories that remove stigma and normalize" the lives of sex workers and other marginalized people, which I think really reaffirmed the sense a lot of people had that he's doing really brave, important work. But Red Rocket, I don't know, it's a film that has about as much respect for its characters as your average Farrelly brothers comedy. I'm not one of those people who thinks a movie is inherently flawed or problematic because the protagonist is flawed or problematic, but if you made a personification of all the negative stereotypes about adult film stars, that would basically be Simon Rex's character in this movie, a foolish and compulsively dishonest loser who spends the whole movie stealing from people and grooming a teenager. Again, I'm not offended per se, but I didn't feel like the direction or the acting really elevated the subject matter, it all felt kind of snide and lurid but not particularly funny.  

j) Talk To Me
Few things get me more excited to see a movie than a horror movie that comes out of nowhere to become a big word-of-mouth success. Talk To Me was pretty good but I don't know, pretty quickly after the premise was laid out, I got a little bored with it and was just kinda riding out the fact that the acting and direction was good without being on the edge of my seat or caring about the face of the characters. Like the ending was really well done, but it was also really easy to see where it was going, so it didn't feel as satisfying as a classic horror movie ending. Also, the movie subjects you to just a ton of terrible Australian hip-hop. 

k) Beau Is Afraid
As much as I loved Hereditary and Midsommar, I was not in a rush to set aside three hours to watch Beau Is Afraid after all the middling reviews or even just the poster that looked like total dogshit. But I'm glad I finally got around to it, it's definitely not as good as Ari Aster's first two features, but I found it pretty compelling in just the sheer volume of disturbing imagery and scenes that the movie inundates you with. That said, I kept thinking about how it would've taken just a couple different casting decisions and a different directorial tone and this would be a full-on comedy, albeit a pretty dark comedy, and I almost wanted to see a version that took itself less seriously. 

l) Anatomy of a Fall
I kind of figured that the instrumental version of 50 Cent's "P.I.M.P." in Anatomy of a Fall was this fleeting minor thing that people talked about a lot because it was such an odd musical choice, but no, it's genuinely something you hear for a substantial stretch of the film and becomes an actual significant plot point. I liked it, but I dunno, it didn't really feel like a Best Picture nom to me, like if this exact same movie was made in America with an American cast, I don't think it would've gotten the level of awards love it got, it would be looked at as just another courtroom drama. 

m) The Ritual
A movie called The Ritual just came out in theaters but this is a different one from 2017. My wife read something about it and was intrigued and wanted to watch it, and I'd seen and enjoyed director David Bruckner's other movie The Night House, so I was down. Pretty solid horror movie about four friends walking through a creepy European forest, lots of great atmosphere and good scares. I particularly liked the dream sequences where Bruckner would kind of combine the forest location with other locations from the character's memory in these surreal ways. 

n) The Pale Blue Eye
The Pale Blue Eye is based on a novel that's one of those 'historical fiction' things that places real people in fictional situations -- specifically, a young Edgar Allen Poe (played by Harry Melling) assists a detective (played by Christian Bale) in investigating murders at a military academy. A decent little mystery plot, but the whole Poe aspect feels tacked on and pointless. But Melling is really well cast, I'd watch him in a Poe biopic. 

o) RRR
Took me a couple years to check this out after its big Oscar run, but I'm glad I did, the musical sequences are so over-the-top and cool. The way they put Indian historical figures into this colorfully stylized, heightened reality was a much more interesting way to combine fact and fiction than something like The Pale Blue Eye

p) Robot Dreams
I didn't like this as much as Flow, the other recent word-of-mouth hit European animated movie with no dialogue, but it was pretty good. As a big Wall-E fan, though, I'm just starting to reckon with how much fiction there is that aims to make the audience sympathize with a robot's emotions and how I feel about that given all the moronic shit people are doing with artificial intelligence these days, including believing it's their girlfriend or boyfriend or therapist. 

q) Mufasa: The Lion King
I don't begrudge directors for taking big money gigs, if this is how Barry Jenkins gets the kind of financial freedom he deserves for making Moonlight, cool. But a live action/CGI remake of a Disney animated classic that's patterned after The Godfather Part II definitely feels like something of a waste of a talent, and I feel like Moana 2 would have benefited from Lin-Manuel Miranda's songwriting more than this did. 

Friday, July 04, 2025

 





Debbie Harry just turned 80, so I wrote about Blondie's "Fade Away and Radiate" for Deep Cut Friday. Also for Spin this week, I ranked Missy Elliott's albums and wrote about songs by Prince, De La Soul, and Fela Kuti for a list of songs about peace

Monthly Report: May 2025 Albums

Thursday, July 03, 2025





















1. Ben Kweller - Cover The Mirrors
Ben Kweller is a few months older than me, and when we were both 15 and I was playing in my first garage band, I'd see him on MTV News and "Late Night with Conan O'Brien" with his band Radish. After Kweller went solo, I saw him play a great show with Brendan Benson at a bar in Baltimore when he was 21 (I was 20, so security put the Sharpie X's on my hands). I wouldn't say I've followed his career too closely over the years, "Falling" was always the one song I'd come back to now and then, love that one. But I always liked and related to Kweller, and my heart broke hearing about his teenage son Dorian dying in a car accident a couple years ago. Cover the Mirrors is Kweller's first album since that tragedy, and I was holding it together through most of the album, but man, that closing track "Oh Dorian" really made me cry. Kweller's voice is eternally boyish even now in his forties and still makes crisp, catchy pop/rock, so there's this sort of indefatigable sweetness to the album, even when he's singing about depression and going through something absolutely awful. This is in my 2025 albums Spotify playlist along with the other albums in this post. 

2. Aminé - 13 Months of Sunshine
Sometimes I feel like people are too obsessed with seasonally appropriate music in hip-hop, I hear a lot about how so-and-so should only drop in the summer or this song shouldn't have come out in the winter. But I will say, pretty much every Aminé album has come out between May and August and that feels about right, even as his lyrics have become gradually more frank and introspective, he just has this ear for bright warm weather beats. DJ Dahi did a lot of the production on here, some of my favorite work from him since the early Vince Staples stuff. On 13 Months of Sunshine's great autobiographical opening track "Feels So Good," Aminé talks about interning at Complex, and I didn't even realize that he was there around the same time I started writing for Complex back in the day. Waxahatchee guests on both the Ben Kweller and Aminé albums, it was kind of fun to notice that as I was putting this post together. 

3. Isaiah Falls - LVRS PARADISE (Side A)
I heard the single from this album, "Butterflies" featuring Joyce Wrice, on the radio recently and my ears perked up immediately, because I'm already a fan of Wrice but had never heard of Isaiah Falls, he's definitely quickly becoming one of my favorite newer R&B acts. He excels at slow jams but the uptempo stuff like "A Florida Luv Story" is great too. 

4. PinkPantheress - Fancy That
I was a little less enthusiastic about Heaven Knows than To Hell With It, so I started to think that maybe PinkPantheress was one of those artists that just had this very narrow lane and once you get used to what they do, they get less interesting with each release. But Fancy That might be my favorite project from her to date, she's subtly expanding the variety of sounds and styles in her tracks without losing her main signatures (the brevity, that voice that sounds like nobody else). My favorite tracks are probably the three at the end, all in a row, great run. 

5. Sparks - MAD!
I had a lot of fun ranking the Sparks catalog a few weeks ago and really finally taking in the size and variety of their output, almost 30 albums over the last 54 years. I found that I have something of a preference towards their more band-oriented music and their more deadpan humor, and a lot of MAD! is just the Mael brothers with Russell delivering the lyrics with an audible smirk. So I didn't take to it as immediately as some of their other albums, but I really like "Hit Me, Baby" and "A Little Bit of Light Banter." 

6. Little Feat - Strike Up the Band
Little Feat's classic lineup was, if you ask me, the second greatest band of the 1970s, and it was a great honor to interview Bill Payne and Kenny Gradney last year. I may have even been the first person to publish the news that Little Feat had just recorded an album of new material, their first since 2012. Last year was also the first time I'd seen Little Feat since the death of Paul Barrere, and I was really impressed with the new guitarist and singer Scott Sharrard, a Michigan native born in the '70s who'd previously played in later lineups of the Allman Brothers Band and on Gregg Allman's solo work. In fact, I'm just realizing now that he played on the great cover of Little Feat's "Willin'" on Allman's final album, so this is really just a great match. Sharrard's voice and especially guitar solos fit right in with the classic Little Feat sound and there are some excellent songs, including "Bluegrass Pines," which Payne wrote with Grateful Dead lyricist Robert Hunter. 

7. I'm With Her - Wild And Clear And Blue
Aoife O'Donovan made one of my favorite albums of 2022 and Sarah Jarosz made one of my favorite albums of 2024, but I wasn't really that familiar with their careers before that and didn't realize they were also in a group together with Sara Watkins of Nickel Creek that released an album in 2018. I'm With Her feels like kind of a 2010s cliche kind of name at this point that just reminds me of the Hillary Clinton campaign, but whatever, I love hearing these three voices together, they're a soft rock supergroup much more up my alley than Boygenius. 

8. Maddie & Tae - Love & Light
Maddie & Tae's first two albums each had a #1 country radio hit, one of them being 2014's "Girl In A Country Song," which skewered the overwhelmingly male perspective of mainstream country at the time. A decade later, there are even fewer women on country radio, and Maddie & Tae's latest album and all its singles have failed to chart. And that's really frustrating, because Maddie Font and Taylor Kerr have become really consistent, clever songwriters and there are so many songs that could be hits on here, particularly "Drunk Girls In Bathrooms." 

9. Maren Morris - Dreamsicle
Maren Morris has had some crossover success with "The Middle" with Zedd and the version of "Bones" with Hozier, but she didn't so much go pop with her fourth major label album as she pointedly left the country music industry. She took a stand for left wing causes like trans rights, called out problematic country superstars like Jason Aldean and Morgan Wallen, divorced her D-list country singer husband, and came out as bisexual. And here's another case of an artist I really like making a record that completely missed the Billboard 200, even though Dreamsicle is packed with excellent songs made with Top 40 hitmaker types like Jack Antonoff, Greg Kurstin, Joel Little, and Julia Michaels. "Push Me Over" should've been a single, that's the one that really stood out to me, both here and on last year's Intermission EP. I really like the piano ballad "Carry Me Through" too, I could go for a whole record that sounds like that. 

10. Eric Church - Evangeline vs. The Machine
Eric Church's latest album did chart, but it peaked lower on the Billboard 200 than any of his other studio albums, even the first two from before he really became a hitmaker. That's not totally surprising given that this is one of the riskier albums from one of contemporary mainstream country's biggest risk takers, but I guess it really shows that his guest appearances on the last two Morgan Wallen albums didn't provide any kind of boost to his career. Evangeline vs. The Machine is full of string and brass arrangements that are a big departure from the sound of every previous Church album, and it ends with a cover of "Clap Hands" by Tom Waits. And I like all of that more in theory than in practice, sometimes the orchestrations really overwhelm the songs, and I don't think his version of one of my favorite Waits songs is particularly good. Still, last year's charity single "Darkest Hour" is a great song and I also really like "Rocket's White Lincoln," it's an interesting new chapter to a great catalog. 

The Worst Album of the Month: Blondshell - If You Asked For A Picture
There's a lot of inoffensive, well-meaning indie rock that I could snark about but choose not to, they usually seem like nice people with good politics and cool influences and the respect of many of my music critic peers. Now and then a record will get on my nerves, though. A radio station I listen to, WTMD, has played two songs from Blondshell's second album a lot in the last few months, "What's Fair" and "23's A Baby." I really just do not like her bored-sounding voice, and checking out the entire album didn't improve my opinion much. The latter song just irritates me so much, it sounds like a 28-year-old woman acting completely perplexed or annoyed that another woman became a mother at 23, that whole thing these days of adults infantilizing other adults or acting like someone is practically a teen mom if they have kids in their twenties. 

My Favorite Artists of the 1970s

Wednesday, July 02, 2025

 




I've previously done this for the 2010s, the 1990s, and the 1980s -- taking all my lists of favorite albums for each years of those decades, creating a weighted points system, and tabulating which artists made the most records that I love the most. An extremely nerdy thing to do on top of an already pretty nerdy pursuit, but I find it a lot of fun. And I'd been really looking forward to doing this with the 1970s because it's kind of the peak era of artists I loved who often made one or two albums every year, meaning there's a lot more data to work with. So now that I've listed my 50 favorite albums and 100 favorite singles of each year of the '70s (links at the bottom of the post), I crunched the numbers, and in some instances surprised myself a little bit. 

My 50 Favorite Album Artists of the 1970s:

1. David Bowie
2. Joni Mitchell
3. Steely Dan
4. Little Feat
5. Stevie Wonder
6. Neil Young
7. Elton John
8. Thin Lizzy
9. Led Zeppelin
10. Queen
11. Grateful Dead
12. Marvin Gaye
13. Jackson Browne
14. Funkadelic (tie)
14. Willie Nelson (tie)
16. Al Green (tie)
16. The Allman Brothers Band (tie)
18. The Rolling Stones
19. The Who
20. Elvis Costello
21. Tom Waits
22. Bruce Springsteen
23. Fleetwood Mac
24. Donna Summer
25. Electric Light Orchestra
26. The Ramones
27. Todd Rundgren
28. Big Star (tie)
28. Talking Heads (tie)
30. Black Sabbath
31. Van Morrison
32. The Clash
33. Paul Simon
34. Bill Withers
35. Billy Joel
36. Aerosmith
37. Yes
38. Bob Dylan
39. Bob Marley & The Wailers
40. Pink Floyd
41. Parliament (tie)
41. T. Rex (tie)
43. Rush
44. Patti Smith
45. Can
46. Curtis Mayfield
47. George Jones (tie)
47. The Isley Brothers (tie)
47. Roxy Music (tie)
50. Sparks (tie)
50. Tom Petty & The Heartbreakers (tie)

The top six artists were about what I expected but not in the order I would've predicted. The points totals for those artists was pretty close so it could've gone totally differently if I'd re-listened to certain albums and liked them a lot more or less when I was making the lists. I expected Stevie Wonder to be at or closer to the top, particularly since I rate some of the albums outside his 'big four' more than other people, but then again, he only made two albums (and only one good one) in the second half of the decade. Bowie, on the other hand, was really active through the whole decade, and I rated 10 of his 11 albums pretty highly (sorry, Pin Ups).   

A few artists did managed to get on the list with only three '70s albums if they were all great, Elvis Costello being the most prominent of those. If I'd counted Parliament and Funkadelic as the same act, which they essentially were in all but name, they'd actually pull ahead of Stevie Wonder. There are a few other artists who'd move up a spot or two if I'd counted solo albums, and Lou Reed would be on the list if I'd counted Loaded with his solo stuff, but I tried to keep it simple instead of bending the rules for things like that. If I counted every album Brian Eno produced or played on (Roxy Music, Talking Heads, Devo, Bowie, Genesis, John Cale, etc.), he'd be #1! I felt ridiculous having Bob Dylan and Bob Marley next to each other and Bill Withers and Billy Joel next to each other, but that's genuinely just how the numbers shook out. 



























My 50 Favorite Singles Artists of the 1970s:

1. Steely Dan
2. Stevie Wonder
3. Queen
4. Elton John
5. David Bowie
6. Led Zeppelin
7. Al Green
8. The Who
9. Marvin Gaye
10. The Doobie Brothers
11. The Rolling Stones
12. Fleetwood Mac
13. The Eagles
14. Earth, Wind & Fire
15. Elvis Costello
16. Billy Joel
17. Neil Young
18. George Jones
19. The Isley Brothers
20. The Bee Gees
21. Electric Light Orchestra
22. James Brown
23. Aerosmith
24. The Allman Brothers Band
25. Paul Simon
26. Lynyrd Skynyrd
27. Parliament (tie)
27. Bob Seger (tie)
29. The Doors
30. The Police
31. Paul McCartney (tie)
31. Steve Miller Band (tie)
33. Bill Withers
34. Bruce Springsteen
35. Pink Floyd
36. Donna Summer
37. Tom Petty & The Heartbreakers
38. Van Halen
39. Bad Company
40. Bob Marley & The Wailers
41. Creedence Clearwater Revival
42. Barry White
43. Thin Lizzy
44. Chicago
45. Heart
46. Van Morrison
47. Boston
48. Jackson Browne
49. The Cars
50. Chic

Things were very close here between Steely Dan and Stevie, but they were well ahead of everyone else. The Doobie Brothers are the top singles act that didn't make it onto the albums list, and Joni Mitchell is the top albums act that didn't make the singles list. If Parliament-Funkadelic were counted as one act here, they'd place just ahead of the Eagles. And Funkadelic did better on albums and Parliament did better on singles. Tom Petty is the only artist who appeared on my '70s, '80s, and '90s artist lists, which feels about right to me. 

My Top 50 Albums and Top 100 Singles of 1970
My Top 50 Albums and Top 100 Singles of 1971
My Top 50 Albums and Top 100 Singles of 1972
My Top 50 Albums and Top 100 Singles of 1973
My Top 50 Albums and Top 100 Singles of 1974
My Top 50 Albums and Top 100 Singles of 1975
My Top 50 Albums and Top 100 Singles of 1976
My Top 50 Albums and Top 100 Singles of 1977
My Top 50 Albums and Top 100 Singles of 1978
My Top 50 Albums and Top 100 Singles of 1979