Thursday, June 15, 2006
After I made a mix for J.G.'s brother a few months ago, their mom heard it and liked it, "The Ice Of Boston" in particular, and to my surprise, requested that I make a CD for her too. So now pretty much that whole family has mix CDs from me. She's pretty open minded for her age, but then, my taste is pretty classic rock-oriented when it comes to even newer rock music, so it wasn't too hard for me to make it accessible for her, and I included a lot of the same artists from John's mix, although mostly different songs. I think it came out pretty well. The Michael Bublé track was one that J.G. asked me to grab off iTunes and include, but that song is actually kinda growin' on me.

1. Ted Leo/Pharmacists - "Timorous Me"
2. Apollo Sunshine - "Today Is The Day"
3. The B-52's - "Private Idaho"
4. The Dismemberment Plan - "The Ice Of Boston"
5. The Posies - "Conversations"
6. Elliott Smith - "Angeles"
7. The Who - "5'15"
8. Spymob - "Walking Under Green Leaves"
9. John Mellencamp - "Cherry Bomb"
10. Ben Folds Five - "Philosophy
11. Talking Heads - "Thank You For Sending Me An Angel"
12. Elvis Costello & The Attractions - "High Fidelity"
13. They Might Be Giants - "Don't Let's Start"
14. Rufus Wainwright - "April Fools"
15. Brendan Benson - "What I'm Looking For"
16. Chris Lee - "Lonesome Eyes"
17. Private Eleanor - "On Our Side"
18. Randy Newman - "Baltimore"
19. Michael Bublé - "Home"
20. Jeff Buckley - "Satisfied Mind"

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Friday, April 14, 2006
This is a mix I made for Joey O. a couple months ago when I hung out with him up in Philly:

1. Henrietta Collins and the Wife Beating Child Haters - "Drive By Shooting"
2. Apollo Sunshine - "Phoney Marony"
3. Spymob - "On Pilot Mountain"
4. The Sands - "House Of Golden Proportions" (demo)
5. Ruth Ruth - "Jerome"
6. The Oranges Band - "Atmosphere"
7. System Of A Down - "Attack"
8. John Mellencamp - "Love And Happiness"
9. Travis Morrison - "The Word Cop"
10. The Roots - "Push Up Ya Lighter"
11. Freeway and Beanie Sigel - "Philly Niggas"
12. Gwen Stefani f/ Ludacris - "Luxurious" (Zone 4 Remix)
13. DJ Chris J. - "I'm Rich Bitch"
14. Prince - "Shockadelica"
15. They Might Be Giants - "Am I Awake"
16. Sloan - "The Good In Everyone"
17. Frank Black - "Freedom Rock"
18. Ted Leo/Pharmacists - "Come Baby Come"
19. Little Feat - "Strawberry Flats"
20. The Posies - "That Don't Fly"
21. Bruce Springsteen - "Candy's Room"
22. R.E.M. - "Time After Time Etc. (Live Medley: Time After Time/Red Rain/So. Central Rain)"
23. Steely Dan - "Barrytown"

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In My Stereo

Friday, April 07, 2006
Tru Life/Green Lantern/DJ Kay Slay - New New York: The Movement
Grand Buffet presents A Night Of Laughin'! Volume 1
Ken Stringfellow & WaFlash - EP
Ted Leo/Pharmacists - Sharkbite Sessions EP
Apollo Sunshine - The Other Side Of The World EP
Ruth Ruth - The Little Death EP
Lake Trout - There Are No Words EP
Cex - Know Doubt EP
UnReal - Real Talk Volume 1
Architects Recording Studio & DJ Radio/Streetsweepers present Street Radio Volume 2.5

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Tuesday, March 07, 2006
This is a mix CD I made for J.G. a few weeks ago:

1. Apollo Sunshine - "Today Is The Day"
2. Simon & Garfunkel - "Cecilia"
3. Brendan Benson - "The Alternative To Love" (Metarie EP version)
4. The Posies - "21"
5. Spymob - "National Holidays"
6. Superchunk - "Detroit Has A Skyline"
7. The B-52's - "Private Idaho"
8. Chisel - "River High"
9. Soul Coughing - "So Far I Have Not Found The Science"
10. Medications - "This Is The Part We Laugh About"
11. Alicia Keys featuring Adam Levine - "Wild Horses"
12. The Rolling Stones - "Can't You Hear Me Knocking"
13. John Mellencamp - "Cherry Bomb"
14. Travis Morrison - "Any Open Door"
15. Ken Stringfellow - "Any Love (Cassandra Et Lune)"
16. Jeff Buckley - "What Will You Say" (live Mystery White Boy version)
17. Ted Leo - "Bleeding Powers" (solo Tell Balgeary EP version)
18. Randy Newman - "Baltimore"

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In My Stereo

Thursday, February 16, 2006
Remy Ma - There's Something About Remy
Dem Franchize Boyz - On Top Of Our Game
Youngbloodz - Ev'rybody Know Me
Morningwood - Morningwood
Apollo Sunshine - Katonah
Willie Nelson - 16 Biggest Hits
DJ Heathen a.k.a. Young Trav/Choppa a.k.a. Young City - This Ain't A Game Vol. 1
Architects Recording Studio presents Street Radio 2
Comp/DNA - Independence Day: Bang-A-Rang Mixtape, Vol. 3
K.W. Griff (AKA) "K-Dubb" - The Professor

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Tuesday, January 17, 2006
Last month I bought a new computer and for the first time finally have a CD burner. The first CD I burned was a mix that I gave to J.G.'s brother John as a Christmas gift:

1. Fugazi - "Song #1"
2. Medications - "Safe And Sorry"
3. The Dismemberment Plan - "The Ice Of Boston"
4. Apollo Sunshine - "Ghost"
5. Sonic Youth - "Teen Age Riot"
6. Superchunk - "Detroit Has A Skyline"
7. Brendan Benson - "I'm Easy"
8. Private Eleanor - "Estimated Distance"
9. Elvis Costello & The Attractions - "No Action"
10. Spymob - "It Gets Me Going"
11. Bob Dylan - "Simple Twist Of Fate"
12. Jeff Buckley - "Grace"
13. Lake Trout - "Pill"
14. Ted Leo/Pharmacist - "You Always Hate The One You Love" (mp3)
15. The Geraldine Fibbers - "Lilybelle"
16. Bruce Springsteen - "Rosalita (Come Out Tonight)"
17. The Posies - "Song #1"

The Ted Leo track was the first thing I ever heard by him, way back in 2000 when I reviewed a crappy indie comp for Pitchfork that it was on, and it slowly had me hooked by the time Tyranny of Distance came out. In a way it's still one of my favorite songs by him and I kinda wish he'd do a whole record like that, solo and lo-fi but still energetic and song-driven.

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My Top 20 Favorite Albums of 2005

Saturday, December 31, 2005
This year was my first as a paid critic, and I consumed a lot more new music than is average for me. But still, I feel the same way I do at the end of every year, like I drank from a pretty shallow well of music and probably missed the boat on a lot of stuff. And I also feel like I gave things a lot less repeat listens than I did in other years. There's stuff that isn't on this list that I listened to more times than some things on this list, but usually for review purposes or because it took me a while to figure out it wasn't very good. That's why I can't ever really say with any confidence with it was a good or bad year for music (unless we're talking a very specific scene or genre), and I wonder if even industry people and obsessive downloaders who consume hundreds of albums a year can say so either. But it was a cool year for me, even if I wish there were more revelations on this list and fewer average albums by people who I'll buy anything by. I'd hoped to vote in the Pazz & Jop poll for the first time this year, but I procrastinated too long on trying to get in on it and missed the deadline. Oh well, I'll try again next year.


1. Kanye West - Late Registration

I was following Kanye's production and copping his mixtapes and every single leaked track for so long that by the time The College Dropout finally dropped, I had developed Kanye fatigue and didn't really get to enjoy its phenomenal success, and when I put it at #1 at the end of last year, I did so kind of by default. And I kind of am again this year, as I would've loved for a much different kind of hip hop album to have blown it out of the water for me. But my endorsement of this is much more certain, he really did his thing and let everyone know the first wasn't a fluke. It's still kind of soggy and overlong, but I can say that I actually enjoy it all the way through, skits and all (which I can't say for the long stretch surrounding "School Spirit" on Dropout). There's stuff that still doesn't make sense to me, like "Addiction" or the random Common solo track in the middle of the album, but it all fits together. And the tracks I don't love have something to redeem them, like that bizarre verse in "Celebration" where he talks about how his son is going to be well endowed.

Kanye West - "Roses" (mp3)


2. Apollo Sunshine - Apollo Sunshine

There's something I completely fucking love about what Apollo Sunshine do, and I don't think I got entirely to the bottom of yet. But even with kind of bland, touchy feely lyrics and not a lot to distinguish them aesthetically from a lot of other bearded indie pop bands that I wouldn't give the time of day to, they made an album and played a couple live shows that just completely bowled me over this year. And really, if nothing else, I have to credit the guitar solos. If Elephant 6 bands had solos like that I might give a shit about more of that stuff.

My Stylus review of Apollo Sunshine
Apollo Sunshine - "Eyes" (mp3)


3. System Of A Down - Mezmerize

As tightly concise as the first album but better paced and with just enough goofy Malakian moments to make it more inviting and replayable.

My City Paper review of Mezmerize
System Of A Down - "Sad Statue" (mp3)


4. Rod Lee - Vol. 5: The Official

This is the only album on this list that was also on my best of Baltimore 2005 list, and that's largely because of the far reaching waves it made outside of Baltimore this year. Rod Lee has been one of my favorite Baltimore club music producers for years, and it was real gratifying to see him get his props all over the place. I copped at least a dozen club mixes this year, and while it's a little hard to justify putting one above many similiar ones simply because of better distribution ad visibility, it really is the best sounding (more expensive mastering, maybe?) and best paced.

My Government Names review of Vol. 5: The Official
K.W. Griff - "Good Man" (mp3)


5. Lil Wayne - Tha Carter II

One of the reasons I always procrastinate on these year end albums lists is that there's always 4th quarter hip hop event releases to sneak in there. And I'm about the last person you'll catch getting excited about a Chopped & Screwed CD, but the C&S bonus disc of Wayne's greatest hits is really worth the price tag in and of itself. I don't think there's another rapper and producer I'd rather hear slowed than Wayne and Mannie Fresh. Tom is nuts about thinking that "Shooter" is a potential single or even one of the best songs, though. It's like all the rap songs with the guy from Maroon 5 but not as good.

Lil Wayne - "Hustler Musik" (mp3)


6. Grand Buffet - Five Years Of Fireworks

Noone who watched the SNL "Lazy Sunday" video over and over should be sleeping on Grand Buffet.

My Stylus review of Five Years Of Fireworks
Grand Buffet - "Pink Deadly" (mp3)


7. Beanie Sigel - The B.Coming

I'm kind of hoping that now that he's a free man again he's going to make an album that leaves this one in the dust.

My City Paper review of The B.Coming
Beanie Sigel f/ Freeway and Young Chris - "I Can't Go On This Way" (mp3)


8. Brooke Valentine - Chain Letter

The kind of schitzo R&B album that Missy wishes she made this year.

My City Paper review of Chain Letter
Brooke Valentine f/ Jermaine Dupri - "Playa" (mp3)


9. The Posies - Every Kind Of Light

In my mind, The Posies can almost do no wrong, and while this wasn't the perfect comeback I'd hoped for, they definitely made some worthy additions to their catalog.

My Stylus review of Every Kind Of Light
The Posies - "Second Time Around" (mp3)


10. Black Rob - The Black Rob Report

Like Beanie, this proves I have a weakness for spirited gasps from fading NY rap dynasties.

Black Rob - "Long Live B.R." (mp3)


11. Lil Kim - The Naked Truth

Hell no, it's not a five mic album, but considering that she possesses one of my least favorite voices in rap and I've never been much of a fan, it's a triumph that I'm feeling this. The cover photo really scared me off of copping it for a couple months, even though I loved "Lighters Up." Actually, the real triumph is that I can tolerate an album with multiple Katt "Money Mike" Williams interludes. I'm gonna give Kim the benefit of the doubt that she decided to diss Foxy Brown on a song titled "Quiet" before Foxy announced that she was going deaf.

Lil Kim - "Durty" (mp3)


12. Amerie - Touch

I guess a whole album of "1 Thing" was too much to hope for, but the less bombastic stuff had some surprising staying power.

My Stylus review of Touch
Amerie - "Come With Me" (mp3)


13. Cassidy - I'm A Hustla

"Hotel" will probably always loom over him a little too much to be taken seriously by everyone, and now that he's behind bars his career might be over anyway, but he really did step up and make a hot album, whether anyone wants to admit it.

My Stylus review of I'm A Hustla
Cassidy f/ Swizz Beatz - "Get 'Em" (mp3)


14. Medications - Your Favorite People All In One Place

I have to admit that to me, they're still a surrogate for the superior and short-lived Faraquet, but Rush-meets-Fugazi is not a niche that many other bands are serving, so I'll take what I can get.

My City Paper review of Your Favorite People All In One Place
Medications - "This Is The Part We Laugh About" (mp3)


15. Missy Elliott - The Cookbook

Missy's last two albums were my least favorite to date, her collaborations with Timbaland slowly becoming a dried out husk of what they once were, so I was probably in the minority in being overjoyed that she finally branched out with producers other than Timbo. It still can't touch the earlier albums, but it was a step in the right direction. She really fucked up sales with the singles choices, though. "Teary Eyed" totally bombed and "We Run This" probably will too. It's a crime that "Can't Stop" isn't on the radio right now.

Missy Elliott - "Can't Stop" (mp3)


16. Brendan Benson - The Alternative To Love

He continues to slide into more of the 2nd album's mopery and less of the 1st's giddy rush, but he's getting better at balancing the two.

Brendan Benson - "Between Us" (mp3)


17. The Evens - The Evens

There's something charming about this dinky, scaled down version of Fugazi's already relatively subdued later albums. I kind of have to tune out the parts where he's talking about police and governors, though.

The Evens - "Sara Lee" (mp3)


18. Ebony Eyez - 7 Day Cycle

Maybe I'm still alone in this but seriously, I think the TrackBoyz are the dopest producers in the game right now. It's a shame this album came and went with such little notice.

My City Paper review of 7 Day Cycle
Ebony Eyez - "Good Vibrations" (mp3)


19. Sheek Louch - After Taxes

If people are starved enough for decent New York hip hop that they'll rep for everything the Diplomats do, then I don't really understand why records like this and the Black Rob can be so ignored.

My Stylus review of After Taxes
Sheek Louch - "Intro" (mp3)


20. Petra Haden - Petra Haden Sings: The Who Sell Out

The original The Who Sell Out isn't my favorite Who album by a mile, but it's a perfect choice for a ridiculous project like this. Petra Haden throws herself completely into an a cappella note-for-note cover, even doing the silly interstitial skits and fake commercials and silly voices and fake accents and beatboxing the drum parts. Like Carla Bozulich's reading of Willie Nelson's Red Headed Stranger, another recent cover of an entire decades-old album by a So-Cal alt-rock chick friend of Mike Watt, it's a completely unnecessary idea that was pulled off with absolute conviction.

Petra Haden - "Heinz Baked Beans" (mp3)

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The Top 20 Best Shows I Saw In 2005

Tuesday, December 13, 2005
With links to things I wrote about them at the time on here or Gov't Names or in the City Paper. For the most part I'm only going to name the band I went to see and enjoyed seeing, and if it's more than one than I'll name them in the rough order of who I enjoyed the most, regardless of who opened or headlined.


1. Apollo Sunshine and Lake Trout @ The Ottobar, Baltimore, September 15th


2. Grand Buffet @ The Ottobar, Baltimore, August 16th


3. Karmella's Game @ the Talking Head, Baltimore, April 28th


4. The Posies @ The Black Cat, Washington, D.C., September 26th


5. System Of A Down @ the 1st Mariner Arena, Baltimore, August 22nd


(photo by Dawn Mercurio)
6. Ted Leo & The Pharmacists @ The Ottobar, November 22nd


7. Bossman, Skarr Akbar, D.O.G., Dirty Hearts and Q @ The Ottobar, Baltimore, October 16th


8. The Travis Morrison Hellfighters @ the Ottobar, Baltimore, February 22nd


9. Dinosaur Jr. @ the 9:30 Club, Washington, D.C., July 11th


10. Noise Against Fascism: To Live And Shave In L.A., Mirror/Dash, Magik Markers, Nautical Almanac @ the Black Cat, Washington, D.C., January 20th


11. Elvis Costello & the Imposters with Emmylou Harris and Larry Campbell @ Wolf Trap, Virginia, July 31st


12. Grand Buffet @ the Ottobar, Baltimore, March 27th


13. Sonic Youth @ The University of Pennsylvania, Philadelphia, April 15th


14. Apollo Sunshine and Lake Trout @ the Ottobar, Baltimore, April 23rd


15. Ogun, Ammo, Profound, Tyree Colion and Diablo @ Club 429, Baltimore, August 9th


16. Our Lady Peace @ The 9:30 Club, Washington, D.C., September 22nd


17. Private Eleanor @ Current Space, Baltimore, August 27th


18. Ted Leo/Pharmacists @ The 9:30 Club, Washington, D.C., June 23rd


19. Enon @ the Ottobar, Baltimore, March


20. The Evens @ The G-Spot, Baltimore, May 17th

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Monday, December 12, 2005
My review of Apollo Sunshine, my 2nd favorite album of 2005, is up at Stylus. The rating at the top of the review is a B but it's at least a B+ or A-, believe that.

Note: In light of the end of Stylus in 2007, I decided to archive the text of all my reviews for the site on this blog for posterity, since I don't what the future holds for the Stylus domain, and have included both the letter grade ratting that accompanied the original review, and an adjusted rating that I would give the record now in retrospect.

Apollo Sunshine
Apollo Sunshine
SpinArt
2005
Stylus rating: B
Adjusted rating by reviewer: A-

The members of Apollo Sunshine all seem to have a southern twang in the sound of their voices and guitars, which is a little odd, given that the band formed in Boston. The bearded quartet's lyrics have simple, touchy-feely themes, but their music makes such a perverse, careening, gutsy mess out of pleasant, pastoral genres like country, classic rock, jam bands, and folk that it's hard to write them off as just a bunch of mellow hippies. More often than not, they sound like an indie-damaged version of the Band, but as soon as they settle into something restrained and mannered, skronky bass riffs and manic guitar solos suddenly start pouring out of them in a way that resembles nothing so much as a malfunctioning machine belching smoke.

Apollo Sunshine's self-titled second album for SpinArt is a bumpy ride of abrupt mood and tempo shifts, but never strays far from the band's strengths. For every nearly silent moment of whispers and lightly strummed acoustic guitars, there's an eruptive instrumental section or an upbeat power-pop tune. The album opener "Flip!" sets the tone with a fast surf-rock groove that keeps abruptly stopping for quiet, meditative sections with lyrics about the ice caps melting and ending up on the other side of the world.

What makes Apollo Sunshine more than just another cutely eccentric and vaguely rootsy indie-rock band is guitarist Sam Cohen. His pedal steel guitar renders the slower tracks like "Phone Sex" with a delicate beauty. And his scorching, inspired solos on songs like "Ghost," "Lord," "Phyllis"—actually, about half the songs on the album—arm Apollo Sunshine with both impressive musicianship and ear-shattering noise. Cohen also sings lead on a few songs, including "Lord" and "Phoney Maroney," and while his voice lacks the affability and range of regular vocalist Jesse Gallagher, it has its own charm.

The jumpy, almost-rockabilly"Today Is Your Day" is possibly the most straightfoward and accessible song on the album, an expression of optimism and joy occasionally peppered with outbursts of obscenities. When Gallagher's voice suddenly breaks into a jubilant scream "that grass looks good to roll in / well, ROLL IN THAT FUCKIN' GRASS!" it's at once a jarring moment and one that perfectly captures the carefree mood of the song.

But for every upbeat and traditionally structured track like "Today Is Your Day" or the silly fabricated dance craze of "Phony Maroney," there's something like "Phyliss," the album's strangest song and arguably its climax. It begins as a quiet wisp of a tune over a slowly thumping bass drum, and gradually builds up to a lurching, monstrous bass riff, as Gallagher rattles off vague, philosophical statements like, "If the universe ends, then how does it end?" and "There's always too much of everything and there's always not enough." The band displays competent three-part harmonies on other tracks, but when they sing the song's title on "Phyliss," it's a purposefully abrasive caterwaul that brings the song to a bizarre climax that contains the same palpable joy as the band's jangly pop tunes.

Though the sum of Apollo Sunshine's apparent influences could be that of any number of indie bands performing today, they've managed to turn those broad and common ingredients into an increasingly unique and personalized sound. And the presence of serious musical chops and showmanship, along with an astounding live show, will hopefully separate them from the post-Elephant 6 masses of retro bedroom troubadours. Only on their second album, they're already coming into their own. While their recorded output has still not quite caught up to their prowess as a live band, that moment is likely right around the corner; in the meantime, this album is more than good enough to make that wait worthwhile.

Reviewed by: Al Shipley
Reviewed on: 2005-12-12

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Friday, October 28, 2005
top ten:

1. System Of A Down - "Hypnotize"
2. Trick Daddy featuring Tre+6 & Deuce Poppi - "SNS / Roland (skit)"
3. Apollo Sunshine - "Lord"
4. Private Eleanor - "Photocopy Of A Photocopy Of A Photograph"
5. Tyree Colion - "Bass Drop"
6. Mark De Gli Antoni - "Hong Kong"
7. The Rolling Stones - "Can't You Hear Me Knocking"
8. Blink 182 - "Not Now"
9. INXS - "Don't Change"
10. Fine Young Cannibals - "Good Thing"

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Thursday, September 22, 2005
in my stereo:

Apollo Sunshine - Apollo Sunshine
112 - Part III
Shudder To Think - Ten Spot/Funeral At The Movies
various artists - The Rough Guide To Brazillian Hip Hop
Lil Mo - Based On A True Story
Skarr Akbar and DJ Radio - The General, Part 1
Nature's Problem - The Future
Little Clayway - The Takeover
Billo - The Hood Rock Star: The Daily Grind, Vol. 1
The Seldon Plan - The Living Room EP

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Friday, September 16, 2005
Last night I went to the Ottobar for Lake Trout's CD release party. But I was a little more excited to see the opening band, Apollo Sunshine, who they played with last time I saw them back in April, and they really impressed me at that show. I bought a live CD from them after the show but had been looking and hadn't been able to find a copy of their first album ever since. But they just released their 2nd album this week, so I was able to buy that last night. They really might be the best live rock band I've seen all year. And they drove all the way down from Boston for the show, and got stuck on the NJ Turnpike, so they were in the car something like 10 hours before playing, and still put on an amazing show. I won't got into a lot of detail about them right now, but I'm probably going to try to review the album somewhere and if it's as good as their live show it's going to be a pretty gushing review.

Lake Trout were alright. My review of the new album wasn't super positive but I'm still a big fan of the band and I was pretty excited to get a promo 6 weeks before the release. It was cool to hear the new songs live now that I know them pretty well. I've been going to their shows for over 6 years now, and I get into a lot of their history in the review, but it's always been an up and down ride, some great shows, some boring ones. The highlights of the recent shows have been all the loud, fast instrumentals that aren't on the new album. At one point it was supposed to be a double album, with a 2nd disc of instrumentals, but that plan got scrapped. It appears that a limited edition 2CD version is being released in the U.K. in October, I'm hoping that's what I think it is and that I can order a copy somewhere.

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Monday, May 02, 2005
in my stereo:

Amerie - Touch
The Minutemen - Post-Mersh, Vol. 1
Rod Lee - Operation: Not Done Yet
George Jones - The Essential George Jones: The Spirit of Country
Bruce Springsteen - The Wild, the Innocent and the E Street Shuffle
112 - Pleasure & Pain
Ogun - Real On Purpose
Apollo Sunshine - The Paradiso, Boston MA 1/29/05
Stone Temple Pilots - Tiny Music... Songs From The Vatican Gift Shop
Two Dollar Guitar - Train Songs

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Sunday, April 24, 2005
Lake Trout are a band from Baltimore that I've seen at least a dozen times over the past 6 years, one of my favorite live bands. They're not very hip to like around here, I don't think, stemming from the fact that they were identified early on as a jam band, although they seem to have spent most of their existence shying away from that categorization. There's a lot of improv in their live shows but it's mostly repetitive, loop-y playing, not a lot of solos or real 'jamming', so to speak. Around the time I started seeing them their drummer was heavy into playing drum'n'bass style, which he's pretty amazing at, and being a drummer I've always been pretty hyped about the idea of playing those kinds of fast, skittery beats on real drums (I've also seen them do some pretty impressive Amon Tobin and Aphex Twin covers). But then there started to be a lot of other bands copping dance music influences on the jam band circuit, so they were pretty unsuccessful at alienating that audience with that sound. Then they started to move back toward song-based material, although songwriting isn't really their strong suit and their singer is a lot of people's least favorite thing about the band (their best album to date is their one official live album, which is 90% instrumental). Plus the material was suffering from a too obvious Radiohead influence. Still, their last album was pretty good for what it was. Around this time, they became friendly with the Dismemberment Plan, who wrote "The Other Side" as something of a Lake Trout homage after seeing them for the first time. They also played a bunch of co-headlining shows with the Plan before they broke up, and started playing on more indie rock bills and weening themselves off the jam band festivals that were probably more lucrative gigs. They used to play most of their local shows at the Recher Theatre (cover-band and frat-guy-friendly place in Towson), now they usually play at the Ottobar (indie rock club in the city).

Lake Trout's been kind of scarce in the area over the past couple years, recording a lot and only playing out of town, although it didn't occur to me til someone mentioned at their show on Friday at the Ottobar that it was their first show in Baltimore in a year and a half. They've got a double album coming out this year, and the 2nd disc is supposed to be mostly instrumental, which I'm pretty excited about. A lot of their best material has been kicking around live sets for years and is mostly instrumental or features their keyboardist Matt (who's not the lead vocalist on most songs) screaming nonsense through a ton of distortion. That stuff is the main reason I still go to their shows and it's never been featured on any of their records, so that disc 2 should be good. Their set on Friday was about half familiar stuff and half new stuff with vocals, most of which wasn't especially promising or different from the last album. They encored with a cover of Helmet's "Unsung", which was kind of awesome. Everyone who came to the show got a free CD at the door, of 2 songs that are going to be on the new album, one of which is their okayish cover of "Street Fighting Man".

What I left the show remembering more about, though, was one of the opening bands. Not the first one, though. When I was first walking into the club, I honestly couldn't tell if there was a band onstage or the soundman was playing Interpol or something on the PA. It turned out to be the first band, Bettersea. I don't necessarily think every band that sounds like that is chasing a trend. In fact, I think it's pretty plausible that there are thousands of guys who have been waiting for years for a chance to play in a band that sounds like that. But that might be even more shameful, in a way.

I was really impressed with the 2nd band, Apollo Sunshine, though, who are from Boston. You know how when you're watching a band you've never heard before and they turn out to be good, first you think oh, I think I'll stick around for them and wait til after their set to go to the bar/bathroom/Ms. Pac Man machine? And then a few songs in you start checking your wallet to make sure you have enough cash to get whatever they have at the merch table? Apollo Sunshine had that effect on me. Most of the stuff I've looked at about them on the internet has pointed out comparisons like the Flaming Lips, Elephant 6, Beck; basically reference points that would usually provoke fear and apprehension in me. But they were seriously good live. Like, 3 songs in they have a roomful of strangers cheering as much as they would for the headliner, that kind of good. Just some goofy bearded guys (I overheard Mike from Lake Trout say to someone that the guitarist from Apollo Sunshine looks like the Burger King, like the one from those weird "wake up with the king ads", which he really does) making really upbeat tuneful guitar music with unpredictable song structures and some bitchin' solos. Not necessarily something I'd enjoy on record, but they really really sold the material live, and were clearly having a lot of fun doing it. When a band from out of town drives all that way and puts on that good a show (and they took long time setting up and started late so they ended up having to play a short set, probably not much more than 20 minutes), I feel almost obligated to buy something and give them some gas money for their troubles. They only had a live CD to sell, one of those Instant Live dealies, and it was recorded less than 3 months ago, so it has pretty much the same stuff I saw them play (although the drums are mixed too low so it lacks a lot of the oomph). They have one studio album, but it's a couple years old and most of their set appears to be newer stuff, so I'll have to wait until their next album to see if they can translate those songs to the studio. Definitely something I'll be looking forward to.

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