Batman & Robin from A-Z

Saturday, June 17, 2006
The following is a recent mass email/MySpace bulletin from Josh that I felt compelled to reprint with permission here. -Al

When or if you received my text message last night where I made the bold statement “Batman & Robin is the best batman movie” you must’ve thought I was on drugs and just making an outlandish statement for the sake of making an outlandish statement. While I do like making outlandish statements I don’t truly believe, I stand by what I said.

When you said at champagne brunch that “Batman” needs to be revisited as an adult to be appreciated I was intrigued and thought yes I should watch that again.

I discovered though, the strange voyage of the Batman franchise can be best enjoyed through the prism of watching Batman Begins followed by Batman & Robin.

a) George Clooney is a fantastic Batman, not because he’s perfect for the archetypical “Batman” character, but rather for his portrayal of Batman in B&R. Batman in B&R is bored, jaded & enjoying the spoils of being a playboy. This Batman stuff is old to him. No more one man vigilante taking back the city. He’s recruiting kids to join him on his escapades and has them do the heavy lifting.

b) The cast: George Clooney, Uma Thurman – this should’ve sunk their careers, but they survived unscathed (for obvious reasons – Clooney is the most charming man on Earth, and Uma has Quintin Tarantino). Chris O’Donnell, Alicia Silverstone – megafailures. They have no right to share the screen with Clooney & Thurman. Then throw in Schwarzenegger. He’s the fucking Governor of California right now. His opponents should’ve chopped this movie up for campaign commercials and surely no one would’ve taken him seriously enough to get elected.

c) Schwarzenegger – He plays Dr. Freeze as if people demanded a reprise of his character from Last Action Hero. Its jarring at first. But everything that comes out of his mouth is a pun that refers to being cold. After he shoots one of his goons for interrupting him while he’s watching something, he turns to the screen and tells us “I Ate When Peepul Tawk During Deh Moo-vee”

d) Said Goon, and & “the man at the airport” are the only 2 people who die during the entire movie. In fact people generally are never in peril in this film. It is very hard to think of any other movie, any genre, that has a lower body count.

e) At one point Bruce Wayne & Robin are arguing because Poison Ivy has Robins head all mixed up that he should get a larger piece of the glory. At the end of his last point in the argument, Clooney throws in a (you) DICK This is jarring because its so out of the character of the movie, you think to yourself is Robins name Dick?* Nope, Clooney, just ad libbed calling Robin a dick. Amazing.

f) Dr. Freeze’s wife is being kept alive in some water chamber until some disease she and Alfred has can be cured. Poison Ivy unplugs her and kills her. She then tells Dr. Freeze Batman did it. She then tells Dr. Freeze they should team up to destroy Batman, no not just Batman, but the society that created him!
DR. FREEZE: YOUR WIFE BEING KILLED JUST FOR KICKS. DOES THAT SOUND LIKE THE WORK OF BATMAN, OR THE MANIACAL WOMAN THAT HAS COME OUT OF NOWHERE THAT TALKS FUNNY AND WALKS AROUND WITH A GOON WITH A HEAD CONSTANTLY BEING PUMPED FULL OF STERIODS?

g) Said Goon, BANE, with the head being pumped with steroids. It is being pumped in via thin rubber tubes outside his enormous body suits. How does Batman defeat him? He simply pulls those thin tubes out.

h) In Batman, the joker becomes the joker because Batman drops him into a vat of acid, in Batman & Robin when Robin starts fighting with Batman because he’s under Poison Ivy’s spell, Robin gets dropped into a vat of ice cream.

i) In Batman Begins & Batman, Batman is as much an Enemy to the police as the bad guys. In Batman & Robin, I am pretty sure he’s on the police force’s payroll as a consultant. When Poison Ivy, Bane and Dr. Freeze get away during the big fight in the middle. The Commissioner busts in is like “What the fuck!? Way to go Batman” Meanwhile, this fight scene last like 15 minutes. Were the cops outside just watching saying “well, let’s just let these clowns in the ridiculous costumes fight it out amongst themselves” And why wouldn’t they. Its not like anybody had any guns, like I said earlier, nobody is ever EVER in any peril at any point during this movie.

j) At a later crime scene, Batman & Robin shows up in costume and starts reviewing the evidence with the police. Watching Clooney and O’Donnell walk around and talk with people all normally in these ridiculous outfits is a sight to behold. Especially in contrast to Batman Begins, where you would never see Batman just stand around in his costume around a bunch people, no less a well lit public space.

k) By the way, Robin’s outfit doesn’t really hide his identity. He just has some shit wrapping around his eyes, that are like sunglasses, but since you can see his eyes I’m guessing it would be pretty easy to recognize him on the street.

l) The Bat Signal: This goes for all the movies I suppose, but when there’s trouble does he just go to center of the city and wait? Does he go to the police station to get orders from the chief? What are the chances he will be looking into the sky when they shoot it up? Does he have to make sure to check the sky every 15 minutes if the bat signal is up? What if it’s a clear night and it doesn’t have a cloud to reflect the sign off of and it just looks like a regular spotlight? The Bat Signal is cute, but completely & utterly useless and impractical.

m) There are stupid bat-logos on everything, and then there’s robin logos, and then batgirl logos. I mean obviously Alfred has a metal shop in the basement and has the strength of a 1600’s blacksmith. But in this movie Alfred is dying. Who made all that shit? Its not exactly the kinda thing you can outsource, since you risk giving up your secret identity for something extremely, and I mean EXTREMELY trite. Like the monks in the beginning of Batman Begins, is creating all your huge metal logos like a test of your will and dedication for Robin and Batgirl.

n) For the final big fight scene, Batman, Robin, and Batgirl all have special black and silver costumes. Aside from the hot new color schemes there’s no indication these suits have any special features designed to assist them in fighting in the cold environs of Dr. Freeze’s lair.

o) Continuing with some thoughts on the big final scene, but not chronologically, Batman, Robin, and Batgirl are falling to their deaths when batman shoots his grappling hook through the ceiling. It’s a frozen incredible thin ceiling and the grappling hook busts a big hole through it. It’s not like its busts through like a thin missle and then expands. It just busts a big hole and latches on to it. Either a) it would go through the hole and the would continuing falling or b) it would lose its grip on the ceiling in a second and they would continue falling. To their death.

p) I don’t think theirs an apt comparison to how Uma as Poison Ivy talks, but its fucking ridiculous. Like Zsa Zsa Gabor doing Shakespeare ….or Mel Brooks.

q) Poison Ivy’s dust that makes guys fall in love with her and become completely under her spell. The massive pink dust lines that cloud the head and go right up their nose – that’s just metaphorical right? The characters can’t actually see that, right???

r) Poison Ivy and Bane bust Dr. Freeze out of prison. They have absolutely no trouble getting in, Bane is wrecking like 20 guards at a time, and then when they are all together in Dr. Freeze’s cell, they panic. Oh no! Guards! Um. You had no trouble with them 5 minutes ago. Poison Ivy – blow some fairy dust on em and Bane can stompdashitoutdem. Instead they bust a hole in the prison and jump many many many many stories down to the water. (where they’d probably die on impact)

s) Finally, Dr. Freeze’s big plot is to cover Gotham city in Ice. His plans to do this is to take this great new Telescope that all of Gotham is very excited about (Bruce Wayne is at the Gala celebrating its completion!). Take the great new Telescope, put some crystals under it, and then coordinate satellites in space to power it up to shoot ice all over the city. From the telescope. Basically, he applied the principle of killing ants with a magnifying glass and applied it to a telescope. To shoot? Ice? Where’s the water coming from? The satellites in space?

t) So the city is covered in Ice. Big deal. Wait til morning when the sun comes up. Batman instead decides to reprogram the satellites, and the telescope (?) to shoot a heat ray to thaw the ice. Frankly that seems very dangerous. It’s a thin line between dethawing and being burnt to a crisp.

u) The most remarkable part of that scene is how Batman is able to pull all this off. With zero prep time. He was at the party. He didn’t come into that with a plan… at all. He looks so fucking bored in this scene, and its wonderful

v) Batman has Dr. Freeze on the ropes, and informs him that he didn’t kill his wife. To prove this, Batman pulls out some video of Poison Ivy telling Batgirl she’ll “KILL HER LIKE I KILLED NORA FREEZE!” while they were fighting... So Batman was just standing there filming their fight? Think about it – Batman is so jaded, instead of fighting evil he’d rather film two chicks fighting. George Clooney is so cool.

w) Sometime in the beginning or end of this scene Batman is rolling in what can only be described as an Iceplane. Was it worth the millions of dollars in construction and development to use it that one and only time it could come in handy. I mean, I’m sure Batman would’ve been fine without it.

x) Sometime in the middle of the film Robin and Batgirl participate in some Mad Max style Bike race. Theres pyrotechnics everywhere, everybody has on a wonderfully elaborate costume – the logistics of pulling off that kinda party must’ve been hair-raising! Kudos to the organizers!

y) Dr. Freeze has seemingly limitless goons – but we never see them before they go into battle, and I find it hard to believe that Dr. Freeze can gain the allegiance of any man on this planet. Leadership is a skill.

z) So as mentioned above Batman tries to talk Dr. Freeze into giving him the cure to Alfred’s disease after proving to him he didn’t kill his wife. Well Dr. Freeze does just that, gives him the cure. Dr. Freeze loses all of his leverage. So what does Batman do? He lets him free and Dr. Freeze puts back on his costume, which gives him all his powers so he can go get Poison Ivy. Get, not kill, because we know only “the man at the airport” that is spoken about so often is the only person that dies during this movie. I said two people died earlier, but I’m pretty sure the goon I was referring to Dr. Freeze killing, was only frozen temporarily.

The most important thing to remember about Batman & Robin is that the total body count is: 1.

And that’s just hearsay. He probably pulled through at the hospital.

*(editor's note: I've been informed Robin's name is in fact Dick Grayson, but really it seems like Clooney is just calling him a dick)

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'06 Running Tally

Friday, March 31, 2006
Albums:
1. T.I. - King
2. Prince - 3121
3. Jon Auer - Songs From The Year Of Our Demise
4. Donald Fagen - Morph The Cat
5. Jaheim - Ghetto Classics
6. Remy Ma - There's Something About Remy
7. Little Clayway - Still Movin' Independently
8. various artists - Unruly Club Classics Vol. III
9. B.G. - The Heart Of Tha Streetz, Vol. 2 (I Am What I Am)
10. Juvenile - Reality Check

Singles:
1. DJ Khaled f/ Paul Wall, Lil Wayne, Fat Joe, Rick Ross and Pitbull - "Holla At Me Baby"
2. Toni Braxton - "Take This Ring"
3. T.I. - "What You Know"
4. Foo Fighters - "No Way Back"
5. B.G. f/ Mannie Fresh - "Move Around"
6. Remy Ma - "Conceited"
7. Jamie Foxx f/ Ludacris - "Unpredictable"
8. Ray Cash f/ Scarface - "Bumpin' My Music"
9. Heather Headley - "In My Mind"
10. E-40 f/ Keak Da Sneak - "Tell Me When To Go"
11. All-American Rejects - "Move Along"
12. Lil Wayne - "Hustler Musik"
13. Prince - "Black Sweat"
14. Chamillionaire f/ Krayzie Bone - "Ridin'"
15. Kelly Clarkson - "Walk Away"
16. Chris Brown - "Yo (Excuse Me Miss)"
17. Daddy Yankee - "Rompe"
18. Lil Kim - "Woah"
19. Fall Out Boy - "A Little Less 16 Candles, A Little More 'Touch Me'"
20. Twista f/ Pitbull - "Hit The Floor"
21. Pussycat Dolls f/ Will.I.Am - "Beep"
22. Cassidy - "Cassidy Theme"
23. DJ Shadow f/ Keak Da Sneak and Turf Talk - "3 Freaks"
24. Keyshia Cole - "Love"
25. T.I. - “Why You Wanna”
26. Three 6 Mafia - "Poppin' My Collar"
27. Click Five - "Catch Your Wave"
28. Morningwood - "Nth Degree"
29. Donnell Jones f/ Jermaine Dupri - "Better Start Talking"
30. Shawnna - "Gettin' Some"
31. Beyonce f/ Slim Thug and Bun B - "Check On It"
32. Ghostface f/ Ne-Yo - "Like That"
33. Ne-Yo - "So Sick"
34. Notorious B.I.G. f/ Twista, Bone Thugs N Harmony, 8Ball & MJG and Swizz Beatz - "Spit Yo Game" (Remix)
35. Christina Milian f/ Young Jeezy - "Say I"
36. Sean Paul - "Temperature"
37. Teddy Geiger - “Confidence (For You I Will)”
38. The Lox - "Take Everything"
39. Kirk Franklin - "Looking For You"
40. Rihanna - "S.O.S."
41. The Fray - "Over My Head (Cable Car)"
42. Dilated Peoples - "Back Again"
43. KT Tunstall - "Black Horse And The Cherry Tree"
44. Dem Franchize Boyz - "Lean Wit It, Rock Wit It"
45. Alicia Keys - "Every Little Bit Hurts"
46. LL Cool J f/ Freeway - "Whatcha Want"
47. Matisyahu - "King Without A Crown"
48. Kelis f/ Too $hort - "Bossy"
49. T-Pain f/ Mike Jones - "I'm N Luv (Wit A Stripper)"
50. Jaheim - "The Chosen One"

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2006 so far, very tentatively

Tuesday, February 28, 2006
Albums:
1. Remy Ma - There's Something About Remy
2. DNA - True Crime: Harm City, Volume 5
3. Jaheim - Ghetto Classics
4. Dem Franchize Boyz - On Top Of Our Game
5. Ne-Yo - In My Own Words
6. Morningwood - Morningwood
7. B. Rich - Born Rich
8. Jamie Foxx - Unpredictable
9. The Sands - 9 song demo
10. YoungBloodZ - Ev'rybody Know Me

Singles:
1. T.I. - "What You Know"
2. Jamie Foxx f/ Ludacris - "Unpredictable"
3. All-American Rejects - "Move Along"
4. Remy Ma - "Conceited"
5. Lil Wayne - "Hustler Musik"
6. Twista f/ Pitbull - "Hit The Floor"
7. Beyonce f/ Slim Thug and Bun B - "Check On It"
8. Prince - "Black Sweat"
9. Ghostface f/ Ne-Yo - "Like That"
10. Foo Fighters - "No Way Back"
11. Daddy Yankee - "Rompe"
12. Lil Kim - "Woah"
13. DJ Khaled f/ Paul Wall, Lil Wayne, Fat Joe, Rick Ross and Pitbull - "Holla At Me Baby"
14. Ne-Yo - "So Sick"
15. Pussycat Dolls f/ Will.I.Am - "Beep"
16. Consequence f/ Kanye West - "The Good, The Bad and the Ugly"
17. Ludacris, Trick Daddy and Luke - "Throw Da D '06"
18. Click Five - "Catch Your Wave"
19. Ray Cash f/ Scarface - "Bumpin' My Music"
20. Three 6 Mafia - "Poppin' My Collar"
21. Morningwood - "Nth Degree"
22. Donnell Jones f/ Jermaine Dupri - "Better Start Talking"
23. Shawnna - "Gettin' Some"
24. Juvenile - "Get Your Hustle On"
25. LL Cool J f/ Freeway - "Whatcha Want"
26. Pink - "Stupid Girls"
27. Kanye West f/ Lupe Fiasco - "Touch The Sky"
28. Don Omar f/ Fabolous and Swizz Beatz - "Dale, Don, Dale" (remix)
29. Pitbull f/ Pretty Ricky - "Everybody Get Up"
30. Lil Jon & The Eastside Boyz f/ E-40 and Sean Paul - "Snap Ya Fingers"
31. Dem Franchize Boyz - "Lean Wit It, Rock Wit It"
32. Heather Headley - "In My Mind"
33. Dilated Peoples - "Back Again"
34. E-40 f/ Keak Da Sneak - "Tell Me When To Go"
35. KT Tunstall - "Black Horse And The Cherry Tree"
36. Nelly f/ Paul Wall, Ali and Gipp - "Grillz"
37. Rhymefest f/ Kanye West - "Brand New"
38. Mary J. Blige - "Be Without You"
39. Imogen Heap - "Hide And Seek"
40. Chris Brown - "Yo (Excuse Me Miss)"
41. Christina Milian f/ Young Jeezy - "Say I"
42. The Fray - "Over My Head (Cable Car)"
43. Pharrell Williams - "Angel"
44. Busta Rhymes f/ Mary J. Blige, Missy Elliott and Rah Digga - "Touch It (Remix)"
45. Mary J. Blige - "Take Me As I Am"
46. Kirk Franklin - "Looking For You"
47. Jagged Edge - "Good Luck Charm"
48. Blue Da Vinci f/ Fabolous and Young Jeezy - "Streets On Lock"
49. Sean Paul - "Temperature"
50. Gwen Stefani f/ Ludacris - "Luxurious" (Zone 4 Remix) (mp3)

I just barely decided to count the "Luxurious" remix, since it's apparently a few months old, but 92Q's been playing it heavily lately. And I like it a lot, especially considering I've disliked all of Stefani's solo singles except "Cool" (and, ugh, "Crash" is amazingly by far the worst yet). It's a total improvement on the original, replacing the poorly employed Biggie/Isley sample with gorgeous strings and a Miami bass-ish beat, switching out the sluggish Slim Thug verse for Ludacris rapping through weird vocal effects, and ditching the horrible "chi-ching" bridge for the "if you ain't got no money take your broke ass home" chant. The complete change of context even makes me like the melody and tolerate her Olive Oyl vocal timbre.

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Thursday, February 02, 2006
Pazz!! (also: Jop)

Thoughts:

1. '05 was the first year I was a paid critic in a real paper publication, and I wanted this to be my first year voting in P&J, but I missed the deadline, which is just as well, because now I can sit on the sidelines and cast stones at "them." I've only kind of lightly browsed through reaction threads like the ILM one (mainly because the internet cable on my street was cut off for most of the day following the publication of P&J), so there's a good chance I'll touch on some already overdiscussed stuff.

2. A quick side-by-side comparison of my top 20 albums of '05 and their P&J rankings, which, Kanye aside, are pretty different: 1: 1, 2: 596, 3: 30, 4: 388, 5: 83, 6: no votes, 7: 86, 8: 327, 9: no votes, 10: no votes, 11: 209, 12: 439, 13: no votes, 14: 1641, 15: 95, 16: 176, 17: 209, 18: no votes, 19: no votes, 20: 126. Someone on ILM does a stat break down of what voters are closest and furthest from consensus, but I don't know if there's any way to tabulate your own rank if you didn't vote.

3. Last year, I said that I hate the internet because the two albums with little/no official release or distribution that ranked highly due to online downloading, The Grey Album and Piracy Funds Terrorism, were cheesy mashup projects (I'm not really mad about Arular at #2 because it was a lock for near the top all year and I'm just happy that it got shut out by Kanye). This year, same old shit with the top 20 placement of The Legendary K.O. in the singles poll. I finally heard that thing maybe last week, and oh my god. You people like that shit? You can get amateurish bootleg remixes/freestyles of current hits off every rap board and soundclick page in the world, and most of them are just as terrible, just not as topical or 'important.'

4. Also last year, I noted that Southern rap (besides Outkast) tends to get the shaft from P&J, and that in 04, the highest ranking example was "Rubber Band Man" at #47 (unless you count "Yeah!" and "Goodies" in the top 40). So it's kind of refreshing to see "Stay Fly" in the top 10 this year, with "Still Tippin'" and "Wait (The Whisper Song)" not much further down.

5. On the other hand, the year of Houston didn't really materialize in the albums poll, with none of the Swishahouse guys or Bun B cracking the top 200.

6. I originally saw Joshua Clover's P&J essay when it appeared on the blog of his sketchy female pseudonym Jane Dark a few weeks ago, and I'm annoyed that that bullshit got such prominent placement. Or I'm more pleased that more people will get to see how ridiculous it is now. Partly it's funny because he keeps going on about what a genius Jazze Pha is while erroneously crediting him with the production of "Lose Control," which he had nothing to do with. But mostly it's just silly shitstirring, operating on the erroneous premise (among others) that only black artists/genres make records that are the creative product of someone other than the vocalist whose name is on the album sleeve, and that P&J needs to suddenly add a bunch of goofy award show-style "best artist" categories to make up for this. (Looking at the ILM thread, it looks like he got taken to task pretty well by them too, although that's to be expected since he calls out "ILXors" in the thing).

7. Well, that ship has certainly sailed.

8. I gave their album a fair chance and even saw a show of theirs, but I've come to the conclusion that The Hold Steady are bullshit. Or at least, all the press that compares them to the E-Street Band is bullshit. Seriously, has anyone who's made that comparison even listened to some old Bruce records? Fetishizing classic rock influences while putting down bands that are still rehashing new wave is just retro oneupsmanship. And "silly rabbit, tricks are for teenagers" is not something I want to hear out of the mouth of someone who's supposed to be a good lyricist.

9. "Trapped In The Closet" was robbed. Chapter 1 placed at #24, but if the 19 votes for Chapters 2-5 were counted with it, it would've moved up 10 whole places to #14. And deserved at least top 10. Yeah I said it.

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Tuesday, January 31, 2006
Favorite Singles of 2006 So Far (most of which admittedly were released in '05 but are peaking in '06)

1. Twista f/ Pitbull - "Hit The Floor" (mp3)
2. Beyonce f/ Slim Thug and Bun B - "Check On It"
3. Jamie Foxx f/ Ludacris - "Unpredictable"
4. Daddy Yankee - "Rompe"
5. All-American Rejects - "Move Along"
6. Remy Ma - "Conceited"
7. Ne-Yo - "So Sick"
8. Pussycat Dolls f/ Will.I.Am - "Beep"
9. Ludacris, Trick Daddy and Luke - "Throw Da D '06" (mp3)
10. Click Five - "Catch Your Wave"
11. Three 6 Mafia - "Poppin' My Collar"
12. Morningwood - "Nth Degree"
13. T.I. - "What You Know About That"
14. Donnell Jones f/ Jermaine Dupri - "Better Start Talking"
15. Shawnna - "Gettin' Some" (mp3)
16. Mary J. Blige - "Be Without You"
17. Ghostface f/ Ne-Yo - "Like That"
18. Don Omar f/ Fabolous and Swizz Beatz - "Dale, Don, Dale" (remix)
19. Pitbull f/ Pretty Ricky - "Everybody Get Up"
20. Dem Franchize Boyz - "Lean Wit It, Rock Wit It"
21. LL Cool J f/ Freeway - "Whatcha Want"
22. Young Jeezy - "Trap Star"
23. Keyshia Cole - "Love"
24. E-40 f/ Keak Da Sneak - "Tell Me When To Go"
25. Nelly f/ Paul Wall, Ali and Gipp - "Grillz"

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My Top 20 Favorite Albums of 2005

Saturday, December 31, 2005
This year was my first as a paid critic, and I consumed a lot more new music than is average for me. But still, I feel the same way I do at the end of every year, like I drank from a pretty shallow well of music and probably missed the boat on a lot of stuff. And I also feel like I gave things a lot less repeat listens than I did in other years. There's stuff that isn't on this list that I listened to more times than some things on this list, but usually for review purposes or because it took me a while to figure out it wasn't very good. That's why I can't ever really say with any confidence with it was a good or bad year for music (unless we're talking a very specific scene or genre), and I wonder if even industry people and obsessive downloaders who consume hundreds of albums a year can say so either. But it was a cool year for me, even if I wish there were more revelations on this list and fewer average albums by people who I'll buy anything by. I'd hoped to vote in the Pazz & Jop poll for the first time this year, but I procrastinated too long on trying to get in on it and missed the deadline. Oh well, I'll try again next year.


1. Kanye West - Late Registration

I was following Kanye's production and copping his mixtapes and every single leaked track for so long that by the time The College Dropout finally dropped, I had developed Kanye fatigue and didn't really get to enjoy its phenomenal success, and when I put it at #1 at the end of last year, I did so kind of by default. And I kind of am again this year, as I would've loved for a much different kind of hip hop album to have blown it out of the water for me. But my endorsement of this is much more certain, he really did his thing and let everyone know the first wasn't a fluke. It's still kind of soggy and overlong, but I can say that I actually enjoy it all the way through, skits and all (which I can't say for the long stretch surrounding "School Spirit" on Dropout). There's stuff that still doesn't make sense to me, like "Addiction" or the random Common solo track in the middle of the album, but it all fits together. And the tracks I don't love have something to redeem them, like that bizarre verse in "Celebration" where he talks about how his son is going to be well endowed.

Kanye West - "Roses" (mp3)


2. Apollo Sunshine - Apollo Sunshine

There's something I completely fucking love about what Apollo Sunshine do, and I don't think I got entirely to the bottom of yet. But even with kind of bland, touchy feely lyrics and not a lot to distinguish them aesthetically from a lot of other bearded indie pop bands that I wouldn't give the time of day to, they made an album and played a couple live shows that just completely bowled me over this year. And really, if nothing else, I have to credit the guitar solos. If Elephant 6 bands had solos like that I might give a shit about more of that stuff.

My Stylus review of Apollo Sunshine
Apollo Sunshine - "Eyes" (mp3)


3. System Of A Down - Mezmerize

As tightly concise as the first album but better paced and with just enough goofy Malakian moments to make it more inviting and replayable.

My City Paper review of Mezmerize
System Of A Down - "Sad Statue" (mp3)


4. Rod Lee - Vol. 5: The Official

This is the only album on this list that was also on my best of Baltimore 2005 list, and that's largely because of the far reaching waves it made outside of Baltimore this year. Rod Lee has been one of my favorite Baltimore club music producers for years, and it was real gratifying to see him get his props all over the place. I copped at least a dozen club mixes this year, and while it's a little hard to justify putting one above many similiar ones simply because of better distribution ad visibility, it really is the best sounding (more expensive mastering, maybe?) and best paced.

My Government Names review of Vol. 5: The Official
K.W. Griff - "Good Man" (mp3)


5. Lil Wayne - Tha Carter II

One of the reasons I always procrastinate on these year end albums lists is that there's always 4th quarter hip hop event releases to sneak in there. And I'm about the last person you'll catch getting excited about a Chopped & Screwed CD, but the C&S bonus disc of Wayne's greatest hits is really worth the price tag in and of itself. I don't think there's another rapper and producer I'd rather hear slowed than Wayne and Mannie Fresh. Tom is nuts about thinking that "Shooter" is a potential single or even one of the best songs, though. It's like all the rap songs with the guy from Maroon 5 but not as good.

Lil Wayne - "Hustler Musik" (mp3)


6. Grand Buffet - Five Years Of Fireworks

Noone who watched the SNL "Lazy Sunday" video over and over should be sleeping on Grand Buffet.

My Stylus review of Five Years Of Fireworks
Grand Buffet - "Pink Deadly" (mp3)


7. Beanie Sigel - The B.Coming

I'm kind of hoping that now that he's a free man again he's going to make an album that leaves this one in the dust.

My City Paper review of The B.Coming
Beanie Sigel f/ Freeway and Young Chris - "I Can't Go On This Way" (mp3)


8. Brooke Valentine - Chain Letter

The kind of schitzo R&B album that Missy wishes she made this year.

My City Paper review of Chain Letter
Brooke Valentine f/ Jermaine Dupri - "Playa" (mp3)


9. The Posies - Every Kind Of Light

In my mind, The Posies can almost do no wrong, and while this wasn't the perfect comeback I'd hoped for, they definitely made some worthy additions to their catalog.

My Stylus review of Every Kind Of Light
The Posies - "Second Time Around" (mp3)


10. Black Rob - The Black Rob Report

Like Beanie, this proves I have a weakness for spirited gasps from fading NY rap dynasties.

Black Rob - "Long Live B.R." (mp3)


11. Lil Kim - The Naked Truth

Hell no, it's not a five mic album, but considering that she possesses one of my least favorite voices in rap and I've never been much of a fan, it's a triumph that I'm feeling this. The cover photo really scared me off of copping it for a couple months, even though I loved "Lighters Up." Actually, the real triumph is that I can tolerate an album with multiple Katt "Money Mike" Williams interludes. I'm gonna give Kim the benefit of the doubt that she decided to diss Foxy Brown on a song titled "Quiet" before Foxy announced that she was going deaf.

Lil Kim - "Durty" (mp3)


12. Amerie - Touch

I guess a whole album of "1 Thing" was too much to hope for, but the less bombastic stuff had some surprising staying power.

My Stylus review of Touch
Amerie - "Come With Me" (mp3)


13. Cassidy - I'm A Hustla

"Hotel" will probably always loom over him a little too much to be taken seriously by everyone, and now that he's behind bars his career might be over anyway, but he really did step up and make a hot album, whether anyone wants to admit it.

My Stylus review of I'm A Hustla
Cassidy f/ Swizz Beatz - "Get 'Em" (mp3)


14. Medications - Your Favorite People All In One Place

I have to admit that to me, they're still a surrogate for the superior and short-lived Faraquet, but Rush-meets-Fugazi is not a niche that many other bands are serving, so I'll take what I can get.

My City Paper review of Your Favorite People All In One Place
Medications - "This Is The Part We Laugh About" (mp3)


15. Missy Elliott - The Cookbook

Missy's last two albums were my least favorite to date, her collaborations with Timbaland slowly becoming a dried out husk of what they once were, so I was probably in the minority in being overjoyed that she finally branched out with producers other than Timbo. It still can't touch the earlier albums, but it was a step in the right direction. She really fucked up sales with the singles choices, though. "Teary Eyed" totally bombed and "We Run This" probably will too. It's a crime that "Can't Stop" isn't on the radio right now.

Missy Elliott - "Can't Stop" (mp3)


16. Brendan Benson - The Alternative To Love

He continues to slide into more of the 2nd album's mopery and less of the 1st's giddy rush, but he's getting better at balancing the two.

Brendan Benson - "Between Us" (mp3)


17. The Evens - The Evens

There's something charming about this dinky, scaled down version of Fugazi's already relatively subdued later albums. I kind of have to tune out the parts where he's talking about police and governors, though.

The Evens - "Sara Lee" (mp3)


18. Ebony Eyez - 7 Day Cycle

Maybe I'm still alone in this but seriously, I think the TrackBoyz are the dopest producers in the game right now. It's a shame this album came and went with such little notice.

My City Paper review of 7 Day Cycle
Ebony Eyez - "Good Vibrations" (mp3)


19. Sheek Louch - After Taxes

If people are starved enough for decent New York hip hop that they'll rep for everything the Diplomats do, then I don't really understand why records like this and the Black Rob can be so ignored.

My Stylus review of After Taxes
Sheek Louch - "Intro" (mp3)


20. Petra Haden - Petra Haden Sings: The Who Sell Out

The original The Who Sell Out isn't my favorite Who album by a mile, but it's a perfect choice for a ridiculous project like this. Petra Haden throws herself completely into an a cappella note-for-note cover, even doing the silly interstitial skits and fake commercials and silly voices and fake accents and beatboxing the drum parts. Like Carla Bozulich's reading of Willie Nelson's Red Headed Stranger, another recent cover of an entire decades-old album by a So-Cal alt-rock chick friend of Mike Watt, it's a completely unnecessary idea that was pulled off with absolute conviction.

Petra Haden - "Heinz Baked Beans" (mp3)

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Top 20 Baltimore Albums (and Mixtapes and EPs) of 2005

Saturday, December 24, 2005
For years there's always been a handful of local bands and rappers that I've checked for. But my interest in Baltimore music has definitely blossomed in the last year and a half since I started Gov't Names and had a place to talk about it and shed some light on this city's hip hop and Baltimore club music. And in particular this year, as I slowly turned GN's content into all Bmore all the time, I've spent a lot of time thinking about local music, going to shows and hunting down record stores, meeting and interviewing artists, and it's been real rewarding and exciting for me. For the most part, this list consists of local hip hop, but there's also club music and a few rock bands. I voted in the City Paper's The Year in Local Music poll, and half of the list was stuff I voted for, but this is a more complete version of my list. I'm definitely not on top of everything that goes on here and not everyone would agree with my opinions, but I've spent a lot of time on this and I think it came out good. I've posted an mp3 of one of my favorite tracks from each release and, when available, links to artist and label websites and places that you can buy the CD. Help yourself.



1. Rod Lee - Vol. 5: The Official (Morphius Urban/Harm Squad/Club Kingz Records)

Rod Lee has been one of my favorite Baltimore club music producers for years, and it's been real exciting to watch his profile rise along with the whole genre this year. And, not to give myself too much credit, but I do think I helped to get the ball rolling with my Gov't Names review that let people know there was a good club music CD that they could actually order off the internet, which is rare. People are primed for more of this music, it's just hard to find outside Baltimore. This has a lot of the same songs as a lot of other club mixes this year, but it gets placed above those for its potential significance, and because it's paced really well and sounds good, like it was mastered better than a lot of other club mixes.

K.W. Griff - "Good Man" (mp3)



2. Bossman - Law & Order (1Up/Double Down/NEK)

Technically this was released in the last 2 weeks of 2004, but it was such an event in Baltimore when it dropped, and it really was worth the wait. I just hope he steps it up for his major label debut in '06.

Bossman - "Law & Order" (mp3)



3. Darkroom Productions - Hamsterdam: The Best of Baltimore, Vol. 1 (Darkroom Enterprises)

The city's best mixtape of the year because a couple of talented producers took control and did all the beats, so it's not a hodgepodge of different sounds like most various artist mixtapes.

Juan Donovan - "Take It Like A Man" (mp3)





4. Tyree Colion - The Problem And The Solution (Hustle Hard Blvd/Rare Ent.)

I pretty much said in my review last week why Tyree is someone to watch right now.

Tyree Colion - "Rise To The Top" (mp3)


(photo by Christopher Myers)

5. Mullyman - Mullymania (Major League Unlimited/Unruly Records)

After anticipating this album for over a year, it was kind of surreal to get into a little conflict with Mully and his people right around the time the album dropped after I interviewed him. But I'm not gonna let that bias me, it's a real hot album.

Mullyman f/ The Clipse and Fam-Lay - "Got It" remix (mp3)



6. Lake Trout - Not Them, You (Palm Pictures/Rx Records)

Lake Trout have been one of my favorite live bands for years and years, and studio recordings have never really been their strong suit, but they're getting better. I think I was a little too harsh on this album in my Stylus review, which was given a C based on what I wrote, and I feel kinda bad that it's actually the lowest rating on the album's Metacritic page. It's a good album, just a little too similiar to the last one, which probably isn't a problem for most of the other reviewers that aren't as familiar with their back catalog.

Lake Trout - "Pill" (mp3)



7. Ogun - Real On Purpose (Real On Purpose Ent.)

Ogun is the kind of super driven dude that holds Baltimore's scene together like glue and he's got some real hot songs, although some of his best stuff dropped after the album.

Ogun f/ Jitter B.U.G. and EJ - "Bmore" remix (mp3)



8. Club Queen K-Swift - Vol. 6: The Return (Unruly Records)

Between being the city's most popular radio DJ and constantly doing big parties and mix CDs like this one, K-Swift is a one-woman industry and you can practically keep up with the whole Baltimore club scene just by listening to what she's spinning. But man, I gotta get that new CD that just dropped, I haven't found it yet.

Manny - "Down The Hill" remix (mp3)



9. Private Eleanor - No Straight Lines (The Beechfields)

I know or have met probably more than half the artists on this list, but Chris, the drummer from Private Eleanor, is the only one who I've been friends with outside of the music thing for a long time. This album has really grown on me over the past few months, good mellow music to cook dinner to.

Private Eleanor - "Everything You'd Heard About" (mp3)



10. Huli Shallone - It's My Turn (Hit 'Em Hard Records)

I personally don't think it's as solid as some of the albums by Huli's old group Nature's Problem, but it's still got a lot of jams.

Huli Shallone f/ Paula Campbell - "Work That Body"


(photo by Jefferson Jackson Steele)

11. Skarr Akbar and DJ Radio - Show Me Your Soul: The General, Pt. 2 (Streetsweepers)

I interviewed Skarr over the summer and he's a real good dude, seriously talented rapper. I really think his next album is gonna be something hot, but for now he's got a lot of mixtapes out there.

Skarr Akbar - "Switches" (mp3)



12. Little Clayway - The Takeover (Clayway Records)

I'd been hearing stuff by Clayway and trying to cop a CD for years, so I'm glad that he dropped this compilation of material from his first 3 albums so I can get caught up.

Little Clayway f/ Cooli High, Tim Trees, Cappadonna and DL - "Tha Murda Collaboration"

13. DJ Unique - Classic Odell's Club Mix Vol. 2

Baltimore club music was around for a decade before I really started paying attention to it a few years ago, so I only really get to hear what it was in the early days on old school mixes that Mike Crosby and KW Griff do on 92Q, shouting out old extinct clubs like Odell's, and that's what Unique is representing here. It's mostly old hip house stuff from Chicago and New York and wherever, stuff like "Perculator" and "Brighter Days", stuff that Bmore DJs spun before there were actual local producers making Baltimore club music, with occasional homegrown classics like "Big Girl".

Jimmy Jones - "Watch Out For The Big Girl" (mp3)



14. The Oranges Band - The World & Everything In It (Lookout!)

Like the Lake Trout album, I think I was a little too harsh on this in my review, it sounds great if you're in the right mood for it. Someone please ID the riff that they're ripping off/paying homage to at the beginning of "Mountain," it's constantly on the tip of my tongue but I can't quite place it.

The Oranges Band - "Mountain" (mp3)



15. various artists - The Movement, Vol. 3: Bmore Live 2005 (Real On Purpose Ent.)

Another solid mixtape put together by Ogun's crew, with great tracks from Backland, Tim Trees, Mullyman, damn near everybody.

Ammo freestyle (mp3)



16. Lungfish - Feral Hymns(Dischord)

I've always been more into the idea of Lungfish, Dischord's sole Baltimore band, more than I'm really into their music, and I'm still not sure if I "get" them, but I think I'm starting to. Of the 3 albums I've heard by them, this is probably in the middle, but "Sing" might be my favorite song I've of theirs.

Lungfish - "Sing" (mp3)



17. Comp - U Will Be A Believer: Bang-A-Rang Mixtape Vol. 2 (DNA)

Comp has kept a relatively low profile since I interviewed him last year, but this mixtape that I reviewed recently is an encouraging progress report.

Comp - "Official" (mp3)



18. Cex - Know Doubt (Record Label)

In 2003, Cex ended a 4 year streak of releasing an album a year by releasing two that happen to be my favorite (Being Ridden) and least favorite (Maryland Mansions) that he's made, and since then, things have been pretty quiet. This EP of his "IDM jam band" is just a small stopgap release, but "Contains It" might be one of the best tracks he's ever done.

Cex - "Contains It" (mp3)



19. Labtekwon - The Ghetto Dai Lai Llama: African Rhythm American Blues (Morphius Urban/Ankh Ba Records)

I kinda slept on him for a few years because he's the kind of conscious/abstract rapper I don't listen to much, but dude can really rhyme and this album sounds great really late at night.

Labtekwon - "Father's Day" (mp3)



20. D.O.G. - Champagne Dreams: The Prequel (Invisible Set Ent.)

Maybe the most crack-obsessed mixtape to come out of Baltimore this year.

D.O.G. - "Higher" (mp3)

The Next 10 Bubbling Under:

various artists - Architects Studio presents Street Radio 2 (Streetsweepers)
Mullyman - Believe In H.I.M. (Major League Unlimited)
Tha Plague - Hitvilliainz Tha Mixtape
DJ Chris J - Club Mix Vol. 16
DJ Lil Jay - Operation: Playtime (Morphius Urban/Club Kingz)
Labtekwon - Avant God (Morphius)
Skarr Akbar - Da Lobotomy: The General, Part 3 (Streetsweepers)
Billo - The Hood Rock Star: The Daily Grind
Bossman - This Is A Warning
South Paw Entertainment - South Paw Entertainment

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Friday, December 23, 2005
The Stylus albums list is up, and includes only 2 albums I voted for, the same 2 that were also in the City Paper top 10, Beanie and Kanye. And I wrote the Kanye blurb. My ballot's also somewhere down at the bottom of the page, although my "final" year end list that I post here will probably be different.

Note: In light of the end of Stylus in 2007, I decided to archive the text of all my reviews for the site on this blog for posterity, since I don't what the future holds for the Stylus domain:

6. Kanye West – Late Registration

By the beginning of 2005, Kanye West was well on his way to wearing out his welcome as just another sample-happy pop rap auteur who went from do-no-wrong to do-no-right practically overnight (cf. Wyclef). Instead, Kanye rolled up his sleeves and won over even some of the doubters who scoffed at The College Dropout’s instant classic status. And by letting Jon Brion sprinkle twee keyboard pixie dust and inspired string arrangements all over Late Registration, Kanye came up with a bold sound that both reinvigorated his sturdy soul-sampling production formula and made even more white people love him. It’s hardly the first time in history that the most universally popular rapper of the moment was a guy who’s better at producing than rapping (forgot about Dre? Puffy? And again, Clef?), but that just proves that what people want more than perfect rhymes is someone with personality and vision.
[Al Shipley]

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Wednesday, December 14, 2005
On Stylus, I pan the totally disappointing new System Of A Down. I was really surprised by the good reviews it got, although I am glad to see that its Metacritic score is now at least a little lower than Mezmerize's, which it was higher than a couple weeks ago.

In the City Paper this week, I have another round up of Baltimore mixtapes, by Tyree Colion, Bossman, and D.O.G., with ccompanying posts with mp3s on Gov't Names soon to follow.

It's also CP's big year end top ten issue, and I voted in two of the lists. Only two things I voted for in The Year in Music made the top 10, and I wrote the blurb for one of them, Beanie Sigel. But in The Year in Local Music, 5 of my picks made the top 10. And next week here on Narrowcast I'm going to put up a huge list of my favorite Baltimore releases of 2005 (I haven't decided on top 20 or top 50 yet).

Note: In light of the end of Stylus in 2007, I decided to archive the text of all my reviews for the site on this blog for posterity, since I don't what the future holds for the Stylus domain, and have included both the letter grade ratting that accompanied the original review, and an adjusted rating that I would give the record now in retrospect.

System Of A Down
Hypnotize
Columbia
2005
Stylus rating: C
Adjusted rating by reviewer: C-

arlier this year when the Foo Fighters released a double album, Dave Grohl joked in an interview that he was saving everyone 15 bucks by releasing the 2 CDs in one package. While he wasn't exactly right—after all, no one would have paid for just that crappy acoustic disc of In Your Honor—he did have a point. After all, the past year or so has yielded an unprecedented number of separately released double albums of new material from popular artists, both indie and major, from Nelly to Bright Eyes to Shakira to System of a Down.

While some of those artists separated their music into multiple discs to underline two different moods or approaches (as in the case of Nelly and Bright Eyes) or even two languages (Shakira), System Of A Down had a less concrete rationale for issuing two similarly themed albums from the same sessions six months apart. But it also made sense, since the time the hugely popular weirdo metal band takes between releasing albums of new material averages around three or four years; they might as well get two out of the way at once before the next long hiatus. And instead of one disc being an odds-and-sods collection like 2002's Steal This Album!, Mezmerize, released in May, and the newly released Hypnotize were conceived as two equal halves of the same album.

Advance reports and early reviews for Hypnotize have been encouraging, placing it just above Mezmerize, which was already one of my favorite albums of the year. But to my ears, there's no way Hypnotize betters or even equals its predecessor. The two albums contain a nearly equal ratio of System's various moods: spastic thrash metal, nonsensical chants, dour ballads, and touches of Eastern European and middle Eastern melodies. But where Mezmerize was perfectly paced and included some of the band's best attempts at all of the above, Hypnotize is muddled and inconsistent by comparison.

The divisive issue that has fueled the debates about how Mezmerize and Hypnotize measure up to the band's first cult-building two albums is the increased vocal presence of guitarist Daron Malakian. Malakian's always been the band's principal songwriter, coming up with most of the riffs and collaborating on the lyrics with lead vocalist Serj Tankian. But on the new material, Malakian has taken on a dominant role in both writing and singing the lyrics, his squeaky, awkward voice no match for Tankian's deep, versatile and perfectly pitched cartoon villain. For some fans, Malakian's trebly interjections hold back the band's new material from equaling their 1998 self-titled debut or 2001's Toxicity. But for others, such as myself, the point and counterpoint of their two voices on Mezmerize gave System's music a welcome new dimension.

On Hypnotize, however, I do find myself wishing Malakian would tone it down. When he and Tankian harmonize, it gives the songs a melodic charge, but more often, Malakian squeals out leads that might have been better handled by Tankian on songs like "Kill Rock'N'Roll." Even listeners who have accustomed themselves to Malakian's voice and the band's various eccentricities may find their patience tested by his seemingly purposefully tuneless performance on the incredibly grating "She's Like Heroin." And then there's "Stealing Society," which starts out strong as a Tankian-sung track, until a minute and a half in, when Malakian hijacks the song with lyrics about "crack pipes, needles, PCP and fast cars" and childlike "la la la la" background vocals.

System of a Down have built a reputation as willfully weird and creative outcasts, but four albums in, there's no getting around the fact that they do have certain formulas that they use often. Even a bizarre chant like "banana banana banana terracotta / Banana terracotta terracotta pie," from "Vicinity of Obscenity," echoes other silly food-themed refrains from past System albums like "Gonorrhea gorgonzola" and "pizza-pizza pie."

With few up-tempo highlights on the level of Mezmerize's "Cigaro" and "This Cocaine Makes Me Feel Like I'm On This Song," Hypnotize's few highlights are its somber slower songs. And the title track and lead single is far and away its best, a compact 3-minute masterpiece that comes and goes in half the time of the Toxicity hit "Aerials." The beautifully structured "Hypnotize" keeps building and building, from the quiet, unaccompanied guitar on the 30-second intro, to confusing verses about Tiananmen Square, to a huge stadium chorus of "I'm just sitting in my car and waiting for my girl," perhaps the least bizarre and therefore most surprising phrase to grace a System Of A Down lyric, to the tribal drums of the instrumental bridge, to another powerful refrain of the chorus.

After putting you through the annoyance of "She's Like Heroin" and "Lonely Day," possibly System's first banal ballad-by-numbers, Hypnotize ends on a high note with "Soldier Side," the conclusion of the short track that began Mezmerize, "Soldier Side Intro." And the ominous "Holy Mountains" is Hypnotize's most serious and politically charged track, written about the border disputes surrounding a mountain range in the Armenian-American quartet's homeland. It's passionate moments like those that save Hypnotize from sounding like Mezmerize's leftovers.

Still, releasing two separate discs, each less than 40 minutes long, is a wise move for the band, whose music veers from one extreme to another so much that a little from them goes a long way. Even if Hypnotize is full of missteps, its existence as a separate entity is what makes Mezmerize nearly perfect. So I'm not bitter that they didn't issue it all at once, because as a 70 minute album it would be much more difficult to digest or enjoy. But if you want to save 15 bucks and just pay for one album, stick with Mezmerize.

Reviewed by: Al Shipley
Reviewed on: 2005-12-14

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The Top 20 Best Shows I Saw In 2005

Tuesday, December 13, 2005
With links to things I wrote about them at the time on here or Gov't Names or in the City Paper. For the most part I'm only going to name the band I went to see and enjoyed seeing, and if it's more than one than I'll name them in the rough order of who I enjoyed the most, regardless of who opened or headlined.


1. Apollo Sunshine and Lake Trout @ The Ottobar, Baltimore, September 15th


2. Grand Buffet @ The Ottobar, Baltimore, August 16th


3. Karmella's Game @ the Talking Head, Baltimore, April 28th


4. The Posies @ The Black Cat, Washington, D.C., September 26th


5. System Of A Down @ the 1st Mariner Arena, Baltimore, August 22nd


(photo by Dawn Mercurio)
6. Ted Leo & The Pharmacists @ The Ottobar, November 22nd


7. Bossman, Skarr Akbar, D.O.G., Dirty Hearts and Q @ The Ottobar, Baltimore, October 16th


8. The Travis Morrison Hellfighters @ the Ottobar, Baltimore, February 22nd


9. Dinosaur Jr. @ the 9:30 Club, Washington, D.C., July 11th


10. Noise Against Fascism: To Live And Shave In L.A., Mirror/Dash, Magik Markers, Nautical Almanac @ the Black Cat, Washington, D.C., January 20th


11. Elvis Costello & the Imposters with Emmylou Harris and Larry Campbell @ Wolf Trap, Virginia, July 31st


12. Grand Buffet @ the Ottobar, Baltimore, March 27th


13. Sonic Youth @ The University of Pennsylvania, Philadelphia, April 15th


14. Apollo Sunshine and Lake Trout @ the Ottobar, Baltimore, April 23rd


15. Ogun, Ammo, Profound, Tyree Colion and Diablo @ Club 429, Baltimore, August 9th


16. Our Lady Peace @ The 9:30 Club, Washington, D.C., September 22nd


17. Private Eleanor @ Current Space, Baltimore, August 27th


18. Ted Leo/Pharmacists @ The 9:30 Club, Washington, D.C., June 23rd


19. Enon @ the Ottobar, Baltimore, March


20. The Evens @ The G-Spot, Baltimore, May 17th

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