My Top 50 Mainstream Rock Singles of the 1980s

Friday, April 04, 2025































I've already done lists of my favorite hip-hop, R&B, alternative, and hard rock/metal singles of the 1980s. And this is the first time I've really split hairs this much and divided the rock music of a given decade into three different buckets. I'm almost tempted to break the genre into four pieces and make a soft rock list, but I figure a lot of the adult contemporary yacht rock stuff that did better on pop radio than rock radio in the '80s will just slide into my eventual pop list here and there. 

Here's the Spotify playlist

1. Queen and David Bowie - "Under Pressure" (1981)
Hearing a song via sample, particularly a sample in a far inferior song, can often ruin it for you, or at least fill your head with associations that are hard to shake. But I definitely knew "Ice Ice Baby" before "Under Pressure," and it hasn't done anything to stop "Under Pressure" from becoming one of my favorite pieces of music. It's probably the single most played song on my Amazon Music account, not so much because of my love for the song specifically but because Queen and Bowie are two of the artists I most frequently ask my Echo to shuffle songs by while my family has dinner. 

2. Tom Petty - "I Won't Back Down" (1989)
I love that Tom Petty and Jeff Lynne made Full Moon Fever in Mike Campbell's garage and really were just having fun getting out the usual Heartbreakers way of making records and wound up with the biggest album of his career. I mean, they had to have known that "I Won't Back Down" and "Free Fallin'" and "Runnin' Down A Dream" were probably hits, but the album's genesis was a lot more casual than what it sounds like when you hear those massive hits on the radio just about every day. 

3. Stevie Nicks - "Edge Of Seventeen" (1982)
Stevie Nicks actively campaigned to become a member of the Heartbreakers, which never happened, but she did make a few hits with Tom Petty. And even one of her biggest songs without Petty was directly inspired by his wife, who Nicks heard say "age of seventeen" in a thick Florida drawl (Benmont Tench also plays on the song). Waddy Wachtel, who Nicks has made music with her whole career, dating back to the Buckingham Nicks days, contributed that staccato guitar riff that makes "Edge Of Seventeen" sound so badass. 

4. Phil Collins - "In The Air Tonight" (1981)
There are a couple of classic rock stations I listen to that both, naturally, play "In The Air Tonight." But one of them, WBIG-FM, always plays a version that has loud live drums layered over the quiet drum machine pattern in the first half of the song, which sounds really stupid and totally fucks up the whole point of the big dramatic ending (you can hear a little of this version here). It turns out this is the single mix that was originally released in 1981 at the suggestion of Ahmet Ertegun, before people defaulted to the mix on the Face Value album. Ertegun has a pretty glowing reputation in the music industry, but man he made the wrong call there. 

5. Journey - "Any Way You Want It" (1980)
1997 was hip hop's jiggy era, the period in which the term 'jiggy' was popularized, and I submit to you that if other genres had jiggy eras, this song epitomizes mainstream rock's early '80s jiggy era. This is that Rodney Dangerfield dancing on a golf course music. Apparently this song's writing style was influenced by Phil Lynott when Journey toured with Thin Lizzy in the late '70s, which makes it even cooler. 

6. Pat Benatar - "Heartbreaker" (1980)
Pat Benatar is such an incredible rock vocalist, she probably belongs up there with Freddie Mercury as someone who could've been a straight up pop singer or any number of other styles but chose to be a rocker. That little phaser effect on her voice on the a cappella breakdown on "Heartbreaker" is so fucking cool, what a dynamite record. A rep for Benatar was helping me set up an interview with her a few years ago and then they ghosted me, and I'm still bitter about that. Let's talk, Pat! 

7. Neil Young - "Rockin' In The Free World" (1989)
A whole lot of the artists on this list are legacy rock acts from the '60s and '70s that very shrewdly adapted to the '80s with slicker records and music videos and were rewarded with enormous album sales. There are relatively few guys who really spent most of the '80s in the wilderness. I think Jimmy Buffett had the worst commercial dip in the '80s, while Bob Dylan had the most divisive '80s run. Neil Young was so far off in his own world for most of the decade that Geffen unsuccessfully attempted to sue him for not sounding like himself, but he was also the guy who ended the '80s with a career-defining smash that completely reset his trajectory for the '90s. 

8. Bruce Springsteen - "I'm On Fire" (1985)
Of the aforementioned '60s and '70s rockers who adapted well to the MTV era, nobody did it bigger than Bruce Springsteen, turning Born in the U.S.A. into a juggernaut with a run of seven Top 10 singles to rival Thriller. "I'm On Fire" didn't feel like one of the most ubiquitous hits from that album at the time, but in the streaming era it's pulled ahead of every track but "Dancing in the Dark" on Spotify, and I think it's totally justified, I love how it's gentle but fast, sad but sexy, rootsy but synth-heavy. 

9. ZZ Top - "Gimme All Your Lovin'" (1983) 
The members of ZZ Top were all born in 1949, the same year Bruce Springsteen was born. meaning they were pretty much the same age when they were ubiquitous on MTV in the mid-'80s. The once-scraggly Springsteen took on a youthful clean-shaven look to become a music video star, while Billy Gibbons and Dusty Hill had grown out their beards and seemed like mystical Texas boogie elders in their videos. 

10. John Mellencamp - "Cherry Bomb" (1987)
This song just makes me so happy, every time I hear it. When I interviewed John Mellencamp a few years ago, I just had to tell him it was one of my favorites and ask how he decided to have multiple singers alternate lead vocals on the second verse, and he expounded on his love of Sly and the Family Stone and how it was a direct homage to them. 


































11. The Who - "Eminence Front" (1982)
Sometimes I wonder if The Who's legacy would be any different if they never did another tour or album after Keith Moon died the way Zep did after Bonham died. We got some good stuff out of the Who's continued existence, though, and "Eminence Front" is way at the top of that list. Pete Townshend was still messing with some of the burbling atmospheric keyboards that were a big part of Who's Next and Who Are You, but Faces drummer Kenney Jones keeps a much more straightforward groove than anything Moon would've played, and the result is something special and hypnotic that just works every time I hear it, whether on the radio or on a recent episode of "Severance."

12. Rick Springfield - "Jessie's Girl" (1981)
Rick Springfield was a singer dabbling in acting when the stars aligned and he briefly became the king of all media in the early '80s when he had one of the biggest hit songs in the world and a popular 2-year stint on the soap opera "General Hospital." Springfield's existence has been boiled down to that moment, but his career is a lot longer and more interesting than he gets credit for, with a decade of hits with the band Zoot and as a solo artist in his native Australia before "Jessie's Girl," and four Platinum albums that each had at least one Top Ten hit in America. Still, if you're gonna be remembered for one song, you could do a lot worse. 

13. Steve Winwood - "Roll With It" (1988) 
There are a lot of White guys who sing "soulfully" in this list, especially British guys, and sometimes that stuff ages surprisingly well and sometimes it ages like milk. I don't think Steve Winwood gets enough credit these days as one of the very best vocalists in that particular niche, though, just a fantastic voice and a great catalog across his solo career, Traffic, the Spencer Davis Group, and Blind Faith. Holland-Dozier-Holland's lawyers were busy in those days, they got their names added to the songwriting credits of both "Roll With It" and Aerosmith's "The Other Side" for similarities to their old Motown hits. 

14. Tom Petty & The Heartbreakers - "Refugee" (1980)
When I crunched the numbers for all my lists of albums of each year of the decade to make lists of my favorite artists of the 1980s, Tom Petty was in the top 10 for albums as well as singles, with his frequent collaborators Jimmy Iovine and Mike Campbell also in the top 10 for singles. "Refugee" is, like Pat Benatar's "Heartbreaker," a 1979 single from a 1979 album that peaked in 1980, and I hate when songs straddle decades in a way that makes it hard to say which one it belongs to, but I'll just bite the bullet and make my choice here. 

15. Genesis - "No Reply At All" (1981)
Genesis in the early '80s was really fucking cool if you ask me, those really taut grooves on "Paperlate" and "Turn It On Again" and "Abacab," to say nothing of the Phil Collins solo stuff, it's really right in a sweet spot of a style that I love. Collins putting the Phenix Horns from Earth, Wind & Fire on some of those Genesis songs and some of his solo stuff always sounded so good. 
 
16. Bruce Hornsby and the Range - "The Way It Is" (1986)
I kind of wish Bruce Hornsby had come out in the era of Elton John, because I love the sound of his piano playing, but the production on his stuff is so slick, a lot of it reminds me of the "Wings" theme song. This song is perfect, though, one of those pop hits that feels so deceptively simple and pretty while he's slipping in all this history about civil rights legislation and just a general outlook about empathy and equality. 

17. Toto - "Rosanna" (1982) 
As a drummer there are times when I like the drummer more than the band, but that usually means it makes the band grow on me, and Jeff Porcaro was just incredible, man, I love the spin he put on the Purdie Shuffle on this song. 

18. Queen - "Crazy Little Thing Called Love" (1980)
Queen's only two #1 songs in America were both from The Game and were both instances of the band wearing a musical costume rather than sticking to their core sound. And I think "Crazy Little Thing Called Love" is an example of how what Queen did went beyond pastiche, like Freddie clearly took the Elvis Presley template, but created a song that Elvis would've been lucky to have been offered, it would've been one of his best songs ever. 

19. The Romantics - "What I Like About You" (1980)
I always loved this song since I was a kid, and the "What I Like About You" video was probably the first time I ever saw someone play drums and sing at the same time, some thing I do in my bands now. It's actually not as hard as I thought it would be before I tried it! 

20. Eddie Money - "Shakin'" (1982)
Eddie Money was a real goofball (check out the way he mouths along with the stuttering guitar lead in the "Shakin'" video) but he made some songs that really kicked ass. It's so funny that he slips in the line "her tits were shakin'" in the second verse and it never got censored on the radio or MTV. The 1997 compilation Shakin' With The Money Man is one of the best titles ever given to a greatest hits record.


































21. Bruce Springsteen - "Hungry Heart" (1980) 
Many people don't know, this song is written from the perspective of a man whose entire family was eaten by Baltimore Jack, the legendary Maryland cryptid. 

22. Journey – “Stone In Love” (1982)
I love how the last two minutes of "Stone in Love" just go off on this tangent with a completely different melody than the first half of the song, I guess it's a bridge but they just keep going and never properly return to the chorus other than some harmonies repeating the title line. 

23. The Greg Kihn Band - "The Breakup Song (They Don't Write 'Em)" (1981)
I didn't realize it until after both of them had passed away, but Greg Kihn went to the same high school at the same time as my father. This may be a quintessential power pop song not just for the hooky chorus but for the way it openly yearns for the songwriting of another time. 

24. Pete Townshend - "Let My Love Open The Door" (1980)
The Who never cranked out albums as steadily as their contemporaries -- by the end of the '70s, they'd released 8 studio albums, while the Stones had 14 and the Kinks had 18. So I'm not sure what got into Pete Townshend in the early '80s that he decided to sign a solo deal and pushed out 4 albums (2 solo and 2 by The Who) in the space of two and a half years. He probably spread himself too thin and could've had a classic or two if he'd consolidated those songs into fewer releases, but I'm glad we got both "Let My Love Open The Door" and "Eminence Front" out of that burst of activity. 

25. Don Henley - "The Boys Of Summer" (1984)  
Since Tom Petty heard and passed on Mike Campbell's demo that became "The Boys of Summer," people like to imagine that it could've been a Petty song or that it's his "the one that got away," but I don't know, I really like it as a Henley song. I worked with Henley on a Leonard Cohen tribute concert last year, he was surprisingly friendly, although I think he was trying to riff on some weird joke that I had just come from Vegas and I totally failed to pick up what he was putting down. 

26. Fleetwood Mac - "Gypsy" (1982)  
I know the title of this song is a word people frown upon using and I respect the reasons why, but god I love this song, I know people are big on the Tango in the Night singles but this is by far my favorite post-Tusk song by Fleetwood Mac. 

27. Traveling Wilburys - "Handle With Care" (1988)
I'm gonna go ahead and stamp this as the last classic hit song involving any of the Beatles, better this than "Free As A Bird" or "FourFiveSeconds." Joseph Quinn doesn't know how Timothee Chalamet got his number, or why his texts always begin with "Nelson, it's Lucky." 

28. Fabulous Thunderbirds - "Tuff Enuff" (1986) 
Stevie Ray Vaughan may be the most revered guitarist of the 1980s, but I kind of prefer the music of his older brother Jimmie's band the Fabulous Thunderbirds, who had sort of a more bubblegum take on blues rock on their four great Hot 100 hits "Tuff Enuff," "Wrap It Up," "Stand Back," and "Powerful Stuff." 

29. .38 Special - "Hold On Loosely" (1981)
.38 Special is another band that features the brother of a more famous rock icon. Donnie Van Zant had a nice run of hits with .38 Special, which I think is a better career to have than Johnny Van Zant, who tried in vain to fill the shoes of their older brother Ronnie as the frontman of later lineups of Lynyrd Skynyrd. 

30. John Mellencamp - "Jack & Diane" (1982)
Given that John Mellencamp is the archetypal "heartland rocker," I found it fascinating to realize that he started out as kind of a glam rock disciple of Bowie who was discovered by Tony Defries, manager of Bowie, Mott the Hoople, and Iggy Pop. And Spiders From Mars guitarist Mick Ronson was a big part of Mellencamp's biggest hit, playing guitar and suggesting some of the percussion choices and the vocal harmonies on the bridge. 





























31. Genesis - "Tonight, Tonight, Tonight" (1987)
"Land of Confusion" has historically been my favorite Invisible Touch track (I loved the weird video as a kid) but this one has slowly crept up, it just feels so huge and cinematic. I forgot sometimes how weird the bridge is in the full 8-minute album mix -- not really proggy because they just ride the same 4/4 groove for the whole song, but they have fun with a variety of synth noises in there. 

32. Rod Stewart - "Young Turks" (1981) 
Rod Stewart felt so much more ubiquitous in the '80s and early '90s than he does now, I used to find him pretty annoying, but now I realize he made some pretty great music in the early '70s. And even after he started to get a bit obnoxious in the disco era, he made a pretty great song with some modern new wave-y influences on "Young Turks," the first video shown on MTV to feature breakdancing. 

33. Styx - "Too Much Time On My Hands" (1981)
"Too Much Time On My Hands" is another example of how classic rockers adapting to new wave seems like a pretty terrible idea on paper but wound up giving us some great music. I also really enjoyed when Paul Rudd and Jimmy Fallon remade the song's video. It's Styx's only top 10 hit written and sung by Tommy Shaw, who leads the band now, while founder Dennis DeYoung, who wrote and sang their other 7 top 10 hits, sits on the sidelines. Apparently he played the singer in a Styx tribute band in a Hilary Duff movie once. 

34. The Outfield - "Your Love" (1986) 
I was kind of surprised to learn The Outfield was British. Maybe because I associate the word "outfield" with baseball? I don't know. I also think I assumed this song was more of an early '80s thing, maybe because there were so many bands with that raspy The Police/Men At Work vocal sound at the time. 

35. Donnie Iris - "Ah! Leah!" (1980) 
The first girl I was completely infatuated with in middle school was named Leah. Weirdly I don't think I ever heard this song, or at least didn't realize what it was called until many years later as an adult. And I'm kinda glad I didn't know it at the time, it doesn't feel like it lines up with the emotions I have attached to that name. Still a pretty good song, though. 

36. Bryan Adams - "Somebody" (1985)
There are some Bryan Adams songs that have been so overplayed that I kinda never wanna hear them again, including "Summer of '69" and some of his '90s soundtrack ballads. But "Somebody," "Cuts Like A Knife," "It's Only Love," I never get sick of those jams. I feel like Counting Crows kind of ripped off the lead guitar from "Somebody" on "Hanginaround," but in a good way, I like both of those songs. 

37. Queen - "Another One Bites The Dust" (1980)
Considering that John Deacon was inspired by Chic's "Good Times" for the "Another One Bites the Dust" riff and Michael Jackson was the person who told Freddie Mercury it should be a single, it feels a little funny to put this on a 'rock' list. But disco's influence on rock music was a greater force for good than it usually gets credit for, and this is probably right beneath "Miss You" by the Stones as the top classic of the form. 

38. Stevie Nicks with Tom Petty & The Heartbreakers - "Stop Draggin' My Heart Around" (1981)
Given how many simultaneous hits guys like Drake or Kendrick can have these days, it feels silly to think that the success of "Stop Draggin' My Heart Around," the highest charting song of Tom Petty's career, would stifle the Heartbreakers single that was out at the time, "A Woman In Love," but it was a different time. 

39. Bonnie Raitt - "Thing Called Love" (1989)
Bonnie Raitt had been making records with occasional minor success for two decades when her tenth album, Nick of Time, won the Grammy for Album of the Year and hit #1 on the Billboard 200. And that album's yearlong climb to the top started with a pretty great lead single, which I didn't realize was written by John Hiatt until I bought a Hiatt best-of CD for a dollar last year and his version was on it. 

40. Little Feat - "Let It Roll" (1988)
Little Feat were arguably the greatest cult band of the '70s, and one of my personal favorite bands of all time. Almost a decade after original frontman Lowell George died, the remaining members of Little Feat decided to make a go at reuniting. They considered some old collaborators, including Bonnie Raitt and Robert Palmer, before bringing on Craig Fuller of Pure Prairie League. Little Feat didn't quite become household names, but for a couple of albums they had a bit of the mainstream visibility that had eluded them for so many years, including a "Saturday Night Live" appearance and four top 10 rock radio hits. Paul Barrere's "Let It Roll" is my favorite of those hits and it sounded great when I saw the band last year and they threw it into a set of their '70s songs and blues covers. 





























41. Journey - "Separate Ways (Worlds Apart)" (1983)
Considering the way "Don't Stop Believin'" has become by far Journey's most ubiquitous song over the last couple decades, it might seem ridiculous that I have three Journey songs on this list but not that one. But listen, I like that one too, I just enjoy some other Journey songs more, and "Separate Ways" kicks ass, probably one of the hardest rocking synth-driven songs in the AOR canon. 

42. Foreigner - "Juke Box Hero" (1981)
I still sort of think of Journey and Foreigner as two peas in a pod in that wave of really slick radio rock. Far more of Foreigner's best hits were in the '70s, but they had some good ones in the '80s too, and "Juke Box Hero" is just so deliriously hammy and over-the-top. 

43. George Thorogood & The Destroyers - "I Drink Alone" (1985) 
I lived in Delaware for about a decade growing up, and as a young rock fan in Delaware, there weren't many local success stories to get excited about -- Tom Verlaine and Richard Hell met in a private school in New Castle County and got out of there and headed to New York as fast as they could, I guess that's kinda cool. I remember Delaware rock stations playing a ton of Thorogood, though, and always referring to his band by their original name, The Delaware Destroyers. That's a pretty funny name, though, it sounds like they wanted to destroy Delaware, which I suppose could've been a popular position to take in Delaware. 

44. Robert Plant - "In The Mood" (1983)
While dozens of bands tried to fill the void left by Led Zeppelin in the '80s, the band's frontman has always seemed wonderfully unconcerned with trying to recapture the band's sound or stature in his solo career. And I just adore the dreamy groove of "In The Mood," driven in part by Phil Collins on drums, I heard this song so much on the radio growing up that I was surprised to learn that another song from the same album, "Big Log," is technically far more popular. 

45. Loverboy - "Working For the Weekend" (1982) 
Loverboy is, like Rick Springfield, one of those acts where I'm surprised how successful they were -- four multi-platinum albums, and ten Top 40 hits, including two that were bigger than "Working For The Weekend," the only song I hear by them all the time today. 

46. Pink Floyd - "Learning To Fly" (1987)
A lot of people kind of side with Roger Waters over David Gilmour in the Pink Floyd split, but you could do worse than having the band be led by the great guitarist with the best voice in the band. Certainly the post-Waters albums aren't as weighty and conceptual, but there are some pretty good songs, and "Learning To Fly" is a great one. 

47. Jackson Browne - "In The Shape Of A Heart" (1986)
I heard a lot of Jackson Browne growing up (my parents met at a festival he was playing at), and my dad always loved this song. It's an incredibly sad song, about Browne's first wife who committed suicide, but I don't know, it's beautiful and I have a lot of memories attached to it. Also some really nice guitar leads from Rick Vito, about a year before he joined Fleetwood Mac

48. Bruce Springsteen - "Dancing In The Dark" (1984)
I love that Bruce Springsteen basically turned a writer's block fit in search of a lead single into one of his biggest hit, he always came up with great stuff when his back was against the wall and he needed to deliver. 

49. The Rolling Stones - "Start Me Up" (1981) 
The Stones' peak period was incredibly long, writing a song that rivals "Satisfaction" as their definitive hit a whole 16 years after "Satisfaction" is almost unheard of. And it's pretty hilarious that Mick Jagger sings "you make a dead man come" over the fade out in such a ubiquitous song. 

50. Tom Petty & The Heartbreakers - "Don't Come Around Here No More" (1985) 
Tom Petty famously couldn't quite crack Southern Accents as a concept album and wound up doing some songs with Dave Stewart of Eurythmics that didn't really fit the idea of the record but were still good, including its biggest hit. I love the way the Heartbreakers take over from the drum machine groove and rev up the song at the end. 

Deep Album Cuts Vol. 380: Joe Cocker

Friday, March 28, 2025















Joe Cocker is one of 2025's nominees for the Rock and Roll Hall of Fame alongside Bad Companythe Black CrowesMariah Carey, Chubby Checker, Billy Idol, Joy Division/New OrderCyndi Lauper, ManaOasisOutkast, Phish, Soundgarden, and the White Stripes


Joe Cocker deep album cuts (Spotify playlist):

1. Sandpaper Cadillac
2. Change In Louise
3. Do I Still Figure In Your Life?
4. That's Your Business
5. Dear Landlord
6. Hello, Little Friend
7. Give Peace A Chance (live)
8. Space Captain (live)
9. She Don't Mind
10. I Get Mad
11. Performance
12. Lucinda
13. Born Thru Indifference
14. Worrier
15. I Can't Say No
16. Marie
17. Come On In
18. Don't Drink The Water
19. Satisfied
20. You Know It's Gonna Hurt
21. Hitchcock Railway (live)

Tracks 1, 2, and 3 from With A Little Help From My Friends (1969)
Tracks 4, 5, and 6 from Joe Cocker! (1969)
Tracks 7 and 8 from Mad Dogs & Englishmen (1970)
Track 9 from Joe Cocker a.k.a. Something To Say (1972)
Tracks 10 and 11 from I Can  Stand A Little Rain (1974)
Track 12 from Jamaica Say You Will (1975)
Tracks 13 and 14 from Stingray (1976)
Track 15 from Luxury You Can Afford (1978)
Track 16 from Sheffield Steel (1982)
Track 17 from Civilized Man (1984)
Track 18 from Cocker (1986)
Track 19 from Unchain My Heart (1987)
Track 20 from One Night Of Sin (1989)
Track 21 from Joe Cocker Live (1990)

I was a little surprised by Joe Cocker's nomination. He died about a decade ago, and it feels like his hits and his overall style are even further out of fashion now than they were then. He's considered more of an 'interpreter' than an artist, because while he did write songs, virtually every song he's known for is a cover. He could really sing the hell out of some songs and make them his own, though. There are plenty of good Beatles covers, and a few I like as much as original, but "With a Little Help From My Friends" may be the only Beatles cover that I think blows the original out of the water. Of course, I probably watched a hundred episodes of "The Wonder Years" before I ever listened to Sgt Pepper's, so I would say that. 

So I made an effort to highlight Cocker the songwriter here, and the songs he wrote (often with his pianist Chris Stainton) on this playlist are "Sandpaper Cadillac," "Change in Louise," "That's Your Business," "She Don't Mind," "Something To Say," "I Get Mad," and "Born Thru Indifference." In addition to his famous Beatles covers, Cocker also frequently covered Bob Dylan ("Dear Landlord") and Randy Newman ("Lucinda" and "Marie"). Cocker was the first person to release Allen Toussaint's "Performance," later recorded by Aaron Neville, Dobie Gray, and others. 

Cocker is one of those '70s acts whose highest charting album in the U.S. was a live record, and Mad Dogs & Englishmen is pretty killer. Leon Russell, who wrote "Hello, Little Friend" and the hit "Delta Lady" for Cocker's second studio album, was the musical director of that tour, and it included a song he wrote with Bramlett that has never been released elsewhere called "Give Peace a Chance" (not to be confused with the Lennon song of the same name). Russell discovered Matthew Moore, who sang backing vocals on the Mad Dogs & Englishmen tour and wrote the fantastic song "Space Captain," and would continue to write songs for Cocker for many years after, including "Worrier," which has an Eric Clapton guitar solo and great backing vocals by Bramlett. His brother Daniel Moore also wrote songs for Cocker, including "I Can't Say No." 

I think it's kind of funny that he released an album called Joe Cocker! and followed it with an album called Joe Cocker -- fittingly, the one with no exclamation point was less successful. My mom had the Joe Cocker Live album in the early '90s, and that was my first exposure to his music outside of "The Wonder Years." It may not be as good as Mad Dogs & Englishmen but I like that record and figured I'd end the playlist with something from that, although he continued to record many more records for a couple decades after that. 

Movie Diary

Thursday, March 27, 2025

 





a) Anora
I saw and liked Sean Baker's earlier movies Tangerine and The Florida Project at the time and thought Mikey Madison had real star potential on "Better Things," so I was kinda vaguely pro-Anora during awards season to the extent that I get invested in these things at all. Winning a few Oscars definitely raised my expectations, though, and I dunno, I found it a little underwhelming, it was simplistic and Hollywood in some ways but almost not Hollywood enough in other ways. I thought Madison's accent work was dreadful and hackneyed, but it was a good performance otherwise (if anything she deserved an Emmy for season 5 of "Better Things" more if you ask me). Most of the other performances were nothing special, including the guy who also got an Oscar nod. 

b) Blitz
After CODA's Best Picture win and Killers of the Flower Moon's 10 nominations, Apple TV+ was seemingly becoming a consistent Oscars contender, until they landed zero nominations this year for the only movie that had a little awards season buzz, Blitz. Steve McQueen's a remarkable filmmaker and it was great to finally get his first proper feature since one of my personal favorites, Widows. I thought it was a really strong concept, doing a war movie fully from the perspective of civilians in a city under siege, he captured that in such a visceral way. 

c) The Electric State
There's a lot of schadenfreude anytime people who broke box office records with their Marvel movies make an underwhelming streaming movie, and there was even more than usual for The Electric State, which at a $320 million budget is one of the most expensive movies ever made. As usual, I wish the Russo brothers brought someone from the great sitcoms they've worked on to punch up the script, but I thought it was a decent middle tier Netflix popcorn movie, with some fun supporting performances from Ke Huy Quan, Stanley Tucci, and Jason Alexander. 

d) Kraven The Hunter
Speaking of Marvel schadenfreude, it seemed like everybody seemed to take some pleasure in this bombing. Every time I see Aaron Taylor-Johnson in something I'm less convinced that he has any screen presence whatsoever, let alone leading man potential, so I only hope this movie's failure helped take him out of the running to play 007. Christopher Abbott and Ariana DeBose, however, are definitely too good for this movie, I was actually a little bummed out to see them in it. Incidentally, a few months ago, I spent a day in M&T Bank Stadium working on a really stupid cross-promotional Baltimore Ravens/Kraven The Hunter TV spot starring now-disgraced Ravens kicker Justin Tucker (I was pretty much there as a backup in case feeding lines to people before they went on camera wasn't working and they needed a teleprompter and they never did, so I didn't really do any work that day, I just got some hours on my timesheet for showing up and eating at the craft services table set up in John Harbaugh's office). 

e) Personality Crisis: One Night Only
I remember liking Buster Poindexter's "Hot Hot Hot" as a kid and thinking this guy was so hilarious and magnetic in Scrooged and even enjoying the widely panned Car 54, Where Are You? movie on cable, well before I ever listened to the New York Dolls or realized it was all the same guy. So I really enjoyed this 2023 documentary co-directed by Martin Scorsese and David Tedeschi, kind of David Johansen's last big project before his death in February, which centers on a cabaret show where he essentially performs the music of David Johansen in character as Buster Poindexter. It's one of those ideal music docs that would lay out his whole career well for anyone who's not familiar with him, but also is a lot of fun for fans as well. I particularly like the edits where you'd cut between the same song being performed in different decades, or even the same anecdote being told in different interviews. 

f) How To Have Sex
A pretty strong directorial debut from cinematographer Molly Manning Walker, very much a feelbad kind of coming-of-age movie, but the subject matter is handled sensitively and realistically. One of those movies where you don't even feel like you're watching actors and then realize that the actors are better than you realized. 

g) The Killer's Game
When I reviewed seasoned stuntman J.J. Perry's directorial debut, Netflix's Day Shift, I was impressed and suggested he deserves to book some bigger movies. So I'm glad that his next movie, The Killer's Game, got a theatrical release and was even better, even if it wasn't much of a hit. Dave Bautista has said that he'd like to do a romcom, and this feels like a good bridge in that direction, he has good chemistry with Sofia Boutella. 

h) The Unbearable Weight of Massive Talent
I feel like both meta comedies where celebrities play over-the-top version of themselves, and the general cottage industry of making fun of Nicolas Cage's mannerisms and eccentricities, probably peaked well before this movie was made. That being said, it managed to work pretty well, like many Nic Cage movies, partly off the sheer commitment of his performance. 

I'll watch anything with Gemma Arterton in it, but this kind of surpassed my expectations, interesting story. This movie does, however, end with one of the worst "easy listening cover of an old hit song" needle drops in cinematic history. 

j) Come Play
I had never heard of this before I caught it on SyFy the other day, but apparently it was actually in theaters in 2020 and was #1 at the box office for one weekend. I don't think the premise and the CGI totally worked for me, but I liked seeing Gillian Jacobs in a horror movie, she could definitely do more horror. 

Wednesday, March 26, 2025

 




Recently I've ranked the albums of the Meat Puppets, 2Pac, and Matthew Sweet for Spin. 

Deep Album Cuts Vol. 379: Maná

Friday, March 21, 2025

 





Maná is one of 2025's nominees for the Rock and Roll Hall of Fame alongside Bad Companythe Black CrowesMariah Carey, Chubby Checker, Joe Cocker, Billy Idol, Joy Division/New OrderCyndi LauperOasisOutkast, Phish, Soundgarden, and the White Stripes

Maná deep album cuts (Spotify playlist):

1. Tu Tienes Lo Que Quiero
2. ¿Dónde jugarán los niños?
3. Latinoamérica
4. Soledad
5. Mis Ojos
6. Tú Me Salvaste
7. Cachito
8. Ay, Doctor
9. Ámame Hasta Que Me Muera
10. Falta Amor featuring Alex Lora
11. Peligrosa
12. Ana (live)
13. Relax
14. La Sirena
15. Selva Negra
16. La Puerta Azul
17. Huela a Tristeza

Tracks 4, 10, and 16 from Falta Amor (1990)
Tracks 2, 7, and 17 from ¿Dónde jugarán los niños? (1992)
Tracks 5 and 15 from the Cuando Los Ángeles Lloran (1995)
Tracks 1, 9, and 15 from Sueños Líquidos (1997)
Track 12 from Maná MTV Unplugged (1999)
Track 8 from Revolución de Amor (2002)
Track 15 from Amar Es Combatir (2006)
Track 3 from Drama y Luz (2011)
Track 11 from Cama Incendiada (2015)

Maná are one of Mexico's biggest rock bands, and it surprised me to see their name on this year's list of Rock Holl nominations, but I get that they're trying to open the door to different sounds and different cultures, and I kinda hope they get in, it would push that door a little further open for other artists. But I wasn't too familiar with their music, so I decided to use this as an opportunity to familiarize myself with it. 

I definitely remember the first time I heard of Maná was when they did an episode of "MTV Unplugged," and the first time I heard them, like a lot of English-speaking Americans, was when they appeared on Santana's Supernatural. Listening through some of Maná's top streaming hits, the ones that really caught my ear the most were "Clavado en Un Bar," "Labios Compartidos," "Te Llore Un Rio," and the Shakira collaboration "Mi Verdad." 

Maná released a self-titled album in 1987, and released two albums under the name Somrero Verde before that, but that stuff's not on Spotify, so I just started with Falta Amor, which was their first charting album. Falta Amor's title track features Alex Lora, frontman of El Tri, who were one of Mexico's biggest rock bands in the '70s and '80s, so that's kind of a nice passing the torch moment. The harmonica part on "La Puerta Azul" contains a little melodic quote of Neil Young's "Heart of Gold," and a few songs give me heavy Police vibes, even some of Alex Gonzalez's drum fills on "Soledad" are very Stewart Copeland. And "Tu Me Salvaste" has my favorite guitar solo on this playlist. 

The 2025 Remix Report Card Vol. 1

Thursday, March 20, 2025


 



















I did my final 2024 Remix Report Card in early December, and so many remixes have come out since then, this is easily one of my longest RRC posts in the 18 years that I've been doing it. Yes, 18. 

Here's the Spotify playlist:

"AGATS2 (Insecure)" by Juice WRLD featuring Nicki Minaj
"All Girls Are The Same" was Juice WRLD's second most popular song behind "Lucid Dreams," with nearly 2 billion streams. So it was surprising to learn that the song has a sequel featuring Nicki Minaj and co-written by Halsey that his estate waited to release it 5 years after his death. My suspicion is that the song was called "Insecure" and they renamed it long after it was recorded, and it's funny to think that Nicki and Halsey may not have known they were working on something that would have the "All Girls Are The Same" title on it. 
Best Verse: Nicki Minaj
Overall Grade: C+

"Big Dawgs (Remix)" by Hanumankind featuring A$AP Rocky
Hanumankind's "Big Dawgs" was a rare Indian rap song that broke through all over the world, charting on the Hot 100 and going top 10 in a bunch of other countries. "Big Dawg" ends with a beat switch and pitched-down vocals that sound very A$AP Rocky-influenced, so he was a good choice for this remix, and he does verses both before and after the beat switch, I'm not generally a huge Rocky fan but he put in a good effort here. Rocky says "I feel like Afeni Shakur" multiple times and I have no idea what the fuck that's supposed to mean. 
Best Verse: A$AP Rocky
Overall Grade: A- 

"Blick Sum (Remix)" by Latto featuring Playboi Carti
Latto and Carti are probably the 2 biggest Atlanta rappers under 30 right now, and there aren't necessarily a lot of beats they'd both sound good on, but "Blick Sum" fits that description, they definitely chose the right song. But Carti does his verse in that one voice that sounds like a cross between Lil Yachty and a Minecraft villager, which is easily my least favorite voice that he does. 
Best Verse: n/a
Overall Grade: C+ 

"Burning Down (Remix)" by Alex Warren featuring Joe Jonas
Alex Warren is following Joji down the "comedic YouTuber to earnest Top 40 balladeer" pipeline, and "Burning Down" is his first song to get pop radio airplay. I feel like he probably could've done better than the second most popular Jonas Brother for the remix, but I like Joe Jonas's voice more than Alex Warren's, so I'll consider this version an improvement. 
Best Verse: n/a
Overall Grade: B

"cLOUDs (Remix)" by J. Cole featuring Wiz Khalifa
J. Cole's latest song has a hook about smoking weed and an outro that samples an ad lib from an old Wiz Khalifa mixtape song, so it feels like the remix with Wiz was inevitable. Wiz sounds washed on this, though, he tries to adapt his flow to the beat and it just doesn't feel natural. This isn't on the playlist because it hasn't hit streaming but it's on YouTube
Best Verse: n/a 
Overall Grade: C

"Embrace It (Remix)" by Ndotz featuring Sexyy Red, Flo Milli, and RJ Pasin
"Embrace It" is British rapper Ndotz's breakthrough single, a top 10 hit in the UK, although outside his accent it sounds a lot more like American rap to me than most UK songs. Sexyy Red raps better than usual here, but Flo Milli still just decisively steals the track, going above and beyond the call of duty with a 24-bar verse. The song's producer, RJ Pasin, didn't have a feature credit on the original but does on the remix, I like the little guitar loop he played on the beat. 
Best Verse: Flo Milli
Overall Grade: A-

"Giannis (Remix)" by Hurricane Wisdom featuring Polo G
Polo G's last album sucked and flopped hard so once again I feel like the artist could've held out for a better guest for the remix of their big hit, but Polo does sound good on this beat. 
Best Verse: n/a
Overall Grade: B

"Heart of a Woman - but you're crying in the rain" by Summer Walker
"Heart of a Woman - but you're drinking wine by the fire" by Summer Walker
Summer Walker's Heart of a Woman (Quiet Storm) EP has her current hit with two new mixes that both have faux-quiet storm radio DJ intros and then just play the standard version of the song with lots of reverb, with rain sound effects added on one version and fireplace sound effects on the other. I'm not really sure what purpose this serves, the whole concept is just kind of hilarious, but to the very small extent that anybody is streaming these mixes, the fireplace one is doing better than the rain one. I was disappointed that she didn't actually do new versions of the track and make a slow and sultry song even slower and more sultry. 
Best Verse: n/a
Overall Grade: C-

"Here We Go (Uh Oh) [Remix]" by Coco Jones featuring Leon Thomas
Leon Thomas has had a pretty cool career arc, going from acting on Nickelodeon to producing music for co-star Ariana Grande and eventually working with other stars like Drake and SZA and now having a hit as a solo artist. I can't say I love his voice or think he makes a great addition to this track, though. 
Best Verse: n/a
Overall Grade: C

"I'd Rather Overdose (Remix)" by Honestav featuring Mod Sun
I already named this remix one of the 10 worst alternative radio hits of 2024, so it goes without saying I hate all this edgy 'toxic' White rapper bullshit. Mod Sun does more of a shouty voice than the mealy mouthed mumble Honestav and someone named Z did on the original song, and I can't say it's any kind of improvement. 
Best Verse: n/a
Overall Grade: D

"ILBB2 (Remix)" by Jorjiana featuring GloRilla
Jorjiana is a TikTok creator and rapper from Indiana that people started called 'white GloRilla,' which I guess is why GloRilla did a song with her. This is one of the worst songs I've ever heard, though, and even Glo can't do much to save it, I hate that she did something like this when her career is thriving so much, and even helped the song go more viral by flirting with YouTuber Duke Dennis in her verse. 
Best Verse: n/a
Overall Grade: C

"I'm On 4.0" by Trae Tha Truth featuring Busta Rhymes, Jeezy, Jay Rock, DMX, Ty Dolla Sign, Joyner Lucas, Method Man, D Smoke, Chance the Rapper, and G. Herbo
Trae Tha Truth released the original "I'm On" in 2011, a posse cut featuring Big Boi, Lupe Fiasco, and Wale, with a hook by Justin Bieber's songwriter Poo Bear. Sequels with different guests on variations on the original beat followed in 2012, 2017, and now 2025, with Ty Dolla Sign doing the hook this time. This might be the weakest of the four versions, but it's still pretty good, Meth and D Smoke did their thing. I'm not a reactionary Chance the Rapper hater, but he doesn't sound good on this beat and he kinda goes on too long. I don't like this whole thing with people getting ahold of I guess unreleased DMX verses and putting them on songs he probably never spit on, especially if you're going to just put him right in the middle of a song with 10 rappers, it feels tacky and not a fitting tribute in my opinion. I also find it very irritating when Trae says 'Billy Cyrus' instead of 'Billy Ray Cyrus.' "I'm On 4.0" isn't on Spotify so it's not on the playlist, but it's on YouTube
Best Verse: Method Man
Overall Grade: B

"Jodeci (Remix)" by Connie Diiamond featuring Cash Cobain and Vontee The Singer
"Jodeci" samples Jodeci's "Can I Talk To You" in the sexy drill style that's all the rage these days, and Cash Cobain is kind of the king of that scene, so he's a natural choice for the remix and he delivers an excellent verse.
Best Verse: n/a
Overall Grade: B+

"Lay Down (Remix)" by OMB Peezy featuring GloRilla
In my mind OMB Peezy works at the Office of Management and Budget. The "Lay Down" beat kind of cracks me up, the drum and synth sounds are so old-fashioned that it feels like something Whodini could have rapped on in the '80s. GloRilla brings some good energy to the song, though, I'd much rather she give features to someone like OMB Peezy than Jorjiana. 
Best Verse: n/a
Overall Grade:

"Let's Go (Remix)" by Key Glock featuring Young Dolph
This remix dropped almost a year ago when "Let's Go" was charting, but I missed it at the time and I'd rather cover stuff in this column late than not at all for the sake of having a more complete archive. Of course, Young Dolph had been gone for over 2 years already, so I'm guessing Key Glock just found an unreleased Dolph verse at the same BPM when "Let's Go" became a hit. Glock was Dolph's closest collaborator and is probably trying to keep his memory live as much as anything else, so I don't mind it as much as, say, that DMX verse on the Trae track. And Glock put a new verse on this as well, I'm always happy when the original artist writes a new verse for the remix. 
Best Verse: Young Dolph
Overall Grade: B

"Lizzo (G-mix)" by Moone Walker featuring Kevin Gates and Big Boogie
"Lizzo (Shemix)" by Moone Walker featuring cupcakKe and Layton Greene
"Lizzo 2" by Moone Walker featuring Big Money Blitz and Kevin Gates
Here's something else kind of old that I'm covering now just for the sake of completism, sort of. The original "Lizzo" and the first couple remixes came out in 2022 and 2023, and then in late 2024 Moone Walker released another remix with a new Big Money Blitz verse and the Kevin Gates verse from one of the earlier remixes. I guess he's really gotta milk the only shitty hit he'll ever have. Everybody kicks really sexual lyrics on these lyrics, but Kevin Gates is both a better rapper than any of the others and a bigger pervert than any of the others (most memorable line: "make a fist with your pussy, yes ma'am make it squeeze"). 
Best Verse: Kevin Gates
Overall Grade: B-

"Make A Livin' (Remix)" by MC Lyte featuring Busta Rhymes and Lady London
Lady London is growing on me, I like her verse on this a lot more than the Ciara remix I covered here a couple years ago, it's big that she got a co-sign from Lyte, one of the greatest female rappers ever. 
Best Verse: Lady London
Overall Grade: B

"Move 2.0" by Mello Buckzz featuring Monaleo
I put Monaleo in my top 10 list of 2024 rap albums by women and I'm glad to see she's still killing features, her flow sounds good on a Chicago juke beat. 
Best Verse: n/a
Overall Grade:

"Out (Busta Rhymes Extended Mix)" by Ann & Dom featuring Busta Rhymes and Wade Teo
Ann Winsborn is a Swedish pop singer who had a minor hit in her home country and Dominic Bugatti is a veteran UK songwriter who wrote hits for Sheena Easton and Air Supply in the '80s. Last August, Ann & Dom released their first song as a duo, "Out." In October, they released a dance mix by producer Wade Teo, and in January they released a remix with a Busta Rhymes verse and the Wade Teo beat. Unfortunately, this thing is just a total mess, it sounds like Busta recorded his verse to a completely tempo and they just threw it on here without synching anything up and almost making it sound like he's doing a poetry slam free verse flow. I'm embarrassed for everyone involved that this was released to the public, because "Out" is a decent little dance pop song and putting a rap verse on it isn't a bad idea if it was executed properly. 
Best Verse: n/a
Overall Grade: F

"Please Please Please (Remix)" by Sabrina Carpenter featuring Dolly Parton
I think "Please Please Please" is a pretty good song that's not served well by some of the most annoyingly cutesy retro production of Jack Antonoff's career. Last summer when the song was still new, Sabrina Carpenter released a remix EP with an acoustic version that put her vocals from the original over some nice acoustic guitar and fiddle, and that's been my preferred go-to version of the song. I was hoping the new version with Dolly Parton on the deluxe edition of Short n' Sweet would use that acoustic backing track, but it sort of takes the original track, irritating synths and all, and layers lots of country instrumentation over it and makes it mostly tolerable. I don't think the song necessarily works as a duet, but Carpenter really has some of the spirit of vintage Dolly in her music and it's fun to hear them together. 
Best Verse: n/a
Overall Grade: B-

"Pookie's Requiem [hehe look y'all made it longer]" by Sailorr featuring Summer Walker
Everything about this song is aggressively quirky, I don't hate it but it feels almost like it's pandering to some target audience I'm not a part of. Summer Walker's addition to the song brings it a little closer to a conventional R&B track and I don't know if that improves it or waters it down on some level. 
Best Verse: n/a
Overall Grade:

"Popa (Remix)" by Ice Spice featuring Anuel AA
There were some songs on Ice Spice's album that I actually liked but "Popa" was definitely not one of them, and having this 'Latin trap' Trump supporter loser do a verse doesn't help or really suit the beat at all. 
Best Verse: n/a
Overall Grade:

"Pressure (Shawty You Pressure) (G-Mix)" by Big Money Blitz featuring Moone Walker
"Pressure 2 (Shawty You Pressure)" by Big Money Blitz featuring Big Boogie and BossMan Dlow
The better remix with Big Boogie and BossMan Dlow was briefly on Spotify and then taken off for some reason, but you can still hear it on Big Money Blitz's YouTube Channel. Not a great song and not a beat that brings out the best in anybody rapping on it, BossMan Dlow in particular sounds a little outside his comfort zone. 
Best Verse: Big Boogie
Overall Grade: B-

"PTP (Remix)" by Babyfxce E featuring Monaleo
Just as the "Move" remix gave Monaleo a chance to rap over a juke track, "PTP" gives her a chance to rap over some Michigan rap, and it feels like she really leans into that Michigan style of goofy punchlines. When the video dropped, a lot of people were posting clips of just her verse on Twitter, this might be one that really helps turn her into a star. 
Best Verse: n/a
Overall Grade: A-

"Push 2 Start (Remix)" by Tyla featuring Sean Paul
The early 2000s global crossover of Jamaican dancehall definitely feels like the template, both in musical influence and in business strategies, for this decade's global crossover of African styles like Amapiano and Afrobeats. So it's a shrewd move for Tyla to make that parallel more explicit with a Sean Paul collaboration, and he sounds pretty good on this song. 
Best Verse: n/a
Overall Grade: B+ 

"Rock Out (Remix)" by Trae Tha Truth featuring Busta Rhymes and A$AP Ferg
The original "Rock Out" is one of the worst songs I've ever heard, mostly because of the A$AP Ferg hook, but the beat is also kind of annoying. Busta Rhymes puts maximum effort into salvaging the song, though, doing one of those ridiculously fast flows like he did on Chris Brown's "Look At Me Now." 
Best Verse: n/a
Overall Grade: B- 

"Rock Your Hips (Remix)" by 310babii featuring Saweetie 
310babii reunited with OhGeesy and BlueBucksClan from "Soak City" for his second biggest hit, but Saweetie is the only guest on the remix. This is definitely one of her better features, she talks her shit. And I guess "I'm the biggest bitch out the west" is more or less true, if you don't count Doja Cat (and I kinda don't consider her a fulltime rapper, so I'm fine with that). 
Best Verse: n/a
Overall Grade: B

"Shake Dat Ass (Twerk Song) (Remix)" by BossMan Dlow featuring GloRilla
"Shake Dat Ass" appeared on a BossMan Dlow album in early 2023 and then became a sleeper hit after the success of "Get In With Me." I feel like this remix could've been a big deal if it came out earlier, but it just came out quietly as a bonus track on Dlow's latest album a few months after the song peaked, which is kind of shame because it's one of Glo's best verses in recent memory. The way she flubs the word "psychic" is funny, though. 
Best Verse: n/a
Overall Grade: B+ 

"Shake It To The Max (FLY) - Remix" by Moliy featuring Skillibeng, Shenseea, and Silent Addy
Don't love this song, the beat feels kind of flimsy, but the Skillibeng and Shenseea verses definitely fill out the song and make me enjoy it more. 
Best Verse: Shenseea
Overall Grade: B-

"Soft Spot (955 Remix)" by JMSN featuring Sada Baby
Texan Christian "JMSN" Berishaj has been around as a cult artist with industry connections for a while now -- he worked on 4 songs on good kid, m.A.A.d city -- but his 2023 single "Soft Spot" became his breakout hit when people starting making memes out of the video a year after its release. Given the Miami bass feel of the beat and the way JMSN put a Texas area code in the name of the remix, it's kind of odd that he got a verse from a Michigan rapper. Sada Baby sounds pretty good on this track, though, and JMSN's bit on the intro ("it's the remix to 'Soft Spot'/ fresh off the lot") made me chuckle. 
Best Verse: n/a
Overall Grade: B

"Somethin' 'Bout A Woman (Remix)" by Thomas Rhett featuring Teddy Swims
I feel like it's a cliche at this point for country artists and non-country artists to record duets that they can perform together at award shows, and Thomas Rhett and Teddy Swims performed "Somethin' 'Bout A Woman" at the CMAs a few months ago. I think this sounds good and feels like a pretty organic collaboration, though -- they both regularly work with the same producer, Julian Bunetta, and Teddy Swims co-wrote Rhett's #1 country radio hit "Angels (Don't Always Have Wings)" before his career really took off. 
Best Verse: n/a
Overall Grade: B

"Still Believe In Love (Remix)" by Mary J. Blige featuring Jadakiss, Fat Joe, Raekwon, and Vado
Another one from a year ago that I missed at the time and wanted to cover. It's kind of funny that the original "Still Believe In Love" featured just Vado, a former Cam'ron sidekick who's kind of like a replacement level NYC rap "star," but then the remix has three of the city's bona fide legends, and a new Vado verse that's better than his appearance on the original. Both versions of this song were oddly left off Gratitude, though. Jadakiss kills it as usual, he hasn't been in this column since 2022 and it's always nice to hear one of the GOATs of the remix circuit. 
Best Verse: Jadakiss
Overall Grade: B

"10PM In Miami (RMX Again)" by Trillian featuring Busta Rhymes, Honey Bxby, and Connie Diiamond
Trillian is Busta Rhymes's son, and last year I covered a remix of "10PM In Miami" featuring Cash Cobain, but he's since released another remix featuring his old man. Busta does his best to attempt a sexy drill flow, but nonchalance is a big part of that whole style of rapping, and Busta sounds like he can't help shouting his way through his verse a little, it's awkward. Honestly Busta has been in this Remix Report Card a lot and he hasn't really caught a W the whole time, it's sad but he's still a top 5 remix guest. Honey Bxby bringing a little melody to the track really works out well, though. 
Best Verse: Honey Bxby
Overall Grade: B-

"Tweaker (Remix)" by Gelo featuring Lil Wayne
When LiAngelo Ball released "Tweaker" back in January, people instantly latched onto how that catchy "woah-oh-oh" part of the hook reminded people of early 2000s club bangers, some people would bring up Nelly but even more would bring up old Cash Money hits. Very quickly there was talk of an all-star remix, and people like Moneybagg Yo and Boosie Badazz publicly hit up Gelo asking to do verses on the song, but eventually a remix came out with the biggest Cash Money rapper of all, Lil Wayne. Sounded like a great idea on paper, but the verse really sucks, one of Wayne's worst features I can remember, riffing for way too long on rhymes with his signature "remix, baby" ad lib. Def Jam seemed to really push radio to play this version of "Tweaker" instead of the original and it's actively stifled the song from growing into a bigger hit. 
Best Verse: n/a
Overall Grade:

"Way Out The Hood II" by Lil Tjay featuring Polo G
Polo G and Lil Tjay's first collaboration "Pop Out" was really the song that turned them both into mainstream stars six years ago, and they've frequently reunited, by my count this is their 9th song together. But their careers have both kinda stalled in the last couple years and it doesn't feel like this one generated any excitement. Polo G has rapped on so many sad piano loops over the years, including "Pop Out," that there's a whole meme about people calling him 'Piano G,' so I rolled my eyes pretty hard when I heard the sad pianos on "Way Out The Hood," but his verse on this is really good. This is another one that for some reason is not on Spotify but you can listen on YouTube
Best Verse: n/a
Overall Grade:

"Whites (Remix)" by Masicka featuring French Montana
I feel bad for new artists whose breakthrough single gets remixed with a French Montana verse, clearly someone is just strategizing for the song to get Hot 97 airplay but they didn't really think about every other market outside NYC where French hasn't mattered in over a decade, if he ever has. It's a shame, because this is really one of those Jamaican records that I can imagine a lot of American rappers sounding good on. 
Best Verse: n/a
Overall Grade:

"Worst Behaviour (Remix)" by kwn featuring Kehlani
I feel like both this and the remix of Jordan Adetunji's "Kehlani" have way overshadowed anything from the two solo projects Kehlani has released in the past year, it's like she's a star but doesn't have the hitmaking acumen to make big songs on her own and is better at making other people's songs bigger. She does sound really good on this song, though. 
Best Verse: n/a
Overall Grade: B